Da: eCampus, Lexington, KY, U.S.A.
Condizione: Very Good.
Da: eCampus, Lexington, KY, U.S.A.
Condizione: New.
Lingua: Spagnolo
Editore: Editorial Diagonal (Grup 62), 2001
ISBN 10: 8495808161 ISBN 13: 9788495808165
Da: Libros Ambigú, Madrid, M, Spagna
EUR 1,58
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Bueno. Diagonal. Tapa blanda. Cubierta deslucida. 18 cm. Este libro está en el almacén 2. Bueno.
Lingua: Spagnolo
Editore: orión, Buenos Aires, Argentina, 1986
Da: Librería El Pez Volador, Rosario, SF, Argentina
EUR 10,00
Quantità: 1 disponibili
Aggiungi al carrelloEncuadernación de tapa blanda. Condizione: Como Nuevo. recopilación de cuentos infantiles excelentísimo estado (M).
Lingua: Inglese
Editore: Yale University Press 2023-09-26, 2023
ISBN 10: 0300273282 ISBN 13: 9780300273281
Da: Chiron Media, Wallingford, Regno Unito
EUR 49,56
Quantità: 9 disponibili
Aggiungi al carrelloHardcover. Condizione: New.
Hardback. Condizione: New. A groundbreaking examination of how the act of drawing was a vital component of Ruth Asawa's multifaceted art "A revelatory exhibition. . . . [A] fine exhibition catalog."-Nancy Princenthal, New York Times, "Critic's Pick" Ruth Asawa (1926-2013), widely known for her looped-wire sculptures, was an inveterate drawer. She filled sketchbook after sketchbook and even stated that drawing was central to her sculpture. This volume is the first to consider the significance of drawing in Asawa's oeuvre throughout her career, featuring essays that examine the range of Asawa's aesthetic maneuvers across materials and techniques; how Asawa's drawing intertwined with the Bay Area arts community and her contributions to public education as a teacher and organizer; and the influence of Josef Albers's pedagogy and Asawa's lifelong adoption of his type of paper folding. Tracing Asawa's artistic journey from her first formal art lessons in a Japanese American internment camp during World War II through her time at Black Mountain College and beyond, this comprehensive overview of the artist's drawings includes reproductions of more than one hundred works-many of which have never been published-organized into eight thematic sections that cut through time, reflecting an art-making practice that was more circular or cyclical than linear. Distributed for the Menil Collection and the Whitney Museum of American Art Exhibition Schedule: Whitney Museum of American Art, New York (September 16, 2023-January 15, 2024) The Menil Collection, Houston (March 22-July 21, 2024).
EUR 74,54
Quantità: 1 disponibili
Aggiungi al carrelloHardback. Condizione: New. A groundbreaking examination of how the act of drawing was a vital component of Ruth Asawa's multifaceted art "A revelatory exhibition. . . . [A] fine exhibition catalog."-Nancy Princenthal, New York Times, "Critic's Pick" Ruth Asawa (1926-2013), widely known for her looped-wire sculptures, was an inveterate drawer. She filled sketchbook after sketchbook and even stated that drawing was central to her sculpture. This volume is the first to consider the significance of drawing in Asawa's oeuvre throughout her career, featuring essays that examine the range of Asawa's aesthetic maneuvers across materials and techniques; how Asawa's drawing intertwined with the Bay Area arts community and her contributions to public education as a teacher and organizer; and the influence of Josef Albers's pedagogy and Asawa's lifelong adoption of his type of paper folding. Tracing Asawa's artistic journey from her first formal art lessons in a Japanese American internment camp during World War II through her time at Black Mountain College and beyond, this comprehensive overview of the artist's drawings includes reproductions of more than one hundred works-many of which have never been published-organized into eight thematic sections that cut through time, reflecting an art-making practice that was more circular or cyclical than linear. Distributed for the Menil Collection and the Whitney Museum of American Art Exhibition Schedule: Whitney Museum of American Art, New York (September 16, 2023-January 15, 2024) The Menil Collection, Houston (March 22-July 21, 2024).
EUR 63,77
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 336 pages. 9.61x1.42x12.95 inches. In Stock.
EUR 67,14
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 336 pages. 9.61x1.42x12.95 inches. In Stock.
EUR 52,46
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: New.
EUR 83,70
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 336 pages. 9.61x1.42x12.95 inches. In Stock.
EUR 83,70
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 336 pages. 9.61x1.42x12.95 inches. In Stock.
Hardback. Condizione: New. A groundbreaking examination of how the act of drawing was a vital component of Ruth Asawa's multifaceted art "A revelatory exhibition. . . . [A] fine exhibition catalog."-Nancy Princenthal, New York Times, "Critic's Pick" Ruth Asawa (1926-2013), widely known for her looped-wire sculptures, was an inveterate drawer. She filled sketchbook after sketchbook and even stated that drawing was central to her sculpture. This volume is the first to consider the significance of drawing in Asawa's oeuvre throughout her career, featuring essays that examine the range of Asawa's aesthetic maneuvers across materials and techniques; how Asawa's drawing intertwined with the Bay Area arts community and her contributions to public education as a teacher and organizer; and the influence of Josef Albers's pedagogy and Asawa's lifelong adoption of his type of paper folding. Tracing Asawa's artistic journey from her first formal art lessons in a Japanese American internment camp during World War II through her time at Black Mountain College and beyond, this comprehensive overview of the artist's drawings includes reproductions of more than one hundred works-many of which have never been published-organized into eight thematic sections that cut through time, reflecting an art-making practice that was more circular or cyclical than linear. Distributed for the Menil Collection and the Whitney Museum of American Art Exhibition Schedule: Whitney Museum of American Art, New York (September 16, 2023-January 15, 2024) The Menil Collection, Houston (March 22-July 21, 2024).
EUR 69,29
Quantità: 1 disponibili
Aggiungi al carrelloHardback. Condizione: New. A groundbreaking examination of how the act of drawing was a vital component of Ruth Asawa's multifaceted art "A revelatory exhibition. . . . [A] fine exhibition catalog."-Nancy Princenthal, New York Times, "Critic's Pick" Ruth Asawa (1926-2013), widely known for her looped-wire sculptures, was an inveterate drawer. She filled sketchbook after sketchbook and even stated that drawing was central to her sculpture. This volume is the first to consider the significance of drawing in Asawa's oeuvre throughout her career, featuring essays that examine the range of Asawa's aesthetic maneuvers across materials and techniques; how Asawa's drawing intertwined with the Bay Area arts community and her contributions to public education as a teacher and organizer; and the influence of Josef Albers's pedagogy and Asawa's lifelong adoption of his type of paper folding. Tracing Asawa's artistic journey from her first formal art lessons in a Japanese American internment camp during World War II through her time at Black Mountain College and beyond, this comprehensive overview of the artist's drawings includes reproductions of more than one hundred works-many of which have never been published-organized into eight thematic sections that cut through time, reflecting an art-making practice that was more circular or cyclical than linear. Distributed for the Menil Collection and the Whitney Museum of American Art Exhibition Schedule: Whitney Museum of American Art, New York (September 16, 2023-January 15, 2024) The Menil Collection, Houston (March 22-July 21, 2024).