introduction elton john (9 risultati)

Hardcover. Condizione: Good.

Paperback. Condizione: Fine. First Edition. Mellen Poetry Press 1992. Trade Paperback. 0773427864 . First edition 56 pages. Fine copy. mag9E.

hardcover. Condizione: Very Good. First Edition. Tondo; Santa Fe, 1999. Hardcover. First Edition. A Very Good, grey cloth binding with b&w illustration on front board, dark green lettering on front board and spine, binding sturdy and intact, some handling/scuffing to boards, very slightly cocked, small dent top text block edge, bit of age toning to pages, slightly bumped board corners, previous owner embossed stamp bottom front free endpaper, without Dust wrapper. A nice and clean copy. 4to[quarto or approx. 11.5 x 13.5 inches], 155pp., acknowledgements, color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.

First edition With 450 illustrations, 200 in color. Fine and bright tall cherry red boards in near fine dustjacket with crisp bright text throughout. Profusely illustrated. Covering rock and roll from 1955 "Rock Around the Clock" to the late 70s "I Don't Like Mondays". Everyone's in here, including Captain Beefheart. New and bright all around, gift quality.

4to., in colour pictorial glazed boards; 143pp, with black and white illustrations throughout. No inscriptions or annotation. Light foxing to edges and prelims plus some occasionally throughout, a few small handling marks to boards, overall VG. (Shelf 94) ISBN: 0224012363 PLEASE NOTE: Postage rates vary according to destination, weight and speed. For an accurate overseas quote PLEASE either call or email us before ordering. [AbeBooks shipping quote is based on items weighing up to 1 kilo only]. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct.

Hardcover. Condizione: Brand New. 108 pages. 12.25x10.50x0.50 inches. In Stock.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condizione: Excellent condition. vii, 464 pp. LCC: 2009010005.

Hardcover. Condizione: Near Fine. No Jacket. 1st Edition. Hard Cover. No Jacket. First Edition. Hardback NODustJacket ISSUED, 7 X 10 Inches, 2,000, stated 1st Edition, 1st printing , with # 1 Intact in Number Line, , Afterword John Hurt, Design by Kristin Johnson, Tritone separations & Printing by Arti Grafiche Amilcard Pizzi, Milan, Lavishly illustrated with sepia-toned black-and-white photographic reproductions. One of the most gifted living American photographers. A flawless collectible copy. This project has been given a top quality production, with heavyweight paper, cloth binding, , Fine Condition, NODJ, Dark Brown ribbed Cloth Boards lettered in Black & Brown with inset Front photo Label Model/rock musician Abdias Marin ( with long hair ) photograph pasted on Front., Embossed titles on cover and spine, as issued. Acknowledgments; Biography and List of Exhibitions appended at the end. Without DJ, as issued. First of all, the book construction is excellent, with glossy pages that complement Gorman's use of high contrast lighting environments. On some pages the large areas of black ink have speckled in spots, this seems to be the only flaw in construction, otherwise the printing is excellent. Like Alfred Stieglitz's simple but profound portraits of Georgia O'Keefe, Gorman presents simple images in stark environments, dark in tone, where the sitter is actively engaged in the attempted acheivement of photograhic perfection. Gorman creates mini-portfolios of each sitter - the images come from one, sometimes more, sessions - and most often presents the model in several variations of the same pose. This strategy allows the viewer to experience the work as a duration of time, rather than.