Ingmar bergman screenwriter (42 risultati)

Vintage one sheet poster for the 1971 film. Bergman's first English language film, shot in England and Sweden, and his first film to involve a major American actor (Elliott Gould) working alongside Bergman regulars Max von Sydow and Bibi Andersson. A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home, an emotionally scarred survivor of the Holocaust. Set and shot on location in Sweden and England. 27 x 41 inches. Folded as issued. Very Good plus with some starting at the folds. Criterion Collection, Ingmar Bergman's Cinema.…

One vintage studio still photograph and one vintage reference photograph from the 1963 US re-release of the 1948 Swedish film, here seen under the English title "Night is My Future." One with a stamp on the verso noting the film's title in Swedish, "Musik i Morker." Based on Dagmar Edqvist's 1946 novel. A pianist falls into an angry depression after being blinded in an accident, but finds compassion for others and himself through his growing love for a servant in his family's home. 10 x 8 inches. Near Fine.…

First German Edition. Text in German. A companion book for the 1976 film, illustrated with photographs. Near Fine in silver titled wrappers.

Vintage studio still photograph from the US release of the 1967 Swedish anthology film. Provenance stamp on the verso. A Swedish anthology film in eight episodes, noteworthy for director Ingmar Bergman's segment "Daniel," featuring home footage of his son Daniel Bergman. Shot on location in Stockholms län, Sweden. 8 x 10 inches. Very Good plus, with light edgewear, with two small closed tears in the right margin.…

Vintage reference photograph from the 1973 television movie, which premiered on April 24, 1973, on CBS. Printed mimeo snipe affixed to the verso. Not to be confused with the 1970 British television movie directed by Alan Bridges. A successful architect and his wife, an academic, face the deterioration of their relationship in their suburban home. Originally written for Swedish television and released in 1970 under the title "Reservatet," the script was translated into English and used for two television movies-one in 1970 in Britain, and one in the US in 1973. 9 x 7 inches. Near Fine.…

Vintage international program for the English language release of the 1960 Swedish film by Ingmar Bergman, printed by Svensk Filmindustri in Sweden. Adapted from the thirteenth century Swedish ballad, "Tores dottrar i Wange." Photo illustrated throughout. Winner of the Academy Award for Best Foreign Language Film, and nominated for the Palme d'Or, with director Bergman receiving a Special Mention at Cannes. 6.5 x 9.5 inches. 18 pages. Near Fine in lightly rubbed, saddle stapled wrappers.…

First Edition. First Edition of Atlas Filmheft double issue booklet number 32 on the 1963 film, text in German. Featuring 18 essays, an Ingmar Bergman filmography, and illustrated with black and white film still photographs throughout. The third entry in Ingmar Bergman's trilogy of faith and redemption, preceded by "Through A Glass Darkly" (1961) and "Winter Light"(1963). A stark and enigmatic allegory fueled by subtle performances from Ingrid Thulin and Gunnel Lindblom, wherein Ester (Thulin), suffering from a terminal disease, is traveling home with her younger sister Anna (Lindblom), and Anna's son Johan, when they stop in the town of Timoka, a fictional European county on the brink of war with an unknown dialect. After checking into a nearly empty hotel (with the exception of a group of Spanish dwarves in a traveling show), Anna leaves and has an affair with a waiter as Johan wanders the hallways of the hotel. 9.25 x 8 inches, 16 pages, side stapled with self wrappers. Very Good plus, with light creasing to the lower right corner and light soiling to the rear wrapper. Criterion Collection 211. Ebert III.…

Post-production script for the 1978 film. Incomplete as issued. Text in English. A troubled pianist travels to Norway to visit her estranged, neglected daughter. Actor Ingrid Bergman's final film role, and director Ingmar Bergman's final film for theatrical distribution. Set in Sweden and Norway, shot on location in Norway. White, lacking wrappers and a title page, with material from each reel of film bound separately. Approximately 36 leaves, with last page of text numbered 6-5. Carbon typescript on onionskin stock, rectos only. Pages Very Good. …

Vintage program for the French release of the 1960 Swedish film. Text and titles in French. Winner of the Academy Award for Best Foreign Language Film, and nominated for the Palme d'Or, with director Ingmar Bergman receiving a Special Mention at Cannes. 6.5 x 9.5 inches. 18 pages. Near Fine in lightly rubbed, saddle stapled wrappers.…

Vintage photograph of director Ingmar Bergman and a camera crew preparing to film a scene between actors Elliott Gould and Bibi Andersson. With a printed mimeo snipe affixed to the verso, along with a stamp noting No. 11620, and the stamps of Pix Inc and Camera Press Ltd. From the archive of the PIX Agency, a photo house that acted as an intermediary between emigre photographers (as well as those still living in Europe) and the American magazine and newspaper market between 1935-1969. A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home, an emotionally scarred survivor of the Holocaust. Bergman's first English language film, shot in England and Sweden, and his first film to involve a major American actor (Gould) working alongside Bergman regulars Andersson and Max von Sydow. Set and shot on location in Sweden and England. 10 x 7.75 inches. Very Good plus, lightly creased.…

Treatment script for the 1969 film. With a few small manuscript ink annotations to the title page and throughout, most noting grammatical revisions. A newly divorced man befriends a woman whose husband and son have recently been killed in a car accident, gradually beginning a relationship in spite of their mutual emotional fragility and disconnect. Shot on location in Gotlands Ian, Sweden. Blue untitled wrappers. Title page present, dated August 1968, with credits for director-screenwriter Ingmar Bergman and translator Alan Blair. 38 leaves, with last page of text numbered 37. Mimeograph duplication, rectos only. Pages Very Good plus, wrapper Very Good plus, bound with three gold brads.…

Draft script for the 1975 television film. Text in Swedish. Based on Mozart's 1791 opera "The Magic Flute," titled in German "Die Zauberflote" and here under the Swedish title "Trollflojten." Nominated for one Academy award. The Queen of the Night offers her daughter Pamina to Tamino, but also offers Tamino a magic flute to bring Pamina to him. The Queen also gives magic bells to the bird hunter Papageno, who joins Tamino on his journey for them both to find wives and learn about themselves. Shot on location in Stockholm. Yellow untitled wrappers. Title page present, dated November 1973, with credits for screenwriter Ingmar Bergman, and translator Alf Henriksson. 93 leaves, with last page of text numbered 28. Xerographic duplication. Pages Near Fine, wrapper Near Fine bound with a spiral binding. Criterion Collection 71.…

Agency Draft script for the 1975 film. With 31 pages of director Ingmar Bergman's commentary bound in after the script. Text in Swedish. Based on the 1791 German opera, about a young prince tasked with rescuing a princess from a mysterious high priest. Widely considered one of the most successful operatic adaptations to film ever released. Shot on location in Stockholm, Sweden. Pale yellow untitled wrappers. Title page present, dated November 1973, with credits for director Ingmar Bergman and screenwriter Alf Henrikson. 93 leaves, with last page of text numbered 61. Xerographic duplication, rectos only. Pages Very Good plus, wrapper Very Good plus, with a black comb binding. Criterion Collection 71.…

First Edition. First Edition publicity manual, reminiscent in content to a press kit, but with much more detail. Produced by Dino De Laurentiis to advertise legendary Swedish director Ingmar Bergman and his psychological drama "The Serpent's Egg" (1976). Profusely photo-illustrated with over 60 black and white images, including film stills and on the set photography of Bergman and other actors at work. Black comb bound wrappers with titles in green. Very Good plus, with light rubbing and soil on the front and rear wrapper. Approximately 120 pages.…

Draft script for the 1971 film. With what we assume to be translator Alan Blair's handwritten ink annotations throughout the script, mostly in English but occasionally in Swedish, noting many substantive revisions and deletions. Text in English. Bergman's first English language film, shot in England and Sweden, and his first film to involve a major American actor (Elliott Gould) working alongside Bergman regulars Max von Sydow and Bibi Andersson. A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home, an emotionally scarred survivor of the Holocaust. Set and shot on location in Sweden and England. Blue untitled wrappers. Title page present, with credits for director Ingmar Bergman and English translator Alan Blair. 57 leaves, with last page of text numbered 56. Xerographic duplication, rectos only. Pages Very Good, wrapper Very Good plus, with a black comb binding.…

Vintage photograph of director Ingmar Bergman setting up a shot with actors Elliott Gould, Bibi Andersson, and Max Von Sydow. With a printed mimeo snipe affixed to the verso, along with a stamp noting No. 11620, and the stamps of PIX Inc. and Camera Press Ltd. From the archive of the PIX Agency, a photo house that acted as an intermediary between emigre photographers (as well as those still living in Europe) and the American magazine and newspaper market between 1935-1969. A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home, an emotionally scarred survivor of the Holocaust. Bergman's first English language film, shot in England and Sweden, and his first film to involve a major American actor (Gould) working alongside Bergman regulars Sydow and Andersson. Set and shot on location in Sweden and England. 12 x 8.5 inches. Very Good plus, faintly toned along the top edge.…

Draft script for the 1963 Swedish film. Copy belonging to actor Bertha Sånnell, with her name in manuscript ink on a label affixed to the front wrapper, her annotations in manuscript ink and pencil on two script pages, and on a sheet of lined paper bound in at the rear of the script. The second entry in Ingmar Bergman's legendary and highly personal "Faith" trilogy, a series of films that launched an important phase in the director's career. A quiet, relentless meditation on the nature of faith, imperfection, and beauty. Red untitled wrappers. Title page present, undated, with credit for Bergman. 135 leaves, with last page of text numbered 133. Mimeograph duplication, rectos only. Pages Very Good plus, wrapper Good, perfect-bound, with the spine of the wrapper and the first two leaves detached from the text block. Criterion Collection 210. Ebert III.…

Collection of 22 vintage double weight oversize reference photographs from the 1961 Swedish film. Stamps of DLS-Film Holland on the versos, and several with layout annotations in manuscript ink and pencil. Embossed censor blindstamp at the upper right corner of each photograph. The first entry in Ingmar Bergman's legendary and highly personal "Faith" trilogy, winner of the Academy Award for Best Foreign Film. A young woman is released from a mental institution, and moves to an island where her family resides to recover. But she finds little solace, and no support from her father, her husband, or her brother. A landmark film, in that it is not so much an examination into mental illness as a glimpse into a private world, seen through a mind that has departed day to day concerns. 9.25 x 11.75 inches. About Very Good plus, with pinholes at the corners and light edgewear. Criterion Collection 209. Ebert III.…

Collection of nine vintage oversize double weight reference photographs from the 1958 Swedish film. Stamps of DLS-Film Holland on the versos, and several with layout annotations in manuscript ink and pencil. Embossed censor blindstamp at the upper right corner of each photograph. A traveling magic show led by a depressed, fraudulent illusionist faces opposition from a small town's authorities, who wish to expose the spectacle as a sham. Shot on location in Stockholm, Sweden. 9.25 x 11.75 inches. Generally Very Good, with pinholes at the corners, and several with small closed tears that have been repaired with archival tape on the versos. Criterion Collection 537. Rosenbaum 1000.…

Collection of 14 vintage oversize double weight reference photographs from the 1954 Swedish film. Several with stamps of Nordisk Films on the versos. Embossed censor blindstamp at the upper right corner of each photograph. After 15 years of marriage a man and a woman decide to divorce, but realize at the last minute that their extramarital affairs have not diminished their love for each other. Shot on location in Sweden and Denmark. 9.25 x 11.75 inches. Generally Very Good plus, with pinholes at the corners and light edgewear.…

Collection of 15 vintage double weight oversize reference photographs from the 1963 Swedish film. Stamps of DLS-Film Holland on the versos, and several with layout annotations in manuscript ink and pencil. Embossed censor blindstamp at the upper right corner of each photograph. The second entry in Ingmar Bergman's legendary and highly personal "Faith" trilogy, a series of films that launched a new and important phase in the director's career. A quiet, relentless meditation on the nature of faith, imperfection, and beauty. 9.25 x 11.75 inches. Generally Very Good plus, some with pinholes and small closed tears. Criterion Collection 210. Ebert III.…

Collection of eleven vintage reference photographs from the 1964 Swedish film. Stamps of DLS-Film Holland on the versos, and several with layout annotations in manuscript ink and pencil. Embossed censor blindstamp at the upper right corner of each photograph. A pretentious music critic tries to use salacious information about a famed cellist's sex life in order to blackmail the cellist into performing a composition the critic has written. One of Ingmar Bergman's only comedy films, and his first film to be shot in color, a parody of Federico Fellini's "8 1/2" (1963). 8 x 10 inches. Near Fine.…

Vintage borderless double weight reference photograph from the 1953 film. Cahiers du Cinéma stamp on the verso. Based on Per Anders Fogelstrom's 1951 novel. Two young lovers from Stockholm steal a boat and run away together, but are forced to return home as the summer ends. The first film to star director Ingmar Bergman's longtime leading lady Harriet Andersson, who would later appear in Bergman's "Sawdust and Tinsel" (1953), "Smiles of a Summer Night" (1955), "Through a Glass Darkly" (1961), and "Cries and Whispers" (1972). Set in Sweden. 10 x 8 inches. Near Fine. Criterion Collection 614.…

Vintage oversize reference photograph from the 1949 film, showing actress Eva Henning in a negligée. Ingmar Bergman's seventh film, about the troubled romantic and sexual experiences of several Swedish adults. Based on the 1948 short story collection by Birgit Tengroth, who also appeared as Viola in the film. Shot on location in Hamburg, Germany. 9.5 x 11.75 inches. Very Good plus, with light creasing at the corners.…

Three vintage borderless black-and-white photographs taken on the set of the 1972 film, two showing director Ingmar Bergman, and the other showing Bergman with actresses Harriet Andersson, Kari Sylwan, and Ingrid Thulin. With manuscript pencil and ink annotations to the verso. In her last days, a woman dying of uterine cancer is moved to her childhood home, where she is cared for by her emotionally distant sisters and distraught maid. Bergman's abstracted portrait of his mother, with each of the women in the film representing an aspect of her personality. Shot on location at Taxinge-Nasby Castle in Mariefred, Sweden. Two photographs 5 x 7 inches, one photograph 7 x 5 inches. Near Fine.…

Vintage reference photograph from the 1969 Swedish television film, showing actor Anders Ek in a menacing demonic mask. With a printed mimeo snipe specific to the film's UK release affixed to the verso. From the archive of film historian and author Joel Finler. A theatrical troupe is called before the Swedish courts due to their obscene performance material and personal lives, leading each troupe member to crack under psychological strain. The film originally aired on September 18, 1969 on Sveriges Radio. 8.5 x 6.5 inches. Near Fine.…

Collection of 14 vintage black and white oversize double weight studio still photographs from the 1958 film. A traveling magic show led by a depressed, fraudulent illusionist (Max von Sydow) faces opposition from a small town's authorities, who wish to expose the spectacle as a sham. Shot on location in Stockholm, Sweden. 12 x 9.5 inches. Near Fine. Criterion Collection 537. Rosenbaum 1000.…

Vintage borderless reference photograph of Harriet Andersson from the 1983 film. Printed Swedish Svensk Filmindustri snipe, featuring full cast and crew credits, affixed and folded, "Svensk Filmindustri" stamp, and small barcode label, all on verso. Based on the 1951 Swedish novel "Sommaren med Monika" by Per Anders Fogelstrom. Conceived as a vehicle for Andersson by Ingmar Bergman, who were intimately involved at the time, it was Andersson's first major role and would make her an international star. Bergman and Andersson would continue working together for the next three decades, Andersson starring in some of Bergman's most acclaimed films. Two disaffected youths, Harry (Lars Ekborg) and Monicka (Andersson), fall in love and run away for a fleeting idyllic summer in a remote archipelago. Controversial at the time of it's release for its then ground-breaking nudity, its US rights were purchased by Exploitation film presenter Kroger Babb in 1955, editing out over a third of the film to emphasize the nudity and renaming the film "Monika, the Story of a Bad Girl." Set in and shot on location in Stockholm, Sweden. 6.25 x 4.75 inches. Near Fine. Criterion Collection 614. Godard, Histoire(s) du Cinema.…

Two vintage borderless reference photographs from the set of the 1972 film-one showing director Ingmar Bergman talking with actors Liv Ullmann and Ingrid Thulin between takes, the other showing Bergman with cast and crew members in the projection room, reviewing daily rushes. Both with the stamp of photographer Bo-Erik Gyberg on the verso. Included with the photographs is a nine-page copy of an English-language publicity article about Bergman and the film, dated 1973, housed in an envelope with the label of Ernie Anderson, Bergman's American talent agent with the Paul Kohner Agency, affixed to the front. In her last days, a woman dying of uterine cancer is moved to her childhood home, where she is placed under the care of her emotionally distant sisters and distraught maid. Bergman's abstracted portrait of his mother, with each of the women in the film representing an aspect of her personality. Shot on location at Taxinge-Nasby Castle in Mariefred, Sweden. 7.25 x 9.5 inches. Lightly curled, else Near Fine. Criterion Collection 101. Complete collation details available on request.…

Three vintage reference photographs from the 1953 film. With printed mimeo snipes specific to the film's UK release affixed to the verso. Based on Per Anders Fogelstrom's 1951 novel. Two young lovers from Stockholm steal a boat and run away together, but are forced to return home as the summer ends. The first film to star director Ingmar Bergman's longtime leading lady Harriet Andersson, who would later appear in Bergman's "Sawdust and Tinsel" (1953), "Smiles of a Summer Night" (1955), "Through a Glass Darkly" (1961), and "Cries and Whispers" (1972). Set in Sweden. 10 x 8 inches. Near Fine. Criterion Collection 614. …