Ittmann john w (22 risultati)

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Very Good. Illustrated paper covers; minimal wear; 4to,9 3/4" to 12" tall; illustrated throughout; no internal markings; 80 pages.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Paperback. Condizione: Fine. 1st. 80 pages, illustrations (some colour); 28 cm. Published in conjunction with an exhibition held at the Philadelphia Museum of Art, January 24 to April 5, 1998. Firm binding, clean inside copy. *** CONTENTS: Painters' Prints in the 1890s; Japonisme; Mary Cassatt; Camille Pissarro; Edgar Degas; Vincent van Gogh; Paul Gauguin; Odilon Redon; Paul Signac; Pierre Bonnard; Edouard Vuillard; Felix Vallotton; Henri de Toulouse-Lautrec; Posters. Size: 4to. Collectible. …

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condizione: Good. With previous ownership bookplates Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Soft cover. Condizione: Fine. Fine condition, like new. 80 pages, 54 illustrations (34 color), quarto, soft cover. Published in conjunction with an exhibition held at the Philadelphia Museum of Art between January 24 - April 5, 1998. Inventory #10279.

Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: New in shrinkwrap. Color-illustrated wraps with white lettering. 60 pp. Color illustrations. Catalogue of an exhibition at the Philadelphia Museum of Art from April 2 to July 31, 2011.

Softbound. Color pictorial wraps with white lettering. 371 pp. 1 color, numerous bw plates. Issued in conjunction with a 1985 exhibition series. With six thematic and illustrated essays. The annotated and illustrated catalogue presents 125 specific pieces by 103 artists. Includes artist biographies, bibliography, glossary and index. Good, inscription inside on ffep, corners bumped, smudged; covers and spine have moderate wear. …

Condizione: Very Good. First Edition, First Printing. Minimal wear to cover. Pages clean and binding tight. Hardcover. Celebrated for his explorations of the process of painting and the "idea" of painting, Rudolf Stingel (b. 1957) combines minimalist, conceptual, and performative practices to create unexpected spaces. This highly anticipated book, the premier critical survey of Stingel's career to date, accompanies the Italian-born artist's first solo museum exhibition in the United States. Employing a palette of a wide range of materials, Stingel reflects upon fundamental questions facing painting authenticity, meaning, hierarchy, and context. By transforming the materiality, process, and perception of paintings, Stingel's work alters the viewer's perception of and physical encounter with the artwork and invites the viewer to participate in or collaborate in a new and deeper understanding and appreciation of art. For example, by carpeting Grand Central Station (Plan B, 2004), he transformed the station hall itself into a work of art that viewers had to occupy to experience and that fashioned its own audience from travelers forced to traverse it. His full range of work, including his recent portraits and self-portraits, is represented in this handsome volume. With important contributions by Whitney curator Chrissie Iles and Reiner Zettl,Rudolf Painting 19872007is the first book to examine the broader implications of the artist's creative practice in contemporary society. Stingel's full range of work is represented in this volume. With important contributions by Reiner Zettl and Whitney curator Chrissie Isles, this book is the first to examine the broader implications of the artist's creative practice in contemporary society.…

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Fine. 1st. Pictorial boards, xi, 411 pages, illustrations (some colour); 30 cm. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. *** "From the 1770s through the 1840s, German, Austrian, and Swiss artists used the medium of printmaking to create works that synthesized poetry, literature, music, and the visual arts in new and captivating ways. Finding an eager audience in the growing number of educated middle-class collectors, printmakers experimented with modern technologies, such as lithography, and drew on the contemporary interest in regional folklore and traditional fairy tales to produce innovative compositions that both contributed to and reflected the dramatic cultural and political upheavals of the Romantic era. Featuring the work of more than 120 artists, including Casper David Friedrich, Ludwig Emil Grimm, Joseph Anton Koch, Philipp Otto Runge, and Johann Gottfried Schadow, this authoritative book contains many unique and never-before-published examples of prints from the Philadelphia Museum of Art's unrivaled collection." - Publisher. *** CONTENTS: Foreword, by Timothy Rub; Introduction, by John Ittmann; John S. Phillips as a collector of German prints, by John Ittmann; Central Europe between 1770 and 1850: the rise and fall of German Romantic art and culture, by Warren Breckman; Albrecht Durer and his hallowed city of Nuermberg, by John Ittmann; Raphael's Sistine Madonna domesticated: a return to purity and piety in German prints, by Cordula Grewe; The Galeriewerk and the reproductive print of the eighteenth and nineteenth centuries, by John Ittmann; Glazed and framed: Kunstverein prints for the parlor, by John Ittmann; The wanderer: travel imagery in German romantic prints, by Mitchell B. Frank; Sacred woods and ancient ruins: the landscapes of Germany and Norway, Italy and Arcadia, by F. Carlo Schmid; Johann Christian Reinhart (1761-1847) and his circle in Italy, by F. Carlo Schmid; Landscape prints in Vienna, by F. Carlo Schmid; Portrait prints, 1770-1850: friends and family, by Mitchell B. Frank; The German Romantic reading public: Taschenbucher and other illustrated books, by Catriona Macleod; The living past: folklore and fairy tales in literature and art, by Catriona Macleod; Outline and arabesque: simplicity and complexity in German prints, and the allure of the antique, by Cordula Grewe; Johann Heinrich Lips (1758-1817) and Philipp Otto Runge (1777-1810): Times of day, by Cordula Grewe; Ferdinand Olivier (1785-1841) and Adrian Ludwig Richter (1803-1884): the Salzburg albums, by Cordula Grewe; Johann Gotthard Mu ller (1747-1830), by Mitchell B. Frank; Johann Christian Klengel (1751-1824), by John Ittmann; Carl Wilhelm Kolbe the Elder (1759-1835), by John Ittmann; Joseph Anton Koch (1768-1839), by John Ittmann; Ludwig Emil Grimm (1790-1863), by John Ittmann; Adrian Ludwig Richter (1803-1884), by John Ittmann; Eugen Napoleon Neureuther (1806-1882), by John Ittmann. Size: 4to. Collectible. …

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 1st Edition. 4to. 289 pp. Red cloth. Fine in Near Fine dust jacket. Slight shelfwear to jacket.

Hardcover. Condizione: VG. Quarto. Hardcover. Matte illustrated boards. No jacket, as issued. xi, 411 pages : illustrations (some color) ; 30 cm. From the 1770s through the 1840s, German, Austrian, and Swiss artists used the medium of printmaking to create works that synthesized poetry, literature, music, and the visual arts in new and captivating ways. Finding an eager audience in the growing number of educated middle-class collectors, printmakers experimented with modern technologies, such as lithography, and drew on the contemporary interest in regional folklore and traditional fairy tales to produce innovative compositions that both contributed to and reflected the dramatic cultural and political upheavals of the Romantic era. Featuring the work of more than 120 artists, including Casper David Friedrich, Ludwig Emil Grimm, Joseph Anton Koch, Philipp Otto Runge, and Johann Gottfried Schadow, this authoritative book contains many unique and never-before-published examples of prints from the Philadelphia Museum of Art's unrivaled collection.--. …

Condizione: New. Satisfaction Guaranteed or your money back.

University of Washington Press / Philadelphia Museum Of Art, Philadelphia, 2001. Hardcover (clothbound) with dust jacket. 28,5 x 23 cm. With illustrations in color and b/w. 176 pages - AS NEW [Art Art / international artist [Buitenlandse Kunstenaars] ].

Condizione: Very Good.

°°° FIRST EDITION, LARGESIZE SOFTCOVER ORIGINAL. - Somewhat used: topedge spotty, bottom-sharpcorner bumped, corners of the cover rubbed; used but still useful copy. isbn 0912964235.