introduction thomas bodkin (17 risultati)

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Clarke, Harry (illustratore). First Thus. Orig. published in Britain in 1922 as "The Fairy Tales of Charles Perrault,'' this is the First Printing of this facsimile edition from 1986, with a new Introduction by Thomas Bodkin, that will bring these classic 17th-century tales to life for new generations of readers. Each of the 10 beloved tales is illustrated by Irish artist Harry Clarke, who provides 40 pen-and-ink illustrations + 12 full-color plates throughout the 160 pages. With bright yellow cloth-covered boards stamped with a gilt fairy design to front cover & equally bright gilt lettering to spine, this small quarto (8" x 10.5") is in Fine condition: as clean & bright & unmarked as Brand New! Pages white, colors bright, corners crisp. The price-clipped DJ is equally Fine. A lovely edition sure to enchant! Our photos depict the Exact book you will receive, never "stock" images of books we don't actually have! Same Day Shipping on all orders received by 2 pm Weekdays (Pacific time); later orders, weekends & holidays ship very next business day.

Hardcover. Condizione: Very Good. Various (illustratore). Later. 8vo, Blue boards. Spine has deeper blue with gilt graphics and letters. Previous owners signature on front free page. Published date on last page. Spine faded, light foxing throughout. 384 pages. 01.

Soft cover. Condizione: Good to Worn - Marks. Various Artists (illustratore). First. 10 colour plates. The front cover is creased at the top.

Condizione: Good. 1945. Paperback. In original wrappers with minimal scoring to ffep. Wrappers with minor nicks and tears and some spotting. All plates present and in fine condition. Remains a good copy. . . . . Books ship from the US and Ireland.

Condizione: Good. 1945. Paperback. In original wrappers with minimal scoring to ffep. Wrappers with minor nicks and tears and some spotting. All plates present and in fine condition. Remains a good copy. . . . .

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. 1st Edition. This copy is in fin, unmarked condition bound in black cloth covered boards with bright gilt titling to the spine. This copy is bright, tight, white and square. The unclipped dust wrapper has edge wear and one or two closed tears so best described as very good condition. This landscape format book measures 38 cms wide by 26cms tall. International postal rates are calculated on a book weighing 1 Kilo, in cases where the book weighs more than 1 Kilo increased postal rates will be quoted, where the book weighs less then postage will be reduced accordingly. This 1948 volume is a large-format illustrated tribute to the Victorian caricaturist John Leech, focusing on his celebrated hunting scenes. It is a First Edition and a quintessential mid?century art book: short in text, expansive in image, and designed to showcase Leech's lively, affectionate depictions of the English hunting field. The book contains: Colour and black?and?white reproductions of Leech's hunting illustrations, there are full?page plates, many printed to a high standard for the period. There is a short 31?page text by Thomas Bodkin. An introductory essay by Sir Alfred Munnings, himself a master of equestrian art, praising Leech's vitality, humour, and observational accuracy. The tone is celebratory: Bodkin positions Leech as both a chronicler and a gentle satirist of the sporting world, while Munnings frames him as a predecessor in the lineage of British sporting art. Ref YYY 1.

Hardcover. Condizione: Fine. 2nd Edition. xxx, (8), 236 (38) pages. Illustrated. 215x175mm. Original publisher's cloth, spine lettered gilt. No dust jacket. *This is a photolithographic facsimile of the first edition, originally published in 1920 by the Talbot Press, Dublin in association with T. Fisher Unwin of London. It has a modern introduction by the art historian Julian Campbell and plus four colour plates not in the original. Contains annotated lists of known paintings and drawings exhibited by these painters, with details of titles, size, galleries, prices, owners, examples of signatures, etc. The author was a nephew of Sir Hugh Lane and later Director of the National Gallery of Ireland.* Previous owner's name on front free endpaper otherwise avery good copy. Images available on request.

Hardcover. Condizione: Good. Condizione sovraccoperta: Very Good. 2nd Edition. Hardcover, xxxi + 236pp + 4 pages of glossy colour plates, NOT ex-library. Pencil notations in margins of 20 text pages, sparse pencil underlining in text; some pencil notes also inside the rear board. Else clean, untanned interior with firm binding. Gently toned, untorn dust jacket. -- This seminal study by art historian Thomas Bodkin examines the lives and works of four pivotal figures in the history of Irish art: George Barret, James Arthur O'Connor, Walter Frederick Osborne, and Nathaniel Hone the Younger. First published in 1920, at a key moment of Irish cultural nationalism, the book was one of the earliest scholarly efforts to define a distinct national school of landscape painting. This 1987 edition by the Irish Academic Press is a photolithographic facsimile that retains Bodkin's original text while adding a new, critical introduction by Julian Campbell, which situates the artists within modern art-historical scholarship. The text is structured into biographical essays and critical analyses, exploring the transition from the 18th-century classicism of Barret and the romantic sensibilities of O'Connor to the profound influence of French Barbizon and Impressionist plein air painting on the later work of Osborne and Hone. Bodkin provides detailed descriptions of key paintings, such as Barret's views of the Powerscourt Waterfall and O'Connor's romanticised depictions of the Dargle Valley, while also tracing the artists' professional paths through the Royal Academy in London and the Royal Hibernian Academy in Dublin. The volume is enhanced by colour and black-and-white plates and comprehensive appendices that list the works exhibited by each painter at major academies, making it an indispensable foundational reference for the study of Ireland's visual heritage.

1st edition, hardback, large 4to, 16pp text, 100 plates, many in colour, owner's name on endpaper, slight browning, otherwise clean and sound, brown cloth, boards scratched, slightly frayed at spine ends, Good condition / no dustwrapper.

Hardcover. Condizione: Very Good. xii + 22pp + 121 pics (mainly single page, some 2 to a page, 8 are single-sided colour plates.) Still well bound, interior good and clean, gift inscription from Daisy Philpot (Glyn's sister and manager) dated April 1953, no other deliberate marks. 12 x 9 inch. Some fading to cloth of cover (see pic), gilt titling to front and spine still bright. No dustwrapper.

Hardcover. Condizione: Good. Good condition, some marks to boards, slight curve, light wear to extremities, heavily at bottom corners, lacks front endpaper, front inner hinge straining, twelve tipped in plates, minor creasing to some internal corners of the plates, otherwise clean internally, owners ink signature. Artists: J. Humbert Craig: Coming from Mass, William Conor: The Low-Backed Car, Grace Henry: The Top of the Hill, Paul Henry: Old People watching a Dance, Sean Keating: Leat tuile, Harry Kernoff: Naylor's Cove Bray, Charles Lab: Hearing the News, Maurice MacGonigal: Coir na fairrige, Frank McKelvey: On the Lagan, Dermod O'Brien: Scuffling the Mangolds, Sean O'Sullivan: William Butler Yeats,Leon Whelan: A Kerry Cobbler.

Hardcover. Condizione: Fine. No Jacket. "Collector's Edition" and "Bound in Genuine Leather" stated. Fine, if not new hardback.

First Edition. 4to., 159pp.; VG; bound in publishers blue cloth, white lettering on spine and front board, gilt image on both; protected in plastic; top edge of text block gilt; bumping to head and tail of spine, corners of boards; ex-library stamp on ffep, frep; "Printed in Great Britain" on the title page below the imprint; DC consignment; NOTE: Shelved in Locked Annex Area, ND-HV Column. 1262050. FP New Rockville Stock.

Hard Cover. Condizione: Fair. Clarke, Harry (illustratore). First Edition. Undated; circa 1922. Large 8 1/4" x 10 1/2" gift book design. Rare edition, design from Dodge Publishing Company. Blue full-cloth boards, white embossed cover and spine titles, gilt embossed cover and spine design, some edge wear, discoloration. Pages generally good; few w/moderate discoloration, crease, edge wear. Bind intact, square. Beautifully illustrated throughout by Harry Clarke featuring two dozen plates w/many in color. Contents include: An Introduction by Thomas Bodkin; Little Red Riding-Hood; The Fairy; Blue Beard; The Sleeping Beauty in the Wood; The Master Cat; Or, Puss in Boots; Cinderella; Or, The Little Glass Slipper; Riquet with the Tuft; Little Thumb; The Ridiculous Wishes; and, Donkey-Skin. Printed in Great Britain by Turnbull & Spears, Edinburgh. 160 pages. Insured post. Size: 4to - over 9¾" - 12" tall.

Hard Cover. Condizione: Good. Clarke, Harry (illustratore). First Edition. Stated at copyright: First published August 1922. Large 8 1/4" x 10 1/2" gift book design. Rare edition, design. White full-cloth boards, black cover and spine titles w/blue design accents, some rub, edge, corner, shelf wear. Pages generally very good; few w/moderate discoloration. Bind good; front blank endpaper removed, hinges reinforced, back exterior hinge mended. Beautifully illustrated throughout by Harry Clarke featuring two dozen plates of which many are in color. Contents include: An Introduction by Thomas Bodkin; Little Red Riding-Hood; The Fairy; Blue Beard; The Sleeping Beauty in the Wood; The Master Cat; Or, Puss in Boots; Cinderella; Or, The Little Glass Slipper; Riquet with the Tuft; Little Thumb; The Ridiculous Wishes; and, Donkey-Skin. Printed in Great Britain by Turnbull & Spears, Edinburgh. 160 pages. Insured post. Size: 4to - over 9¾" - 12" tall.

Hardcover. Condizione: Good. First thus. Illustrated by Harry Clarke with an Introduction by Thomas Bodkin. 160pp. in original cream publisher's cloth. 23 illustrations + frontis, which is detached, laid in. Book Condition: Good : General, heavy wear with fade to title, tape ghosts to endpapers, some plates torn. /.

Hardcover. Condizione: Fine. 1st Edition. Eight plates in colour, 113 in black-and-white 4to Fine copy in dust-wrapper with some soiling and one corner chipped.