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Aggiungi al carrelloPaperback. Condizione: New. When Ariel Sharon visited the Temple Mount and the Al-Aqsa mosque in September 2000, there began at once a cycle of violence that has yet to be resolved. Ilkka Uimonen was there to witness the events.As the vehemence escalated he sought out flashpoints on both sides, Palestinian and Israeli. His photographs in Cycles do not follow the chronology of the events; they are very much his own narrative of his experiences. His sequence of 61 photographs of the combatants, and the innocents, is presented without an introduction. The violence and defining sentiments require none. His images fill the page, all of them full bleed, and provide a mesmeric testimony to the aggression, despair and pride that exist without boundaries in Palestine.Cycles has been edited and bound with Ilkka Uimonen's stark realism in mind. There are no frills to this volume that weighs heavy in the hand.
Paperback. Condizione: new. Paperback. Ilkka Uimonen travelled to Jerusalem on September 25, 2000, to photograph a story in the Old City. Three days later Ariel Sharon visited the Temple Mount and the Al-Aqsa mosque, in what seemed to the watching world to be a flagrant disregard for the sensitivities of the Palestinians. There began at once a cycle of violence that has yet to be resolved. As the vehemence escalated Uimonem sought out flashpoints on both sides, Palestinian and Israeli. His photographs in Cycles do not follow the chronology of the events - they are very much his own narrative of his experiences. Since 2000, Ilkka Uimonen has been photographing the seemingly endless cycle of violence between Israelis and Palestinians—seeking all the while to illuminate both sides of the story. Surrounded by history, he represented the present, knowing that one could never truly photograph the past. The images in Cycles do not follow the chronology of the events—they are very much Uimonen's personal narratives of his experiences. The sequence of 60 photographs of combatants and innocents is presented without an introduction: the violence and defining sentiments require none. All of the images are full bleed, and collectively provide a mesmeric testimony to the aggression, despair, and pride that exist without boundaries in Palestine. The starkness of Cycles closely reflects Uimonen's stark realism. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Aggiungi al carrelloPaperback. Condizione: Brand New. 128 pages. 9.50x7.50x0.75 inches. In Stock.
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Editore: Trolley LTD, Great Britain, 2004
Da: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
paperback. Condizione: near fine. 60 two-page images in black and white. 8vo, white cloth-backed paper wrappers (no title on spine). Great Britain: Trolley LTD, 2004. A near fine copy.
Da: David's Bookshop, Letchworth BA, Letchworth Garden City, HERTS, Regno Unito
Prima edizione
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Aggiungi al carrelloSoft cover. Condizione: Very Good. 4to, wrps., n.p. (ca. 200 p. with photographs), limited first edition (this is nr. 362) In very good condition. K20.
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. Ilkka Uimonen travelled to Jerusalem on September 25, 2000, to photograph a story in the Old City. Three days later Ariel Sharon visited the Temple Mount and the Al-Aqsa mosque, in what seemed to the watching world to be a flagrant disregard for the sensitivities of the Palestinians. There began at once a cycle of violence that has yet to be resolved. As the vehemence escalated Uimonem sought out flashpoints on both sides, Palestinian and Israeli. His photographs in Cycles do not follow the chronology of the events - they are very much his own narrative of his experiences. Since 2000, Ilkka Uimonen has been photographing the seemingly endless cycle of violence between Israelis and Palestinians—seeking all the while to illuminate both sides of the story. Surrounded by history, he represented the present, knowing that one could never truly photograph the past. The images in Cycles do not follow the chronology of the events—they are very much Uimonen's personal narratives of his experiences. The sequence of 60 photographs of combatants and innocents is presented without an introduction: the violence and defining sentiments require none. All of the images are full bleed, and collectively provide a mesmeric testimony to the aggression, despair, and pride that exist without boundaries in Palestine. The starkness of Cycles closely reflects Uimonen's stark realism. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware.
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Aggiungi al carrelloPaperback. Condizione: New. When Ariel Sharon visited the Temple Mount and the Al-Aqsa mosque in September 2000, there began at once a cycle of violence that has yet to be resolved. Ilkka Uimonen was there to witness the events.As the vehemence escalated he sought out flashpoints on both sides, Palestinian and Israeli. His photographs in Cycles do not follow the chronology of the events; they are very much his own narrative of his experiences. His sequence of 61 photographs of the combatants, and the innocents, is presented without an introduction. The violence and defining sentiments require none. His images fill the page, all of them full bleed, and provide a mesmeric testimony to the aggression, despair and pride that exist without boundaries in Palestine.Cycles has been edited and bound with Ilkka Uimonen's stark realism in mind. There are no frills to this volume that weighs heavy in the hand.
Da: Marcus Campbell Art Books, London, Regno Unito
Prima edizione
EUR 148,85
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Aggiungi al carrelloPaperback in card box. Condizione: Near fine in wraps. First Edition. 19 x 25cm near fine paperback contained within an off-white card box with some minor marks. Since 2000, The Finnish photographer, Ilkka Uimonen has been photographing the seemingly endless cycle of violence between Israelis and Palestinians--seeking all the while to illuminate both sides of the story. Surrounded by history, he represented the present, knowing that one could never truly photograph the past. The images in Cycles do not follow the chronology of the events--they are very much Uimonen's personal narratives of his experiences. The sequence of 60 photographs of combatants and innocents is presented without an introduction: the violence and defining sentiments require none. All of the images are full bleed, and collectively provide a mesmeric testimony to the aggression, despair, and pride that exist without boundaries in Palestine. The starkness of Cycles closely reflects Uimonen's stark realism.I.
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Aggiungi al carrelloPaperback. Condizione: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.