illustrated dignimont (12 risultati)

Hardcover. Condizione: Good. Hardcover. NO DJ. Pages are clean and unmarked. Covers show light edge wear with faded spine. Binding is tight, hinges strong. Book has a slight musty smell from basement storage.; 100% Satisfaction Guaranteed! Ships same or next business day!

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good. Illustrated by Dignimont (illustratore). Reprint. Very Good+/Very Good (slipcase) condition. Reprint. Includes The Sandglass. No markings to the text block. No marks of personal identification or prior ownership. Illustrations by Dignimont. ; 4to - over 9¾ - 12" tall; 232 pages.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. Illustrated by Dignimont (illustratore). Reprint. Near Fine/Very Good (slipcase) condition. Reprint. Includes The Sandglass. No markings to the text block. No marks of personal identification or prior ownership.; 4to - over 9¾ - 12" tall.

Hardcover. Illustrated by Robert Shore, G. Lambert, Dignimont (illustratore). Very Good with no dust jacket; Edgewear; Includes Presentation Address, Acceptance Speech, A Clean Well-Lighted Place, The Old Man and the Sea, The Sun Also Rises, A Farewell to Arms, The Life and Works of Ernest Hemingway, the 1954 Prize, Presentation Address, Acceptance Speech, Hunger, The Life and Works of Knut Hamsun, The 1920 Prize, Presentation Address, Acceptance Speech, Demian, Klingsor's Last Summer, A Child's Heart, The Life and Works of Hermann Hesse, the 1946 Prize. Published under the Sponsorship of the Nobel Foundation and the Swedish Academy. ; Color and b/w Illustrations; 378 pages.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. Slip case has light edge wear with scuffing and smudging as well as bumping and tearing. Boards have moderate shelf rubbing with scuffing and smudging as well as bumping and sun bleaching. Binding is sound. Page edges have light scuffing and smudging. Interior pages are unmarked. This could have light cosmetic flaws, but remains in good condition. Dust jacket condition is Good. Secure packaging for safe delivery.

Hardcover. Condizione: Very good +. 7 x 10 in. Cloth boards. Condition is VERY GOOD+ ; covers very clean with minimal shelf wear. Spine mildly toned/sunned. Binding tight. Text unmarked. Slipcase has some wear and may have sunning'foxing, but is undamaged. Fic. Stax.

Hard Cover. Condizione: Near Fine. Illustrated by Robert Shore, John Groth, G. Lambert, and Dignimont (illustratore). First Printing. Publisher's full dark blue faux leather, red and gilt medallion on front cover, silver decoration on spine, silver lettering on red panels on spine, blue endpapers. Illustrated with a B&W frontispiece and several color illustrations. Published under the sponsorship of the Nobel Foundtaion and The Swedish Acadamy. The section on each of the three Nobel Prize winners, Ernest Hemingway (1954), Knut Hamsun (1920), and Hermann Hesse (1946), is illustrated with a full-page B&W portrait frontispiece, and includes the Presentation Address, the Acceptance Speech, an Essay on the Life and Work of the writer, several works, and excerpts from his work, an essay on the Prize for that year, and is illustrated with several full-page, full-color plates. Fore-edge of front cover has a tiny tear in the leather and one small bump, former owner's name on ffep, otherwise unmarked, tight, square and clean. NEAR FINE. . Nobel Prize Library Series. Color and B&W Plates. 8vo 8" - 9" tall. (vi), 378 pp.

André Dignimont (1891-1965) (illustratore). ~ Orné d'un frontispice en couleurs de Dignimont & 179 héliogravures + une carte dépliante in-fine ~ Exemplaire relié en pleine toile d'après la maquette de Claude Arthaud, orné d'un portrait de François Ier. par Clouet contrecollé sur le plat supérieur ~ Pleine toile verte protégée par rhodoïd ~ 249+[1]p+1f ~ 23x17x3cm. ~ Très Bon état ~ LANGUAGE: Français.

Hardcover. Condizione: Very Good. Illustrated by Dignimont (illustratore). Limited Edition. Very Good condition in a Very Good slipcase. Limited Edition no. 302 of 1500. Signed by illustrator. Previous owner's bookplate on inside front cover. Beautiful Blue/green/white fabric boards. Title pasted down on the spine.; 4to - over 9¾ - 12" tall; Signed by Illustrator(s).

Soft cover. Condizione: Near Fine. Small 8vo, pictorial french wrappers with glassine overlay, a Fine copy, the trade edition limited to 2,800 numbered copies, a charming edition of this much reprinted poem, with numerous highly colored illus. by Dignimont, scarce in this condition (H14-3).

Softcover. Condizione: g- to vg. First edition. Small folio. Unpaginated. [46]pp (Advertisement), [84]pp (Text), [8]pp (Advertisement). Original illustrated wrappers by French artist, fashion illustrator and designer Christian Bérard. Spiral bound. Illustrated with three tipped-in color plates, numerous illustrations and 47 b/w photographic reproductions by Alinari, Brogli, Bulloz, Calavas, Fachetti, Giraudon, Bernand, Brassai, Robert Doisneau, Guy le Boyer, Schaall, Seeberger, Lipnitzki and Ostier, this scarce work is the official catalog of the London exhibition of "Le Théatre de la Mode", with Introductory text by Lucien Lelong, and text contributions by Louis Chéronnet and Gérard Bauer. Le Théatre de la Mode (Theatre of Fashion) was a 1945-1946 touring exhibit of fashion mannequins, approximately 1/3 the size of human scale, crafted by top Paris fashion designers. It was created to raise funds for war survivors and to help revive the French fashion industry in the aftermath of World War II*. The French fashion industry was an important economic and cultural force in Paris when World War II began. There were 70 registered couture houses in Paris, and many other smaller designers. The war had a severe impact on the industry. Couturiers and buyers fled occupied France or closed their businesses. Clothing businesses that struggled to remain open had to deal with extreme shortages of cloth, thread, and other sewing supplies. The occupying Germans intended to displace Paris with Berlin as a centre of European fashion design. The Nazi regime planned to turn Berlin and Vienna into the centres of European couture, with head offices there and an official administration, introducing subsidies for German clothing makers, and demanding that important people in the French fashion industry be sent to Germany to establish a dressmaking school there. Haute Couture's place in France's economy was key to this plan: an exported dress made by one of France's leading couturiers was said to be worth "ten tons of coal", and a litre of fine French perfume was worth "two tons of petrol". French fashion was also not only important economically, it was a vital part of France's national cultural identity. French designers resisted the Nazi regime's plans; Lucien Lelong, president of the Chambre Syndicale de la Couture Parisienne, proclaimed, 'It is in Paris or it is nowhere.' After Paris was liberated, the idea for a miniature theatre of fashion came from Robert Ricci, son of couturier Nina Ricci. All materials were in short supply at the end of World War II, and Ricci proposed using miniature mannequins, or fashion dolls, to address the need to conserve textiles, leather, fur, and so on. The mannequins were 27 1/2" (700 mm) tall, fabricated of wire. Some 60 Paris couturiers joined together and volunteered their scrap materials and labour to create miniature clothes in new styles for the exhibit. Milliners created miniature hats, hairstylists gave the mannequins individual coiffures, and jewellers such as Van Cleef and Arpels and Cartier contributed small necklaces and accessories. Some seamstresses even crafted miniature undergarments to go under the couture designs. Once work was completed on the Théâtre de la Mode, it became a touring exhibition of nearly 200 doll-size figurines in 15 elaborate artist-created sets. It opened at the Louvre in Paris on 28 March 1945, and was enormously popular, drawing 100,000 visitors and raising a million francs for war relief. With the success of the exhibit in Paris, the Théâtre de la Mode went on a tour of Europe, with shows in London, Leeds, Barcelona, Stockholm, Copenhagen and Vienna. To promote the exhibit abroad, a French government official wrote to the Ambassador of France in Britain: "France has little, alas to export, but she has her appreciation of beautiful things and the skill of her couture houses". After touring Europe in 1945, the mannequins were outfitted with new clothes designed for the 1946 season and the exhibition traveled to the United States, where it was displayed in New York City and San Francisco in 1946. After the final show, the mannequins were left behind in San Francisco, while the jewellery was returned to Paris. This catalog is complete, and includes no less than 54 pages of advertisement for French Haute Couture designers. Head and tail of spine slightly chipped. Closed tear at lower front joint. Clear water-staining along edges of wrappers. Minor age-toning along paper margin. Wrappers in overall good- to good, interior in very good condition. * The original Théâtre de la Mode exhibit toured Europe and then the United States, and is now part of the permanent collections of the Maryhill Museum of Art in Washington State in the United States.

Soft cover. Dignimont (illustratore). 1st Edition. Dignimont. 1st Edition. Soft cover. Signed. Bernard, Tristan., Illustrated by André Dignimont. AMANTS ET VOLEURS. Paris: Editions De La Roseraie, 1927. Limited 350 numbered copies on Vélin de Rives [of 420 copies], this being a Hors Commerce copy lettered A/C & signed by the editor. Illustrated with 16 original Dignimont eaux-fortes en coleurs with a second suite of engravings in black. Original brown wrappers in the original glassine & patterned copper paper covered box. A fine copy showing light use. Folio, 217pp. Benezit 3, 584. Carteret. Livres Illustres Moderne IV, 70. The best of Bernard, Amants et Voleurs remains his most acclaimed books. Tristan Bernard [1866 - 1947] French playwright, novelist, journalist & lawyer, prolific author of plays, short stories, novels & radio scripts. Amants et Voleurs was published several times during the first two decades of the 20th century but only once in a deluxe limited edition. André Dignimont [1891 - 1965] Noted French painter, illustrator & engraver - certainly one of the great book illustrators of the 20th century. A superb production with extraordinarily fascinating coloured engraving by the artist. Signed.