ibou paul (76 risultati)

Hardcover. Condizione: Used - Very Good. Graphis U.S. Inc., New York, copyright 1996. 224 pages. Text in English, German, French. Color illustrated. 12 x 7.5", cloth, dj. Owner name (graphic designer Robert Cipriani), clean, tight, very good/very good.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Condizione: As New. Unread book in perfect condition.

Softcover. Condizione: Fine. Leichte Rillen / Abschürfungen / Risse / Knicke.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Photographs By Gerrit Op De Beeck (illustratore). 1st Edition. 264 Pp. Black Cloth Printed In Silver. 11 3/4" X 10 1/4" X 1". Text In Dutch, French, German And English. Special Hardcover Presentation Book With Signed Presentation Plate From C. Paulus, Governor Of Antwerp Province, Dated 1998 Bound In. Fine In Fine Dj.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: Good. First Edition. Ik vier het alle dagen is een boek van Durnez; Gebonden boek met fris en schoon binnenwerk. Gave omslag. Licht scheurtje op voorplat.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Condizione: New. Paul Ibou designed during his career more than 350 logos and symbols and is one of the important pioneers in modern graphic design. Next to his design activities he published numerous books on symbols and logo's. In 1991 he built the foundations of the book Letters As Symbols: the concept, the cover and the basic layout. The book was never released and remained untouched for decades until young graphic designer Christophe De Pelsemaker and Paul Ibou established a collaboration in 2017. Paul Ibou acquired an enormous amount of logos through submission forms that were sent to him by the leading logo and brand identity designers of that time like Saul Bass, Burton Kramer, Anton Stankowski, Yasaburo Kuwayama, Ken Cato, Wim Crouwel and many more. Letters As Symbols, contains logos from these submissions and was completed with contemporary work. Each logo is based on a letter of the Latin alphabet (A-Z) and forms an excellent source of inspiration for designers, artists, agencies, teachers, typographers, students, and many others.

Hardcover. Condizione: new. Hardcover. Paul Ibou designed during his career more than 350 logos & symbols and is one of the important pioneers in modern graphic design. Next to his design activities he published numerous books on symbols and logo's. In 1991 he built the foundations of the book Letters As Symbols: the concept, the cover and the basic layout. The book was never released and remained untouched for decades until young graphic designer Christophe De Pelsemaker and Paul Ibou established a collaboration in 2017. Paul Ibou acquired an enormous amount of logos through submission forms that were sent to him by the leading logo and brand identity designers of that time like Saul Bass, Burton Kramer, Anton Stankowski, Yasaburo Kuwayama, Ken Cato, Wim Crouwel and many more. Letters As Symbols, contains logos from these submissions and was completed with contemporary work. Each logo is based on a letter of the Latin alphabet (A-Z) and forms an excellent source of inspiration for designers, artists, agencies, teachers, typographers, students, and many others. AUTHOR: Paul Ibou was was a Belgian graphic designer and sculptor. He designed, among other things, a number of logos for large organizations. At the age of 17, Paul created his personal logo and pseudonym. Based on a few spheres and a simple body shape, he made a stylized owl. This owl shape would later return in many of his designs. Owl is "hibou" in French. Vermeersch left out the "h" and looked for a way to make "Ibou" an acronym. It became "Inventive Book Designer and Publisher". Paul Ibou worked first at an advertising studio and then briefly at a photogravure studio. In 1958 he completed the course "Publicity and Letters" at the Royal Academy of Fine Arts of Antwerp . He further studied at the "Higher Institute for Printing" of the Plantin Institute for Typography. Ibou then went to work for Nutricia as an art director. In 1961 Ibou became an independent designer and a few years later he received the first important commissions, including in 1965 for the Biennale for Sculpture in the Middelheim Park in Antwerp. In 1967 he made his first international study trip, which took him to New York. Ibou's fame increased and he received numerous assignments for major institutions. In 1980 he founded a magazine about design: Vorm in Vlaanderen. Of these, 14 issues and 2 yearbooks were published. In 1984 the magazine was stopped after Ibou was involved in a serious car accident, for which he had to recuperate for a long time. In 2001, Ibou stopped working as a graphic designer and focused on painting and sculpture. He sadly passed away in 2023, but his archive lives on through printed matter. SELLING POINTS: . The book is not only a celebration of letters as symbols, it is also a celebration of the skill and knowledge that goes into logo design . It is clear that Paul Ibou has had an impressive artistic career in more than half a century. He rightly describes himself as a 'total multi-artist'. Probably because that sounds better than 'constructivist image builder, graphic and plastic designer, designer, typewriter and typographer, writer, publicist, publisher and specialist in visual communication', which he was 309 b/w illustrations The logos by Paul Ibou featured in 'Letters As Symbols' are looking purely at the aesthetics of logos, that are all equal and have the qualities a good logo must have. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hard Cover. Condizione: Fine. Condizione sovraccoperta: Fine. This is a fine hardcover copy in a fine dust jacket with no wear at all. Completely clean inside and out. Text in English and French. Edited by Paul Ibou. Introduction by Wim Crouwel. Superb collection of logos and symbols used by art world institutions, designed by the leading designers of the period. Illustrated mostly in black & white, some color. All illustrations printed on high quality heavy paper stock. Index of over 200 designers. 12" high X 9" wide, 201 pages. Heavy book, foreign shipping extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Condizione: New. In.

Condizione: Very Good. Very Good condition. Very Good dust jacket. Volume 2. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Condizione: Buono (Good). Testo anche in inglese. ill. a colori. in quarto leg. bross. con sovraccoperta edit. pp. non numerate Buono (Good) Buon es. leg. bross. con sovraccoperta edit. Book.

Condizione: Good. Volume 2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2450grams, ISBN:9071614093.

Hardcover. Condizione: Brand New. 320 pages. 11.75x8.25x8.27 inches. In Stock.

Condizione: Good. Original stapled wrappers, softcover, illustrations (including photographs) in colour and b/w, unpaged, square (circa 20x20cm). Signed on title page by Paul Ibou.; Few creases in front and rear cover.

Condizione: Good. Original green cloth, dust jacket, numerous illustrations in colour, text in English, French and Japanese, unpaged, folio.; Top corners bumped, foxing to verso dust jacket.

1.Aufl. 210 S., 1.Aufl., 4to, OPbd, OU, International Collection of Symbols and Logos of Art & Design Exhibitions, Museums, Galleries and Cultural Manifestations, Designed by Famous Artists and Leading Designers Worldwide, leichte Randbräunt, Cover mit kleinem Einriss, sonst noch sehr guter Zustand Sprache: Englisch 4000g gr.

Hardcover. Condizione: new. Hardcover. Paul Ibou designed during his career more than 350 logos & symbols and is one of the important pioneers in modern graphic design. Next to his design activities he published numerous books on symbols and logo's. In 1991 he built the foundations of the book Letters As Symbols: the concept, the cover and the basic layout. The book was never released and remained untouched for decades until young graphic designer Christophe De Pelsemaker and Paul Ibou established a collaboration in 2017. Paul Ibou acquired an enormous amount of logos through submission forms that were sent to him by the leading logo and brand identity designers of that time like Saul Bass, Burton Kramer, Anton Stankowski, Yasaburo Kuwayama, Ken Cato, Wim Crouwel and many more. Letters As Symbols, contains logos from these submissions and was completed with contemporary work. Each logo is based on a letter of the Latin alphabet (A-Z) and forms an excellent source of inspiration for designers, artists, agencies, teachers, typographers, students, and many others. AUTHOR: Paul Ibou was was a Belgian graphic designer and sculptor. He designed, among other things, a number of logos for large organizations. At the age of 17, Paul created his personal logo and pseudonym. Based on a few spheres and a simple body shape, he made a stylized owl. This owl shape would later return in many of his designs. Owl is "hibou" in French. Vermeersch left out the "h" and looked for a way to make "Ibou" an acronym. It became "Inventive Book Designer and Publisher". Paul Ibou worked first at an advertising studio and then briefly at a photogravure studio. In 1958 he completed the course "Publicity and Letters" at the Royal Academy of Fine Arts of Antwerp . He further studied at the "Higher Institute for Printing" of the Plantin Institute for Typography. Ibou then went to work for Nutricia as an art director. In 1961 Ibou became an independent designer and a few years later he received the first important commissions, including in 1965 for the Biennale for Sculpture in the Middelheim Park in Antwerp. In 1967 he made his first international study trip, which took him to New York. Ibou's fame increased and he received numerous assignments for major institutions. In 1980 he founded a magazine about design: Vorm in Vlaanderen. Of these, 14 issues and 2 yearbooks were published. In 1984 the magazine was stopped after Ibou was involved in a serious car accident, for which he had to recuperate for a long time. In 2001, Ibou stopped working as a graphic designer and focused on painting and sculpture. He sadly passed away in 2023, but his archive lives on through printed matter. SELLING POINTS: . The book is not only a celebration of letters as symbols, it is also a celebration of the skill and knowledge that goes into logo design . It is clear that Paul Ibou has had an impressive artistic career in more than half a century. He rightly describes himself as a 'total multi-artist'. Probably because that sounds better than 'constructivist image builder, graphic and plastic designer, designer, typewriter and typographer, writer, publicist, publisher and specialist in visual communication', which he was 309 b/w illustrations The logos by Paul Ibou featured in 'Letters As Symbols' are looking purely at the aesthetics of logos, that are all equal and have the qualities a good logo must have. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: Good. Paperback, veel (paginagrote) illustraties in z/w, 8vo.; Spine slightly skew.

Condizione: Sehr gut. 2 Bll., 4 Bll., 266 Symbole, 3 Bll. - sehr gut erhalten. Zahlungen mit PayPal möglich. Sprache: Englisch Gewicht in Gramm: 2600 OLeinen m. Schutzumschlag. 34x25 cm.

Hardcover with dusjacket 336 pages . Afm. 30x22 cm. Illustrated. Cultureel jaarboek "Flanders' creativity" edit 1984, gesigneerd door Ibou 0 g.

Buch. Condizione: Neu. Neuware - Paul Ibou designed during his career more than 350 logos & symbols and is one of the important pioneers in modern graphic design. Next to his design activities he published numerous books on symbols and logo's. In 1991 he built the foundations of the book Letters As Symbols: the concept, the cover and the basic layout. The book was never released and remained untouched for decades until young graphic designer Christophe De Pelsemaker and Paul Ibou established a collaboration in 2017. Paul Ibou acquired an enormous amount of logos through submission forms that were sent to him by the leading logo and brand identity designers of that time like Saul Bass, Burton Kramer, Anton Stankowski, Yasaburo Kuwayama, Ken Cato, Wim Crouwel and many more. Letters As Symbols, contains logos from these submissions and was completed with contemporary work. Each logo is based on a letter of the Latin alphabet (A-Z) and forms an excellent source of inspiration for designers, artists, agencies, teachers, typographers, students, and many others.