inke arns (222 risultati)

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condizione: Acceptable. This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread copy in mint condition.

Condizione: New.

Condizione: Como nuevo. : Este libro, titulado 'Wach sind nur die Geister - Awake are only the Spirits - on Ghosts and Their Media', es un catálogo de exposición que explora el tema de los fantasmas y su representación en los medios. Publicado por Revolver, cuenta con la autoría de Inke Arns y Thibaut de Ruyter. El libro está disponible en inglés y alemán, y se centra en la relación entre los fantasmas y los medios de comunicación, ofreciendo una perspectiva crítica y teórica sobre el arte y la cultura. EAN: 9783868950410 Tipo: Libros Categoría: Arte y Cultura|Filosofía Título: Wach sind nur die Geister Autor: Inke Arns| Thibaut de Ruyter Editorial: Revolver Idioma: en, de Páginas: 224 Formato: tapa blanda.

Paperback. Condizione: Good. Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. The film works of Silke Schönfeld (*1988) oscillate between installation, staged settings, and documentary. She engages with social media and the omnipresent flood of images: in this context, the artist highlights ambiguities, questions the authenticity of moving images, and thus situates the viewers in a vague space between staged and documented film.Schönfeld is especially interested in places and situations so ordinary that we don't (or no longer) notice them - places we pass by without a second thought. These initially inconspicuous locations and situations serve as launch pads for the artist to reflect on larger, socially relevant topics. Schönfeld skillfully interweaves personal stories with historical and societal contexts, subtly directing attention to social phenomena, rituals, ideologies, and processes.The publication is being issued on occasion of the eponymous solo exhibition at the HMKV Dortmund and showcases five large-scale video installations. Numerous photo spreads and introductory texts are accompanied by a detailed interview with the artist.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condizione: New. In the popular imagination, artificial intelligence (AI) is usually portrayed as a divine entity that makes "just" and "objective" decisions. Yet AI is anything but intelligent. Rather, it recognises in large amounts of data what it has been trained to recognise. Like a sniffer dog, it finds exactly what it has been taught to look for. In performing this task, it is much more efficient than any human being - but this precisely is also its problem. AI only mirrors or repeats what it has been instructed to reflect. Seen in this light, it may be viewed as a kind of digital "house of mirrors".Humans train machines, and these machines are only as good or as bad as the humans who train them. Based on this insight, the publication addresses not only algorithmic bias or discrimination in AI, but also AI-related issues such as hidden human labour, the problem of categorisation and classification - and our ideas and fantasies about AI. It also raises the question whether (and how) it is possible to reclaim agency in this context.Text in English and German.

Condizione: New.

Taschenbuch. Condizione: Sehr gut. Gebraucht - Sehr gut Leichte Lagerspuren -Die filmischen Arbeiten von Silke Schönfeld (\*1988) bewegen sich zwischen Installation, Inszenierung und dokumentarischem Film. In der Auseinandersetzung mit sozialen Medien und der allgegenwärtigen Bilderflut setzt sie auf Doppeldeutigkeiten, fragt nach der Authentizität von Bewegtbildern und verfrachtet damit die Zuschauer in einen diffusen Bereich zwischen Inszenierung und Dokumentation.Dabei interessiert sich Schönfeld vor allem für Orte und Situationen, die so alltäglich sind, dass sie einem nicht (mehr) auffallen und man achtlos an ihnen vorbeigeht. Diese zunächst unscheinbaren Orte und Situationen werden für die Künstlerin zu Ausgangspunkten, um über größere, gesellschaftlich relevante Themen nachzudenken. Persönliche Geschichten verwebt Schönfeld gekonnt mit historischen und gesellschaftlichen Kontexten und lenkt so den Blick subtil auf soziale Phänomene, Rituale, Ideologien und gesellschaftliche Prozesse.Die Publikation erscheint anlässlich der gleichnamigen Einzelausstellung im HMKV Dortmund und stellt fünf großformatige Videoinstallationen vor. Umfangreiche Bildstrecken und Einführungstexte werden um ein ausführliches Interview mit der Künstlerin ergänzt. 144 pp. Englisch, Deutsch.

Hardcover. Condizione: Fine. Leichte Rillen / Abschurfungen / Risse / Knicke. Eigentlich wussten wir es schon immer: Clowns sind bose. Spatestens seit den fruhen 1980er-Jahren wurde die Clownsfigur sukzessive vom Horrorfilm annektiert. Seither treibt der Clown in Filmen wie Halloween (1982), Batman (1989) oder Stephen Kings Es (1990) sein Unwesen. In den letzten Jahren hat die Figur eine wahre Renaissance erlebt: in der Literatur, in Horror- und Hollywoodfilmen, in der Werbung, in Fernsehserien, im politischen Aktivismus, in der Popmusik und in der zeitgenossischen Kunst. Das Buch tragt diesem Umstand Rechnung und widmet sich erstmals ausfuhrlich der ,unheimlichen" Karriere der Clownsfigur. Mit dem US-amerikanischen Kulturwissenschaftler Mark Dery konnte zudem einer der weltweit besten Kenner der Figur des bosen Clowns als Co-Autor gewonnen werden. Ausstellungsdaten 22. April - 26. Juni 2016 Kunstpalais Erlangen.

Paperback. Condizione: New.

Paperback. Condizione: new. Paperback. LInternationale is a trans-institutional network of five major European museums and artists archives: Moderna Galerija Ljublana, Julius Koller Society Bratislava/Vienna, MACBA Barcelona, Van Abbemusuem Eindhoven and MHKA Antwerp. With these five museums and their respective collections as a starting point, LInternationale: Post-War Avant-Gardes Between 1957 and 1986 presents a range of case studies and historiographical and theoretical essays that reconsider a period in art history that was dominated by the art of Western Europe and North America. The publication instead portrays a more dispersed, multi-polar and interconnected neo-avant-garde, one that existed long before it became common to think in terms of globalization or trans-nationalism. In the process, this book questions how local narratives can be brought together in a new rhizomatic way, one that works to reshape our ideas of translocalism and internationalism. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: new. Paperback. The film works of Silke Schoenfeld (*1988) oscillate between installation, staged settings, and documentary. She engages with social media and the omnipresent flood of images: in this context, the artist highlights ambiguities, questions the authenticity of moving images, and thus situates the viewers in a vague space between staged and documented film. Schoenfeld is especially interested in places and situations so ordinary that we don't (or no longer) notice them places we pass by without a second thought. These initially inconspicuous locations and situations serve as launch pads for the artist to reflect on larger, socially relevant topics. Schoenfeld skillfully interweaves personal stories with historical and societal contexts, subtly directing attention to social phenomena, rituals, ideologies, and processes. The publication is being issued on occasion of the eponymous solo exhibition at the HMKV Dortmund and showcases five large-scale video installations. Numerous photo spreads and introductory texts are accompanied by a detailed interview with the artist. AUTHOR: Inke Arns, PhD, curator, since 2005 Artistic Director, and since 2017 Director of HMKV Hartware MedienKunstVerein in Dortmund, Germany . She has worked internationally as an independent curator, writer and theorist specialising in media art, net cultures, and Eastern Europe since 1993. In 2021-2022 Inke Arns held the position of Visiting Professor at the Art Academy in Muenster, Germany. She has been teaching at universities and art academies in Berlin, Leipzig, Zurich, Rotterdam, and Amsterdam (2000-2017), and has lectured and published internationally. SELLING POINTS: . Published as part of the HMKV Dortmund series . Includes a detailed interview with the artist . Published to coincide with an exhibition at HMKV, Dortmund, from October 2024 - February 2025 44 colour illustrations Silke Schoenfeld's film works oscillate between installation, staging and documentation, emphasising ambiguities, questioning the authenticity of moving images and thus locating the viewer in a vague space between staged and documented film. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

hardcover. Condizione: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Paperback. Condizione: new. Paperback. This volume is published to mark the 40th anniversary of the artists' collective Rrose Irwin Selavy and to accompany the exhibition at HMKV Dortmund. Since 1983, IRWIN has been investigating the art history of Eastern Europe, especially the ambivalent legacy of the historical avant-garde and its totalitarian successors, i.e. the dialectic of avant-garde and totalitarianism. Since the 1990s, the focus of the group has been on challenging the art history of Western Modernism in a critical and iconoclastic way. The artists playfully and darkly contrast it with the retro avant-garde and an Eastern Modernism. The book, which can be read from both sides, is made up of two parts: the first chapter explores the black humour that is a consistent element in IRWIN's work. The second chapter examines issues relating to the state and how IRWIN uses them to comment on current topics such as migration. Text in English and German. SELLING POINTS: . Published to mark the 40th anniversary of the Slovenian artists' collective This volume is published to mark the 40th anniversary of the artists collective Rrose Irwin Selavy and to accompany the exhibition at HMKV Dortmund. Text in English and German. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New. This volume is published to mark the 40th anniversary of the artists' collective Rrose Irwin Sélavy and to accompany the exhibition at HMKV Dortmund. Since 1983, IRWIN has been investigating the art history of Eastern Europe, especially the ambivalent legacy of the historical avant-garde and its totalitarian successors, i.e. the dialectic of avant-garde and totalitarianism. Since the 1990s, the focus of the group has been on challenging the art history of "Western Modernism" in a critical and iconoclastic way. The artists playfully and darkly contrast it with the "retro avant-garde" and an "Eastern Modernism".The book, which can be read from both sides, is made up of two parts: the first chapter explores the black humour that is a consistent element in IRWIN's work. The second chapter examines issues relating to the state - and how IRWIN uses them to comment on current topics such as migration.Text in English and German.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.