Iris moon richard taws (17 risultati)

Condizione: new.

Condizione: New.

Paperback. Condizione: New. Time, media, and visuality are watchwords of modernity across science, culture and the arts. At which point in history, though, did they decisively intersect? Identifying the year 1789 - or the beginning of the French Republic - as the radical moment at which science and the arts came together through radical innovation, this volume questions the reigning teleologies of modern art. Uniting two key areas of 19th-century European art - the French Revolution and 19th-century technological and reproductive experimentation - this novel volume highlights the dual impact these developments had on the art of the period. In doing so, it opens up new and distinctive lines of inquiry around French visual culture, all the while mapping an expanded terrain of art objects, along with makers, consumers and situations of art.Considering a remarkably broad range of media and practices through an interdisciplinary lens, this diverse collection of essays brings together both eminent and emerging scholars in 18th- and 19th-century French visual culture and enriches our understanding of the period. The essays provide thought-provoking insights on the temporal dimension of art, challenging oversimplified views of artistic progress in modernity. They question teleological narratives, emphasizing the complexity of influences shaping the modern artist. As such, the book offers a new account of the story of French art's modernity by exploring the work of genre painters and miniaturists, sign-painters and animal artists, landscapists, architects, and restorers, as they worked out what it meant to be "post-revolutionary." As a result, the book promises appeal to academic audiences both within and beyond the discipline of art history.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. Paperback. Time, media, and visuality are watchwords of modernity across science, culture and the arts. At which point in history, though, did they decisively intersect? Identifying the year 1789 or the beginning of the French Republic as the radical moment at which science and the arts came together through radical innovation, this volume questions the reigning teleologies of modern art. Uniting two key areas of 19th-century European art the French Revolution and 19th-century technological and reproductive experimentation this novel volume highlights the dual impact these developments had on the art of the period. In doing so, it opens up new and distinctive lines of inquiry around French visual culture, all the while mapping an expanded terrain of art objects, along with makers, consumers and situations of art.Considering a remarkably broad range of media and practices through an interdisciplinary lens, this diverse collection of essays brings together both eminent and emerging scholars in 18th- and 19th-century French visual culture and enriches our understanding of the period. The essays provide thought-provoking insights on the temporal dimension of art, challenging oversimplified views of artistic progress in modernity. They question teleological narratives, emphasizing the complexity of influences shaping the modern artist. As such, the book offers a new account of the story of French arts modernity by exploring the work of genre painters and miniaturists, sign-painters and animal artists, landscapists, architects, and restorers, as they worked out what it meant to be post-revolutionary. As a result, the book promises appeal to academic audiences both within and beyond the discipline of art history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. 2024. paperback. . . . . .

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 5-6 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: New.

Condizione: New. 2024. paperback. . . . . . Books ship from the US and Ireland.

Condizione: New.

Paperback. Condizione: Brand New. 272 pages. 9.22x6.14x1.00 inches. In Stock.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: new. Paperback. Time, media, and visuality are watchwords of modernity across science, culture and the arts. At which point in history, though, did they decisively intersect? Identifying the year 1789 or the beginning of the French Republic as the radical moment at which science and the arts came together through radical innovation, this volume questions the reigning teleologies of modern art. Uniting two key areas of 19th-century European art the French Revolution and 19th-century technological and reproductive experimentation this novel volume highlights the dual impact these developments had on the art of the period. In doing so, it opens up new and distinctive lines of inquiry around French visual culture, all the while mapping an expanded terrain of art objects, along with makers, consumers and situations of art.Considering a remarkably broad range of media and practices through an interdisciplinary lens, this diverse collection of essays brings together both eminent and emerging scholars in 18th- and 19th-century French visual culture and enriches our understanding of the period. The essays provide thought-provoking insights on the temporal dimension of art, challenging oversimplified views of artistic progress in modernity. They question teleological narratives, emphasizing the complexity of influences shaping the modern artist. As such, the book offers a new account of the story of French arts modernity by exploring the work of genre painters and miniaturists, sign-painters and animal artists, landscapists, architects, and restorers, as they worked out what it meant to be post-revolutionary. As a result, the book promises appeal to academic audiences both within and beyond the discipline of art history. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Taschenbuch. Condizione: Neu. Neuware - Time, media, and visuality are watchwords of modernity across science, culture and the arts. At which point in history, though, did they decisively intersect Identifying the year 1789 - or the beginning of the French Republic - as the radical moment at which science and the arts came together through radical innovation, this volume questions the reigning teleologies of modern art. Uniting two key areas of 19th-century European art - the French Revolution and 19th-century technological and reproductive experimentation - this novel volume highlights the dual impact these developments had on the art of the period. In doing so, it opens up new and distinctive lines of inquiry around French visual culture, all the while mapping an expanded terrain of art objects, along with makers, consumers and situations of art.Considering a remarkably broad range of media and practices through an interdisciplinary lens, this diverse collection of essays brings together both eminent and emerging scholars in 18th- and 19th-century French visual culture and enriches our understanding of the period. The essays provide thought-provoking insights on the temporal dimension of art, challenging oversimplified views of artistic progress in modernity. They question teleological narratives, emphasizing the complexity of influences shaping the modern artist. As such, the book offers a new account of the story of French art's modernity by exploring the work of genre painters and miniaturists, sign-painters and animal artists, landscapists, architects, and restorers, as they worked out what it meant to be 'post-revolutionary.' As a result, the book promises appeal to academic audiences both within and beyond the discipline of art history.…

Paperback. Condizione: new. Paperback. Time, media, and visuality are watchwords of modernity across science, culture and the arts. At which point in history, though, did they decisively intersect? Identifying the year 1789 or the beginning of the French Republic as the radical moment at which science and the arts came together through radical innovation, this volume questions the reigning teleologies of modern art. Uniting two key areas of 19th-century European art the French Revolution and 19th-century technological and reproductive experimentation this novel volume highlights the dual impact these developments had on the art of the period. In doing so, it opens up new and distinctive lines of inquiry around French visual culture, all the while mapping an expanded terrain of art objects, along with makers, consumers and situations of art.Considering a remarkably broad range of media and practices through an interdisciplinary lens, this diverse collection of essays brings together both eminent and emerging scholars in 18th- and 19th-century French visual culture and enriches our understanding of the period. The essays provide thought-provoking insights on the temporal dimension of art, challenging oversimplified views of artistic progress in modernity. They question teleological narratives, emphasizing the complexity of influences shaping the modern artist. As such, the book offers a new account of the story of French arts modernity by exploring the work of genre painters and miniaturists, sign-painters and animal artists, landscapists, architects, and restorers, as they worked out what it meant to be post-revolutionary. As a result, the book promises appeal to academic audiences both within and beyond the discipline of art history. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condizione: New. Time, media, and visuality are watchwords of modernity across science, culture and the arts. At which point in history, though, did they decisively intersect? Identifying the year 1789 - or the beginning of the French Republic - as the radical moment at which science and the arts came together through radical innovation, this volume questions the reigning teleologies of modern art. Uniting two key areas of 19th-century European art - the French Revolution and 19th-century technological and reproductive experimentation - this novel volume highlights the dual impact these developments had on the art of the period. In doing so, it opens up new and distinctive lines of inquiry around French visual culture, all the while mapping an expanded terrain of art objects, along with makers, consumers and situations of art.Considering a remarkably broad range of media and practices through an interdisciplinary lens, this diverse collection of essays brings together both eminent and emerging scholars in 18th- and 19th-century French visual culture and enriches our understanding of the period. The essays provide thought-provoking insights on the temporal dimension of art, challenging oversimplified views of artistic progress in modernity. They question teleological narratives, emphasizing the complexity of influences shaping the modern artist. As such, the book offers a new account of the story of French art's modernity by exploring the work of genre painters and miniaturists, sign-painters and animal artists, landscapists, architects, and restorers, as they worked out what it meant to be "post-revolutionary." As a result, the book promises appeal to academic audiences both within and beyond the discipline of art history.…