Isotta poggi (22 risultati)

HARDCOVER. Condizione: New. 1st edition. 119pp, quarto, new in publisher's wrap.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condizione: New. Brand New.

Pub.pictorial Boards. Condizione: New. Condizione sovraccoperta: No as Issued. First. 160pp. Colour and b&w archive photographs.

Oversized Hardcover. Condizione: New.

Cloth. Condizione: Fine Condition. Condizione sovraccoperta: No Jacket, As Issued. 1st Edition. 120 pages. Hardcover. Texts in English. Crisp, tight, sharp and clean condition. Bound in illustrated paper covered boards and issued without a dustjacket. Published on the occasion of the exhibition held at the Wende Museum of the Cold War, Culver City, from May 20-August 26, 2018. Book.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. 2018. Illustrated. Hardback. . . . . .

Condizione: New.

Hardback. Condizione: New. In the fall of 1956, Hungarians led a successful rebellion against Soviet control. How-ever, after only ten days of freedom, the uprising was brutally crushed, and the Soviet-aligned minister Janos Kadar assumed power. Focusing on the Kadar era (1956-89), this publication explores the political reforms and artistic experimentations under the regime's authoritarian cultural policy: promote, tolerate, ban. Artists who complied with ideological mandates were financed by the state; those who didn't could exhibit, but they received no monetary support; other artists were forced into exile. Paintings, sculptures, photographs, posters, advertisements, mail art, and underground samizdat literature illustrate the diverse modern art forms and radical aesthetics created during this time. The book provides context for the vibrant debates behind the production of Cold War art and culture in Socialist Hungary and closes with the personal account of one of its main protagonists, the exiled Hungarian artist and critic Geza Perneczky. Promote, Tolerate, Ban showcases art and cultural artifacts from the Getty Research Institute, the Wende Museum of the Cold War, and public and private archives in Budapest.…

Condizione: new.

Condizione: New. In English.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: New.

Condizione: New. 2018. Illustrated. Hardback. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: new. Hardcover. In the fall of 1956, Hungarians led a successful rebellion against Soviet control. How-ever, after only ten days of freedom, the uprising was brutally crushed, and the Soviet-aligned minister Janos Kadar assumed power. Focusing on the Kadar era (195689), this publication explores the political reforms and artistic experimentations under the regimes authoritarian cultural policy: promote, tolerate, ban. Artists who complied with ideological mandates were financed by the state; those who didnt could exhibit, but they received no monetary support; other artists were forced into exile. Paintings, sculptures, photographs, posters, advertisements, mail art, and underground samizdat literature illustrate the diverse modern art forms and radical aesthetics created during this time. The book provides context for the vibrant debates behind the production of Cold War art and culture in Socialist Hungary and closes with the personal account of one of its main protagonists, the exiled Hungarian artist and critic Geza Perneczky. Promote, Tolerate, Ban showcases art and cultural artifacts from the Getty Research Institute, the Wende Museum of the Cold War, and public and private archives in Budapest. "Promote, Tolerate, Ban presents the clash between Socialist modern and radical aesthetics shaped by the cultural policies of the Jaanaos Kaadaar regime (1956-1989) and highlights the key protagonists of the scene in Cold War Hungary."--ECIP summary. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: Brand New. 160 pages. 11.00x8.75x0.75 inches. In Stock.

Condizione: New.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. In the fall of 1956, Hungarians led a successful rebellion against Soviet control. How-ever, after only ten days of freedom, the uprising was brutally crushed, and the Soviet-aligned minister Janos Kadar assumed power. Focusing on the Kadar era (1956-89), this publication explores the political reforms and artistic experimentations under the regime's authoritarian cultural policy: promote, tolerate, ban. Artists who complied with ideological mandates were financed by the state; those who didn't could exhibit, but they received no monetary support; other artists were forced into exile. Paintings, sculptures, photographs, posters, advertisements, mail art, and underground samizdat literature illustrate the diverse modern art forms and radical aesthetics created during this time. The book provides context for the vibrant debates behind the production of Cold War art and culture in Socialist Hungary and closes with the personal account of one of its main protagonists, the exiled Hungarian artist and critic Geza Perneczky. Promote, Tolerate, Ban showcases art and cultural artifacts from the Getty Research Institute, the Wende Museum of the Cold War, and public and private archives in Budapest.…

Hardcover. Condizione: new. Hardcover. In the fall of 1956, Hungarians led a successful rebellion against Soviet control. How-ever, after only ten days of freedom, the uprising was brutally crushed, and the Soviet-aligned minister Janos Kadar assumed power. Focusing on the Kadar era (195689), this publication explores the political reforms and artistic experimentations under the regimes authoritarian cultural policy: promote, tolerate, ban. Artists who complied with ideological mandates were financed by the state; those who didnt could exhibit, but they received no monetary support; other artists were forced into exile. Paintings, sculptures, photographs, posters, advertisements, mail art, and underground samizdat literature illustrate the diverse modern art forms and radical aesthetics created during this time. The book provides context for the vibrant debates behind the production of Cold War art and culture in Socialist Hungary and closes with the personal account of one of its main protagonists, the exiled Hungarian artist and critic Geza Perneczky. Promote, Tolerate, Ban showcases art and cultural artifacts from the Getty Research Institute, the Wende Museum of the Cold War, and public and private archives in Budapest. "Promote, Tolerate, Ban presents the clash between Socialist modern and radical aesthetics shaped by the cultural policies of the Jaanaos Kaadaar regime (1956-1989) and highlights the key protagonists of the scene in Cold War Hungary."--ECIP summary. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…