interpretive essay (7 risultati)

Trade Paperback. Condizione: Very Good. Very Good+++. Bright and attractive large trade paperback 487 pages. Second edition. Moderate edgewear. Nice copy.

Soft cover. Condizione: Very Good. Non-returnable stamped on front and top foredge but book doesnt appear to be ex-library copy, small but deep dent on top foredge that has damaged top of some pages, doesnt affect integrity of text at all or impede reading. University bookstore sticker on front and back, else a fine unread clean copy.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Small Quarto, 322pp. Like new, includes index.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good-. First Edition. 182 pp. Original green cloth covers w/ gilt title on spine. Binding lightly soiled at edges. Modest rubbing to corners and spine ends. Previous owner's name in pencil on front paste-down; pencil note on rear blank endpaper. DJ lightly soiled w/ wear, tear, and chipping to edges. Spine and edges darkened. Illust. w/ two b/w plates. Contents nice.

Hardcover. Navy cloth, VG. Warmly inscr to Richard [Hamer]. Library of Medieval Women.

Octavo softcover (VG) pencil underlining & annotation; all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.

Trade Paperback. Condizione: Fine. First Edition. 114 Pages. As New book with no noted defects. Interior text pages are flawless. Aby M. Warburg (18661929) is recognized not only as one of the century's preeminent art and Renaissance historians but also as a founder of twentieth-century methods in iconology and cultural studies in general. Warburg's 1923 lecture, first published in German in 1988 and now available in the first complete English translation, offers at once a window on his career, a formative statement of his cultural history of modernity, and a document in the ethnography of the American Southwest. This edition includes thirty-nine photographs, many of them originally presented as slides with the speech, and a rich interpretive essay by the translator. The presentation grew out of Warburg's 1895 encounter with the Hopi Indians, an experience he claimed generated his theory of the Renaissance. In this powerfully written piece, Warburg investigates the relationships among ethnography, iconography, and cultural studies to develop a multicultural history of modernity. As an independent scholar in Hamburg, Warburg led the intellectual circle that included Erwin Panofsky and Ernst Cassirer, pioneers in the investigation of cultural history through the analysis of visual art and the interpretation of symbols. When Warburg wrote this exposition, however, he was a mental patient in a Kreuzlingen sanatorium. Warburg's vulnerable state of mind lends urgency and passion to his discussion of human rationality and cultural demons. Contents: Prefatory Note, List of Illustrations, Aby Warburg Images Fromm the Region of the Pueblo Indians of North America, Notes, Michael Steinberg Aby Warburg's Kreuzlingen Lecture A Reading, and Notes.