introduction merry foresta (14 risultati)

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Soft cover. Condizione: Near Fine. First U.S. Edition. Unn., introduction + 63 full page b&w plates. Modestly rubbed covers, light shelf wear. Size: 12mo - over 6¾" - 7¾" tall. Book.

Wrappers in Dust Jacket. Condizione: Fine in Very Good DJ. Square 4to, color & b/w plates. Jacket has slight sticker residue on front and is lightly bumped at top edge of rear panel.

Paperback. Condizione: Near Fine. 1st. 227 pages, illustrations (some colour); 26 cm. Published for the exhibition held at the National Museum of American Art, Smithsonian Institution, Washington, D.C., April 28 to September 10, 1989. Near fine. Firm binding, clean inside copy. Light shelfwear. Richly illustrated with colour plates. *** "Pictures that are made, not taken, are the focus of this exciting collection of works by 90 American artists who are using appropriation, computer technology, performance, and numerous other sources of inspiration to stretch the limits and expand the possibilities of photographic art. 'Perhaps in the future,' Man Ray suggested to Duchamp, 'photography would replace all art.' The Photography of Invention hints at that future by documenting a decade of startling new work in American photography: work that challenges the accepted hierarchy of the arts and, arguably, establishes photography as the equal of the other arts. Pictures that are made, not taken, are the focus of this exciting collection of works by 90 American artists who are using appropriation, computer technology, performance, and numerous other sources of inspiration to stretch the limits and expand the possibilities of photographic art. The selection of nontraditional pictures includes works by some of the decade's most interesting experimenters-Cindy Sherman, Sherrie Levine, Richard Prince, Barbara Kruger, William Christenberry, Louise Lawler, Stefan Roloff, and others who create or manipulate the subject photographed. Photography has traditionally been used to capture experience and create images; these works, however, examine preexisting images or image styles that dominate our culture. As Joshua Smith points out 'mass media and popular culture advertising, fashion movies, television, video, and other electronic media have made the world photographic, become the common language, and shaped a generation's visual and critical viewpoint.' Rather than commenting on or representing life, photography is now an independent art form that has expanded the creative vocabulary of contemporary artists. These 'made' pictures encompass a variety of styles and techniques: the artists may fabricate or arrange the subject matter for the camera; invent or subvert traditional styles; present themselves in fictive roles invoking allegory or myth, fantasy and illusion; reassemble existing art objects in new contexts; make the psychic appear real and the real hyperreal. Many pictures are made in the usual optical/chemical manner, creating a tension between the obviously manipulated subject and the inherent 'truth' of the photographic print; while others are made by the unconventional use of equipment, processes, and materials that intentionally deny the perfect print There are photograms, photocollages, light drawings, chemical images, marked or painted on negatives, photosilkscreens and photolithographs, and new high tech computer-generated imagery." - Publisher. *** CONTENTS: The photographic moment, by Merry A Foresta; The photography of invention: American pictures of the 1980s, by Joshua P. Smith; Catalogue. Size: Oblong.

Hardcover. First Edition Thus. Boston: with Bulfinch Press / Little, Brown and Company [1995]. Very Good in Near Fine dust jacket. 1995. First Edition Thus. Hardcover. 0821222163 . First edition thus [no statement of printing]. Oversize [about 9.5" x 11.75"] blue-cloth with silver gilt lettering, 279 pages, profusely illustrated, text credits, index. Gift inscription else Near Fine copy in Near Fine Dust Wrapper. .bx8 Very Good in Near Fine dust jacket.

Mass Market Paperback. Condizione: Very Good. First Edition. Ray, Man [Photographer]; Foresta, Merry A. [Introduction]. The wraps are a little shelf rubbed and edge worn. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services.

4° (28x22), 95 p., with many photos and documentary pictures, publisher's pictorial softcover, as new, * * * BTC on-chain & lightning accepted * * * due to EPR-Restrictions NO SHIPPING to Bulgaria, Danmark, Greece, Luxembourg, Poland, Portugal, Romania, Sweden, Slovakia and Spain * * *.

Condizione: fine. Photo non contractuelle. Envoi rapide et soigné.

95pp with colour and black and white illustrations. Published in conjunction with the exhibition Man Ray/Bazaar Years: A Fashion Retrospective. Stiff card covers, very slightly soiled. 28x22cms.

Soft cover. Condizione: Good. Man Ray (illustratore). Paperback. 19x12cm. Dispatched Royal Mail First Class with TRACKING next working day or sooner securely boxed in cardboard. ref 369.3.

broché. in-8 63 pages Collection photo poche, illustré de photographies, ombres tranches, bel état. Ajustement des frais d'envoi en fonction du poids.

Condizione: Used: Good. ENVOI PAR PRO KA18 20CTSPAR.

Paris, Photo Poche, Nathan, 1988 ; in-12, environ 100 pp., broché.