i tien hsing (13 risultati)

Paperback. Condizione: As New. Illustrated paper covers with french flaps; light shelf wear; 4to - over 9 3/4" to 12" tall; Interior is clean and unmarked; 383 pages. Additional shipping charges may be required.

Condizione: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. First Edition; First Printing. 252 pages; Minor scratches and dings to DJ as well as light edge wear. No tears or stains. Book in Near Fine (excellent) overall condition. No noteworthy defects. No markings. Sticker on DJ barcode.; - We're committed to your satisfaction. We offer free returns and respond promptly to all inquiries. Your item will be carefully wrapped in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Metropolitan Museum of Art, 2017; stated First Printing; xv, 252pp. Binding is tight, sturdy, and square; blue cloth boards in VG condition, corners sharp, gilt titling remains bright and bold; photos, illustrations and text also very good. Unclipped dust jacket in VG condition, arrives wrapped in protective mylar. Not available for domestic priority/expedited shipping. Ships from Dinkytown in Minneapolis, Minnesota.

Hardcover. grey cloth boards w/ copper printing. 268 pgs w/ color illustration. black, pictorial dustjacket w/ copper reflective printing. Appears to be a lightly read and handled copy. " VG+/VG (light wear to cloth edges, corners & spine ends. dustjacket has scratches & wear; curling & creasing to upper edge; rubbing to corners).

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st. Cloth, xv, 252 pages, illustrations, maps; 32 cm. Catalogue of an exhibition held April 3 to July 16, 2017 at the Metropolitan Museum of Art. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "Age of Empires presents the art and culture of China during one of the most critical periods of its history - the four centuries from 221 B.C. to A.D. 200-- when, for the first time, people of diverse backgrounds were brought together under centralized imperial rule that fostered a new and unified identity. The Qin and Han empires represent the 'classical' era of Chinese civilization, coinciding in both importance and timing with the Greco-Roman period in the West. Under the short-lived Qin and centuries-long Han, warring principalities were united under a common emperor, creating not only political and intellectual institutions but also the foundation for a Chinese art, culture, and national identity that lasted over two millennia. Over 150 works from across the full breadth of Chinese artistic and decorative media-- including ceramics, metalwork, textiles, armor, sculpture, and jewelry - are featured in this book and attest to the unprecedented role of art in ancient Chinese culture. These stunning objects, among them soldiers from the renowned terracotta army of Qin Shihuang, China's first emperor, are drawn from institutions and collections in China and appear here together for the first time." - Publisher. *** CONTENTS: The Making of China: The Establishment of a Lasting Political Paradigm and Cultural Identity During the Qin and Han Dynasties, by Zhixin Jason Sun; Qin and Han Political Institutions and Administration, by Robin D. S. Yates; Military Armaments of the Qin and Han, by Yang Hong; The Qin and Han Imperial City: Modeling and Visualizing Architecture, by Cary Y. Liu; The Ingenuity of Qin-Han Craftsmanship, by Pengliang Lu; Popular Beliefs in the Qin and Han Dynasties, by Lillian Lan-ying Tseng; Qin-Han China and the Outside World, by I-tien Hsing; Catalogue. The Qin Dynasty: Birth of a Unified China; The Han Dynasty: The Consolidation of Empire; The Han Dynasty: One Nation, Many Cultures. Size: Folio. Collectible.

Condizione: New.

Paperback. Condizione: New. The "Wu Family Shrines" pictorial carvings from Han dynasty China (206 BCE-220 CE) are among the earliest works of Chinese art examined in an international arena. Since the eleventh century, the carvings have been identified by scholars as one of the most valuable and authentic materials for the study of antiquity. This important book presents essays by archaeologists, art and architectural historians, curators, and historians that reexamine the carvings, adding to our understanding of the long cultural history behind them and to our knowledge of Han practices. The authors offer a thorough analysis of surviving physical and visual sources, invoking fresh perspectives from new disciplines.  Essays address the ideals, practices, and problems of the "Wu Family Shrines" and Han China; Han funerary art and architecture in Shandong and other regions; architectural functions and carved meanings; Qing Dynasty Reception of the Wu Family Shrines; and more.Distributed for the Princeton University Art Museum.

Paperback. Condizione: New. The "Wu Family Shrines" pictorial carvings from Han dynasty China (206 BCE-220 CE) are among the earliest works of Chinese art examined in an international arena. Since the eleventh century, the carvings have been identified by scholars as one of the most valuable and authentic materials for the study of antiquity. This important book presents essays by archaeologists, art and architectural historians, curators, and historians that reexamine the carvings, adding to our understanding of the long cultural history behind them and to our knowledge of Han practices. The authors offer a thorough analysis of surviving physical and visual sources, invoking fresh perspectives from new disciplines.  Essays address the ideals, practices, and problems of the "Wu Family Shrines" and Han China; Han funerary art and architecture in Shandong and other regions; architectural functions and carved meanings; Qing Dynasty Reception of the Wu Family Shrines; and more.Distributed for the Princeton University Art Museum.

Condizione: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Paperback. Condizione: New. The "Wu Family Shrines" pictorial carvings from Han dynasty China (206 BCE-220 CE) are among the earliest works of Chinese art examined in an international arena. Since the eleventh century, the carvings have been identified by scholars as one of the most valuable and authentic materials for the study of antiquity. This important book presents essays by archaeologists, art and architectural historians, curators, and historians that reexamine the carvings, adding to our understanding of the long cultural history behind them and to our knowledge of Han practices. The authors offer a thorough analysis of surviving physical and visual sources, invoking fresh perspectives from new disciplines.  Essays address the ideals, practices, and problems of the "Wu Family Shrines" and Han China; Han funerary art and architecture in Shandong and other regions; architectural functions and carved meanings; Qing Dynasty Reception of the Wu Family Shrines; and more.Distributed for the Princeton University Art Museum.

Paperback. Condizione: New. The "Wu Family Shrines" pictorial carvings from Han dynasty China (206 BCE-220 CE) are among the earliest works of Chinese art examined in an international arena. Since the eleventh century, the carvings have been identified by scholars as one of the most valuable and authentic materials for the study of antiquity. This important book presents essays by archaeologists, art and architectural historians, curators, and historians that reexamine the carvings, adding to our understanding of the long cultural history behind them and to our knowledge of Han practices. The authors offer a thorough analysis of surviving physical and visual sources, invoking fresh perspectives from new disciplines.  Essays address the ideals, practices, and problems of the "Wu Family Shrines" and Han China; Han funerary art and architecture in Shandong and other regions; architectural functions and carved meanings; Qing Dynasty Reception of the Wu Family Shrines; and more.Distributed for the Princeton University Art Museum.

Condizione: Good. 4to. [268 pp.]. Hard Covers. Very Good+. Dust Jacket Very Good. Pages fine. Includes 290 color illustrations, index, maps, bibliography. The first in-depth exploration of the artistic and cultural achievements of China's classical era, Age of Empires presents the art and culture of China during one of the most critical periods of its history - the four centuries from 221 B.C. to A.D. 200-- when, for the first time, people of diverse backgrounds were brought together under centralized imperial rule that fostered a new and unified identity. The Qin and Han empires represent the classical era of Chinese civilization, coinciding in both importance and timing with the Greco-Roman period in the West. Under the short-lived Qin and centuries-long Han, warring principalities were united under a common emperor, creating not only political and intellectual institutions but also the foundation for a Chinese art, culture, and national identity that lasted over two millennia. Over 150 works from across the full breadth of Chinese artistic and decorative media-- including ceramics, metalwork, textiles, armor, sculpture, and jewelry - are featured in this book and attest to the unprecedented role of art in ancient Chinese culture. These stunning objects, among them soldiers from the renowned terracotta army of Qin Shihuang, China s first emperor, are drawn from institutions and collections in China and appear here together for the first time. Essays by leading scholars, accompanied by dazzling new photography of the objects, address the sweeping societal changes underway, and trace a progression from the early, formative years through unprecedented sophistication and technical accomplishment.