Da: Orion Tech, Kingwood, TX, U.S.A.
paperback. Condizione: New.
Da: Willis Monie-Books, ABAA, Cooperstown, NY, U.S.A.
Prima edizione
Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. First Edition. A few spots of foxing to the outside page ends. Half-title page and last blank page have light browning to the edges. Owner's inscription on the front free endpaper. ; 8.30 X 5.20 X 0.70 inches.
Lingua: Inglese
Editore: Bonaventture Books, Savannah, Georgia:, 2005
ISBN 10: 0972422404 ISBN 13: 9780972422406
Da: About Books, Henderson, NV, U.S.A.
Copia autografata
Hardcover. Condizione: Fine condition. Condizione sovraccoperta: Fine dust jacket. Fifth Edition (so stated). Savannah, Georgia:: Bonaventture Books, 2005. A square, tight copy. The Dust Jacket is bright and shiny. NOT price clipped (21.95). NO chips. NO tears. NO creases. NO bookplate. NO remainder mark. Pages are clean and crisp. NO underlining. NO highlighting. NO margin notes. SIGNED / INSCRIBED by the AUTHOR and dated July 27, 2005 with a black sharpie on the half title page. The Dust Jacket has a gold "Autographed Copy" sticker on its front panel. Bound in the original black boards, lettered in shiny silver on the spine. This book is by the author of GREAT BALLS OF FIRE, THE UNCENSORED STORY OF JERRY LEE LEWIS. It contains 13 chapters -- true stories, mostly about the good old days in Savannah, Georgia when gangster and gamblers ran the town. Among the highlights are: SEARCHING FOR SHOELESS JOE [Jackson]; BUSTER WHITE'S BIG FIGHT NIGHT; and THE SAGA OF SILENT STAFFORD. From the Dust Jacket: "'Congratulations on BEHIND THE MOSS CURTAIN. I don't think I've yet found a writer, or any other media personality, for that matter -- that really captures the multi-dimensional Savannah the way you do. Everything else seems like a façade, what people want Savannah to be as opposed to what it is.' --Orlando Montoya, Georgia Public Radio.". INSCRIBED / SIGNED by the AUTHOR. Fifth Edition (so stated). Hard Cover. Fine condition./Fine dust jacket. 8vo. 285pp.
Da: Revaluation Books, Exeter, Regno Unito
EUR 15,75
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 136 pages. 8.00x5.25x0.25 inches. In Stock.
Da: Revaluation Books, Exeter, Regno Unito
EUR 17,00
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 136 pages. 8.00x5.25x0.25 inches. In Stock.
Editore: The Campbell Musuem, Camden, NJ, 1969
Da: Shoemaker Booksellers, Gettysburg, PA, U.S.A.
Soft cover. Condizione: Very Good-. Condizione sovraccoperta: No Dust Jacket. G. William Holland & Delmore Wenzel (Photographs) (illustratore). Original pictorial wraps, lightly soiled w/ mild edge wear. Edges of leaves lightly age toned. Illust. w/ color and b/w photos.
EUR 28,79
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 192 pages. 8.00x5.25x0.75 inches. In Stock.
Editore: New York. The William Morris Society., 1976
Da: Erik Hanson Books and Ephemera, San Diego, CA, U.S.A.
Soft cover. Condizione: Fair. 139 pages. Paper covers replaced by sturdy but prosaic plain boards by library. Moderate ex-library stamps, no markings on the interior pages. Includes: Motif and Theme in the Late Prose Romances of William Morris, 'The Little Land of Abundance': Pastoral Perspective in the Late Romances of William Morris, Deliberate Happiness: The Late Prose Romances of William Morris, The Erotic in 'News from Nowhere' and 'The Well at the World's End', Myth and Ritual in the Last Romances of William Morris.
Lingua: Inglese
Editore: University of Chicago Press, 2010
ISBN 10: 0226757838 ISBN 13: 9780226757834
Da: Book House in Dinkytown, IOBA, Minneapolis, MN, U.S.A.
Membro dell'associazione: IOBA
Prima edizione
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good+. First Edition. Near fine hardcover with very good+ dust jacket. Interior appears free of markings, pages bright and crisp. Corners sharp, boards in great shape. Binding is tight, sturdy, and square. Unclipped dust jacket also looks great and arrives in protective Mylar wraps. 1st printing of this edition (with complete number line) by the University of Chicago Press, 2010. In English, translated by John A. Y. Andrews and Donald N. Levine, with an introduction by Levine and Daniel Silver. From a private collection. Ships same or next business day from Dinkytown in Minneapolis, Minnesota.
Lingua: Inglese
Editore: Edu-Comm. Plus, South San Francisco, CA, 1995
Da: Sabra Books, Naperville, IL, U.S.A.
Copia autografata
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Pre-Publication Copy, 55th Anniversary Commemorative Edition. Minor wear to DJ edges and covers. Minor wear to the edges of the book. Signed by the author. Signed by Author(s).
Hardcover. Condizione: Good. Condizione sovraccoperta: Good. Nancy Silver (illustratore). Hardbound with dust jacket. Scant foxing on top edge, else generally limited wear. No markings noted. Jacket with shallow edgewear.
EUR 30,18
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New.
Da: Revaluation Books, Exeter, Regno Unito
EUR 36,15
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 256 pages. 10.00x8.50x0.79 inches. In Stock.
Da: Revaluation Books, Exeter, Regno Unito
EUR 41,13
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. reprint edition. 188 pages. 9.00x6.00x0.75 inches. In Stock.
Da: Revaluation Books, Exeter, Regno Unito
EUR 39,45
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 256 pages. 10.00x8.50x0.79 inches. In Stock.
Da: Revaluation Books, Exeter, Regno Unito
EUR 43,72
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 240 pages. 9.00x6.00x0.90 inches. In Stock.
Da: Revaluation Books, Exeter, Regno Unito
EUR 26,16
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 288 pages. 8.75x6.00x0.50 inches. In Stock.
Editore: New York: W.W. Norton & Co., 1975
Da: My Father's Books, Bennington, VT, U.S.A.
Prima edizione
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. Printed in the U.S.A. [Date from the copyright page.] First Printing. Introduction, Footnotes include Bibliographical References; 220 pages. The original polished black cloth is in excellent shape, with gilt lettering and decorative lines on the spine as bright as if just issued; author's signature in blind on the upper board. The interior is pristine---bright, crisp, and clean despite some dust-spotting on the top edge. The original attractive dust jacket is a bit toned with a clipped inner flap; however, the price appears at the top ($8.95) with the date 4-75 still present at the bottom. [Please see my five images of the actual book.] "The first essay gives an historical account of the level at which his other writings must be read. As philosophical autobiography, it gives a fairly detailed account of his relation to phenomenology, and is also an excellent preview of that transmutation of circumstances into doctrine and method so characteristic of his work. It opens with a 'preface' that never appeared in Germany. Events in Munich in 1934 so disgusted Ortega that he forbade its publication." [Flap and Translator's Note] As with every book from my father's collection, tipped-in at the front is the small, attractive, acid-free bookplate pictured on my homepage. All books are wrapped with special care and are shipped promptly with tracking; international sales sent via global priority, also with tracking.
Lingua: Inglese
Editore: University of California Press, 2006
ISBN 10: 0520243749 ISBN 13: 9780520243743
Hardcover. Condizione: New. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. xviii, 264 p., 23 cm. "As one of the major figures in the history of jazz, Horace Silver's reminiscences are priceless. Simply put, the man is a national treasure. Horace's sensitivity, passions and creative sources emerge in this engaging book, a tribute to his determination and to Phil Pastras' skill and sensitivity as an editor. It will be celebrated by jazz scholars and fans everywhere." - Steven Isoardi, author of The Dark Tree and Central Avenue Sounds.
paperback. Condizione: New. In shrink wrap. Looks like an interesting title!
Editore: Mariner, Boston, 2014
Da: 32.1 Rare Books + Ephemera, IOBA, ESA, Princeton, NJ, U.S.A.
Membro dell'associazione: IOBA
Prima edizione
Softcover. Condizione: Fine. First Edition. First edition.
Editore: William Morris Society, New York and London,, 1982
Da: Bertram Rota Ltd, Kintbury, Regno Unito
Prima edizione
EUR 14,96
Quantità: 1 disponibili
Aggiungi al carrelloOriginal wrappers. First Edition. Very nice copy Essays by the editor, Kenneth Deal, Robert Keane, Frederick Kirchoff, and Diane Sadoff.
Paperback. Condizione: New. In shrink wrap. Looks like an interesting title!
Da: BennettBooksLtd, San Diego, NV, U.S.A.
Paperback. Condizione: New. In shrink wrap. Looks like an interesting title!
Da: Black and Read Books, Music & Games, Arvada, CO, U.S.A.
Hardcover. Condizione: As New. No Jacket. Limited Edition. Signed Limited Edition! An As New 8vo hardcover in a VG slipcase. Copy no. 232 of 250 of the signed limited edition hardcover anthology that includes John Dunning's "Bookscout". Signed by the authors of the foreword and introduction and on the page preceding their respective short stories, each contributor. The hardcover is clean and tight. The sturdy cloth covered slipcase looks great but on close inspection has faint staining in a lower corner and a very lightly bumped upper corner or two. No dust jacket as issued. No ex-library markings.
Editore: Columbia University Press, New York, 1991
ISBN 10: 023107266X ISBN 13: 9780231072663
Da: Orlando Booksellers, Lincoln, Regno Unito
EUR 53,44
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First Edition. First impression of the true first edition, published in the USA. ***Near fine in red cloth-covered boards with black titles to spine. Head of spine slightly creased. Corners sharp. Board clean and unmarked. Spine tight. Fore-edge of text block lightly foxed. No inscriptions. Pages bright and clean. With a publisher's review slip loosely inserted, with the planned publication date of April 18, 1991. ***In a near fine colour illustrated dustwrapper. No tears. Dustwrapper bright and clean, without any fading to the red colour even on the spine. ***326 pages including notes on the contributors at the back of the book. 236 mm x 160 mm. ***Contents: Introduction - Rereading Rape, 1. PRIOR VIOLENCE - 1. The Education of Chloe: Erotic Protocols and Prior Violence, 2. The Voice of the Shuttle Is Ours. ***2. THE RHETORIC OF ELISION - 3. The Marquise's "O" and the Mad Dash of Narrative, 4. "A Little More than Persuading": Tess and the Subject of Sexual Violence, 5. Periphrasis, Power, and Rape in "A Passage to India". ***3. WRITING THE VICTIM - 6. Lucrece: The Sexual Politics of Subkectivity, 7. Rape, Repression, and Narrative Form in "Le Devoir de violence" and "La Vie et demie", 8. Rape and Textual Violence in Clarice Lispector. ***4. FRAMING INSTITUTIONS - 9. The Poetics of Rape Law in Medieval France, 10. Rape's Disfiguring Figures: Marguerite de Navarre's "Heptameron", 11. Alice Walker's "Advancing Luna - and Ida B. Wells": A Struggle Toward Sisterhood. ***5. UNTHINKING THE METAPHOR - 12. The Rape of the Rural Muse: Wordsworth's "The Solitary Reaper" as a Version of Pastourelle, 13. On Ravishing Urns: Keats in His Tradition, 14. Screen/Memory: Rape and Its Alibis in "Last Year at Marienbad". ***'Rape does not have to happen. The fact that it does - and in the United States a rape is reported every six minutes - indicates that we live in a rape-prone culture where rape or the threat of rape functions as a tool for enforcing sexual difference and hierarchy. Rape and Representation explores how cultural forms construct and re-enforce social attitudes and behaviors that perpetuate sexual violence. The essays proceed from the observation that literature not only reflects but also contributes to what a society believes about itself. ***Fourteen essays by authors in the fields of English, American and African-American, German, African, Brazilian, Classical, and French literatures and film present a wide range of texts from different historical periods and cultures. Contributors demythologize patriarchal representation in literature and art in order to show how it makes rape seem natural and inevitable. Contributors include: the editors, John J. Winkler, Patricia Klindiest Joplin, Susan Winnett, Ellen Rooney, Coppelia Kahn, Eileen Julien, Marta Peixoto, Kathryn Gravdal, Carla Freccero, Nellie V. McKay, Nancy A. Jones, and Froma I. Zeitlin. Their work raises pressing - and often difficult - questions for feminist criticism.' (Quote taken from the front flap of the dustwrapper). ***A hard to find academic study on the cultural representation of rape. Uncommon in the UK. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. ***Please note that this is quite a heavy book and will incur extra postage - the book weighs in at 1.2kg.
Editore: Oxford University Press; Humphrey Milford, London, 1930
Da: CURIO, Cleethorpes, North East Lincolnshire, Regno Unito
Prima edizione
EUR 59,37
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Very Good. No Jacket. 1st Edition. First Edition / First Print. Large hardback copy in tan cloth boards with gold gilt lettering to front and spine, no dustjacket. 311pp. Mounted coloured frontispiece and 120 fine full-page plates in monochrome. Not library copy, no inscriptions. (2/1).
Editore: Alfred F. Goldsmith, At the Sign of the Sparrow, New York, 1936
Da: Gaabooks, West New York, NJ, U.S.A.
Prima edizione Copia autografata
Hardcover. Condizione: Very Good. 1st Edition. One of 325 numbered copies bound in pale blue boards with a white label. The spine label is worn and partly lacking, and there is a very slight bowing to the boards, visible when not sitting between two books. Although uncalled for, this copy with an inscription in 1940 by the editor Rollo G. Silver. Inscribed by Author(s).