Ione amy (39 risultati)

Trade Paperback. Condizione: Very Good. Reprint. small scratch to front cover, very slight edgewear.

Paperback. Condizione: Very Good. Unmarked text. Index. Bibliographic references. Examines how we create our cultural assumptions about nature, culture and ourselves. 264p. Index. References.

Paperback (Saddle Stitched). Condizione: Very Good. Unmarked throughout. pp57-74. Illustrated. References. Offprint from Art and the Brain, Part II, published by Imprint Academic.

Staplebound Wraps. Condizione: Very Good. Unmarked. Offprint from The Neurobiology of Painting, Volume 74: International Review of Neurobiology edited by F. Clifford Rose. pp69-78. Bibliography.

Paperback (Saddle Stitched). Condizione: Very Good. Unmarked throughout. Offprint from Art and the Brain III, the Journal of Consciousness Studies, 11, No. 3/4, 2004. pp148-58. References. Ione compares how Klee and Kandinsky composed visual music, with an emphasis on the synesthe (Kandinsky) and non-synesthe (Klee) perspectives.…

Paperback (Saddle Stitched). Condizione: Very Good. Unmarked throughout. Offprint from the Journal of Consciousness Studies, 10, No. 2, 2003. pp58-66. References. Ione offers a critique of Semir Zeki's paper titled 'Neural Concept Formation and Art: Dante, Michelangelo, Wagner'.

Staplebound Wraps. Condizione: Very Good. Unmarked text. Offprint from Informatica 21, pp423-436. Juxtaposing the work of Baars, Chalmers, Scott, Varela, and others with a detailed analysis of historical case studies, this paper uses a multilevel and multilateral model to explore how information, consciousness and culture interpenetrate. Signed. …

Staplebound Wraps. Condizione: Very Good. Unmarked text. Index. Bibliography. 4pp. Based on a paper presented at "Hybridity: Arts, Science and Cultural Effects," a special section of the 93rd Annual College Art Association Conference, Atlanta, GA. (16-19 February 2005). The paper looks at the extent to which thinking about art was shaped by textual concerns and then moved toward more visual communication. Signed.…

Paperback. Condizione: Very Good. Unmarked. Signed by artist. A painter for over twenty-five years, Amy Ione's extraordinary work has been exhibited internationally, commissioned by the City of San Francisco, and is included in public and private collections. In addition, Ione is well known as a writer on the relationships on art, science and technology.…

Soft cover. Condizione: Good. 2nd Edition. 254pp paperback, ownership signature, covers scuffed.

Stapled wraps. Condizione: Near Fine. First Edition; First Printing. Signed by Ione on the first page. Near Fine staple wraps. Unpaginated. ; V9V; 8vo 8" - 9" tall; Unpaginated pages; Signed by Author.

Paperback. Condizione: Good. Unmarked. Slight sun toning on spine. 86p. Measures 7x8.5 inches. A collection of 86 poems by Jerry Bass, enhanced by Amy Ione's original artwork. Ione, Amy (illustratore). Signed.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good. s.l.: s.n., 1989. 86 pp. 28 x 22.5 cm. Light brown paper covers with illustration and letting in black, bound with a plastic black comb and clear plastic covers. Very light rubbing, light creasing, and some pressure marks to plastic covers. Some mild creasing to initial pages of text block. Signed and inscribed by Amy Ione on title page. Interior otherwise clean and umarked. Binding sound, with no damage to plastic comb. . Signed by Artist. Spiral Bound. Very Good.…

Booklet (Saddle Stitched). Condizione: Very Good. Unmarked throughout. Offprint of an article published in the Journal of Consciousness Studies (Imprint Academic) Art and the Brain, Part II issue. Includes references. 6p. Measures 7.5x10.5 inches. This article is a response to V.S. Ramachandran's article titled "The science of art: a neurological theory of aesthetic experience, published in 1999 in the first Art and the Brain issue. Stapled into the booklet is a catalog for the complete issues of the Journal of Consciousness issues, volumes 1-6 (1994-1999).…

Hardcover. Condizione: Very Good. 2016 Brill hardcover edition. Light reading wear else very good condition. From the cover: In her new book Art and the Brain: Plasticity, Embodiment and the Unclosed Circle, Amy Ione offers a profound assessment of our ever-evolving view of the biological brain as it pertains to embodied human experience. She deftly takes the reader from Deep History into our current worldview by surveying the range of nascent responses to perception, thoughts and feelings that have bred paradigmatic changes and led to contemporary research modalities. Interweaving carefully chosen illustrations with the emerging ideas of brain function that define various time periods reinforces a multidisciplinary framework connecting neurological research, theories of mind, art investigations, and intergenerational cultural practices. The book will serve as a foundation for future investigations of neuroscience, art, and the humanities. Contents: 1 Introduction 2 Framing Art and the Brain Deep Time and Deep History Cave Painting Trepanation 3 Ancient Foundations Ancient Egypt Ancient Greece The Greek Body Mind and Brain Galen to the Middle Ages 4 The Brain Exposed and Printed Leonardo da Vinci (1452-1519) Andreas Vesalius (1514-1564) Printmaking and Knowledge Practices 5 The Soul of the Empirical Brain: Thomas Willis and Rene Descartes Neurology and Modern Philosophy Experiment, Philosophy, and Cultural Mores Innovation and Visualization The Creative Brain Comparatively 6 The Empirical Brain in Context William Hogarth and the Willis Brain Rene Descartes and Rembrandt Harmenszoon van Rijn Distinctions and Generalizations 7 The Wondrous Book of the Human Brain in 3-Dimensions Visualizing the Body Working with Wax 8 Art, Anatomy, and the Hunter Brothers William Hunter John Hunter 9 Art and Anatomy: Critics and Hired Hands Hogarth, Science, and Society William Blake's Commentary Scientific Illustrators Jan van Rymsdyk 10 Electricity Sparks the Imagination Historical Summary Early Experiments Electrical Entertainment Benjamin Franklin and Luigi Galvani 11 The Promethean Human Mary Shelley Births Frankenstein Frankenstein as a Critique of Science Four Frankenstein Themes 12 Human Autonomy and Light Kant and Goethe Kant, Goethe, and Optical History Light and Human Autonomy 13 Human Physiognomy, Psychology, and Brain Functions Phrenology and the Localization Debates Physiognomy and Emotions Charles Bell Psychology and Sensation 14 Technological Innovations and the Nervous System Neuroscience and Light Technologies Movement and Time Cultural Movement Enacted 15 The Possible, Improbable, and Realization of the Magical Non-optical Technologies and Visualization Sensations and Visualizations 16 Perception and Frames of Reference Frames of Biological Evolution Evolutionary Psychology? Individual Perspectives, Memory, and Imagination The Creativity Question Postscript: The Malleability of History.…

Hardcover. Condizione: Very Good. Unmarked text. Illustrated in color and black-and-white. 329p. Measures 6.5x9.5 inches. Index. This book is focused on how understanding ourselves as humans is incomplete without considering both biological and cultural aspects.

Hardcover. Condizione: Like New. Signed by author on title page. Unmarked. Illustrated. 364p. Bibliography. Index. Ione offers a profound assessment of our ever-evolving view of the biological brain as it pertains to embodied human experience. Measures 6x9 inches.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. Relates the development of visual images to innovations in art, communication, scientific research, and technological advance. The themes in this work, which range from cognitive science to illuminated manuscripts and media studies, appeal to specialists in.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book is focused on how understanding ourselves as humans is incomplete without considering both biological and cultural aspects. Using the neurocultural perspective, the book explores how everything in the world is filtered back and forth through the brain and culture. The thrust of the book, therefore, is to explore the power of art in creating a bridge between cultural and neuroscientific lines of inquiry. Looking at both clinical and non-clinical populations, the text examines historical foundations, distinguishes congenital/developmental conditions from those that are acquired, and emphasizes how the brain constructs our sensory experiences.Several distinctive features separate this research from other publications. First, the book opens with a review of how the historical literature is still etched into the ideas we employ to explain elements across the interdisciplinary fields of art, aesthetics, our sensory experience, psychology, cognition, and well-being. Second, the research adopts a humanistic rather than a philosophical or social science perspective in demonstrating the value of coupling anatomy and physiology with the natural and social environment. In this, artists from all genres are incorporated. Among them are Iris Murdoch, Ludwig van Beethoven, Leonardo da Vinci, Cristoforo de Predis, Rembrandt, Federico Fellini, Chuck Close, and David Hockney.Case studies demonstrate how neuroscientific research meshes with art, individual, and cultural variables in ways that range from health and well-being to physiological decline and biological traumas. These include a case study that examines how Oliver Sacks combined biology and biography in his writings. It also explores art projects in several genres inspired by his studies. Another case study is on the role of film as a useful clinical tool. Here the book also demonstrates that cinematic devices used by filmmakers intersect with perceptual and cognitive neuroscience.A defining feature of the analysis is the integration of research on brain injuries with humanistic responses in film, literature, and the visual arts. This section outlines the lack of consensus regarding the causes and treatment of 'shell shock' in World War I before introducing how research and art now work with PTSD/TBI.Finally, the book examines therapeutic cases of professional and non-professional artists, concluding with a discussion of synesthesia and the senses.…

Taschenbuch. Condizione: Neu. Neuware - Amy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's 'two culture' framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. …

Condizione: Sehr gut. Zustand: Sehr gut | Seiten: 382 | Sprache: Englisch | Produktart: Bücher | In her new book Art and the Brain: Plasticity, Embodiment and the Unclosed Circle, Amy Ione offers a profound assessment of our ever-evolving view of the biological brain as it pertains to embodied human experience.…

Hardcover. Condizione: New. In her new book Art and the Brain: Plasticity, Embodiment and the Unclosed Circle , Amy Ione offers a profound assessment of our ever-evolving view of the biological brain as it pertains to embodied human experience.In her new book Art and the Brain: Pl.

Buch. Condizione: Neu. Neuware - In her new book Art and the Brain: Plasticity, Embodiment and the Unclosed Circle , Amy Ione offers a profound assessment of our ever-evolving view of the biological brain as it pertains to embodied human experience. She deftly takes the reader from Deep History into our current worldview by surveying the range of nascent responses to perception, thoughts and feelings that have bred paradigmatic changes and led to contemporary research modalities. Interweaving carefully chosen illustrations with the emerging ideas of brain function that define various time periods reinforces a multidisciplinary framework connecting neurological research, theories of mind, art investigations, and intergenerational cultural practices.The book will serve as a foundation for future investigations of neuroscience, art, and the humanities.…

Condizione: new. Questo è un articolo print on demand.

Condizione: new. Questo è un articolo print on demand.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book is focused on how understanding ourselves as humans is incomplete without considering both biological and cultural aspects. Using the neurocultural perspective, the book explores how everything in the world is filtered back and forth through the brain and culture. The thrust of the book, therefore, is to explore the power of art in creating a bridge between cultural and neuroscientific lines of inquiry. Looking at both clinical and non-clinical populations, the text examines historical foundations, distinguishes congenital/developmental conditions from those that are acquired, and emphasizes how the brain constructs our sensory experiences.Several distinctive features separate this research from other publications. First, the book opens with a review of how the historical literature is still etched into the ideas we employ to explain elements across the interdisciplinary fields of art, aesthetics, our sensory experience, psychology, cognition, and well-being. Second, the research adopts a humanistic rather than a philosophical or social science perspective in demonstrating the value of coupling anatomy and physiology with the natural and social environment. In this, artists from all genres are incorporated. Among them are Iris Murdoch, Ludwig van Beethoven, Leonardo da Vinci, Cristoforo de Predis, Rembrandt, Federico Fellini, Chuck Close, and David Hockney.Case studies demonstrate how neuroscientific research meshes with art, individual, and cultural variables in ways that range from health and well-being to physiological decline and biological traumas. These include a case study that examines how Oliver Sacks combined biology and biography in his writings. It also explores art projects in several genres inspired by his studies. Another case study is on the role of film as a useful clinical tool. Here the book also demonstrates that cinematic devices used by filmmakers intersect with perceptual and cognitive neuroscience.A defining feature of the analysis is the integration of research on brain injuries with humanistic responses in film, literature, and the visual arts. This section outlines the lack of consensus regarding the causes and treatment of 'shell shock' in World War I before introducing how research and art now work with PTSD/TBI.Finally, the book examines therapeutic cases of professional and non-professional artists, concluding with a discussion of synesthesia and the senses. 329 pp. Englisch.…