Ivens stefan (16 risultati)

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Near Fine. Near Fine. 1st Edition. First edition (Russian), first printing. Photographically illustrated paper-covered boards with photographically illustrated dust jacket, with publisher's unprinted card box. Photographs by Andreas Magdanz. Essays (in Russian) by Marceline Loridan-Ivens and Gerhard Shoenberner. 108 pp., with 42 four-color plates. 5-1/4 x 5-1/2 inches. Published in an edition of 1100 copies in German, and only 100 copies each in French, English, Polish and Russian. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. Near Fine (1/8- inch chip on the heel of the spin on dust jacket; minor bump to the crown of the spine; slight wear to the extremities; else fine). This small but powerful book is a response to Loridan-Ivens' autobiographically inspired film "The Birch-Tree Meadow," starring Anouk Aimée, which relates the story of a Holocaust survivor who, as a teenaged girl, was imprisoned at Auschwitz. An excerpt from "The Photobook: A History, Volume II" by Martin Parr and Gerry Badger: "The genocide photobook is an important genre within the remit of concerned photographers. Andreas Magdanz has returned to the subject. making a series of quiet, meditative landscapes in colour that by virtue of their lyrical restraint say much about the place as it is today, as a museum, a memorial, a tourist destination or place of pilgrimage, and a graveyard. It was in response to [the predominance of black and white, portentously gloomy and romantic style of photographing concentration camps] that Andreas Magdanz decided to use color photography when he photographed the Auschwitz-Birkenau complex as part of Marceline Loridan-Ivens's autobiographical feature film, La petite prairie aux bouleaux (Little Birch Meadow, 2002). Magdanz's photography makes its effects by means of understatement. Viewing his colour images, one sees clearly that the photographic medium of reality is now colour, where once it was considered to be monochrome. And this is unsettling: Auschwitz is brought into the here and now. These calm, summery pictures remove it from the long ago and far away, a symbol of the past that we can safely leave with an unbelieving shudder. They force us to meditate not only on what happened, but on the forces of intolerance--still at work--that may allow it to happen again.".…

Condizione: New. In German.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. First edition (Polish), first printing. Signed in black ink on dedication page by Magdanz. Hardcover. Photographically illustrated paper-covered boards with photographically illustrated dust jacket, with publisher's unprinted card box. Photographs by Andreas Magdanz. Essays (in Polish) by Marceline Loridan-Ivens and Gerhard Shoenberner. 108 pp., with 42 four-color plates. 5-1/4 x 5-1/2 inches. Published in an edition of 1100 copies in German, and only 100 copies each in French, English, Polish and Russian. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. New in New dust jacket and card box. This small but powerful book is a response to Loridan-Ivens' autobiographically inspired film "The Birch-Tree Meadow," starring Anouk Aimée, which relates the story of a Holocaust survivor who, as a teenaged girl, was imprisoned at Auschwitz. From The Photobook, Volume II, by Martin Parr and Gerry Badger: "The genocide photobook is an important genre within the remit of concerned photographers. Andreas Magdanz has returned to the subject. making a series of quiet, meditative landscapes in colour that by virtue of their lyrical restraint say much about the place as it is today, as a museum, a memorial, a tourist destination or place of pilgrimage, and a graveyard. It was in response to [the predominance of black and white, portentously gloomy and romantic style of photographing concentration camps] that Andreas Magdanz decided to use color photography when he photographed the Auschwitz-Birkenau complex as part of Marceline Loridan-Ivens's autobiographical feature film, La petite prairie aux bouleaux (Little Birch Meadow, 2002). Magdanz's photography makes its effects by means of understatement. Viewing his colour images, one sees clearly that the photographic medium of reality is now colour, where once it was considered to be monochrome. And this is unsettling: Auschwitz is brought into the here and now. These calm, summery pictures remove it from the long ago and far away, a symbol of the past that we can safely leave with an unbelieving shudder. They force us to meditate not only on what happened, but on the forces of intolerance--still at work--that may allow it to happen again." Signed by Author.…

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. First edition (Russian), first printing. Signed in black ink on dedication page by Magdanz. Hardcover. Photographically illustrated paper-covered boards with photographically illustrated dust jacket, with publisher's unprinted card box. Photographs by Andreas Magdanz. Essays (in Russian) by Marceline Loridan-Ivens and Gerhard Shoenberner. 108 pp., with 42 four-color plates. 5-1/4 x 5-1/2 inches. Published in an edition of 1100 copies in German, and only 100 copies each in French, English, Polish and Russian. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. New in New dust jacket and card box. This small but powerful book is a response to Loridan-Ivens' autobiographically inspired film "The Birch-Tree Meadow," starring Anouk Aimée, which relates the story of a Holocaust survivor who, as a teenaged girl, was imprisoned at Auschwitz. An excerpt from "The Photobook: A History, Volume II" by Martin Parr and Gerry Badger: "The genocide photobook is an important genre within the remit of concerned photographers. Andreas Magdanz has returned to the subject. making a series of quiet, meditative landscapes in colour that by virtue of their lyrical restraint say much about the place as it is today, as a museum, a memorial, a tourist destination or place of pilgrimage, and a graveyard. It was in response to [the predominance of black and white, portentously gloomy and romantic style of photographing concentration camps] that Andreas Magdanz decided to use color photography when he photographed the Auschwitz-Birkenau complex as part of Marceline Loridan-Ivens's autobiographical feature film, La petite prairie aux bouleaux (Little Birch Meadow, 2002). Magdanz's photography makes its effects by means of understatement. Viewing his colour images, one sees clearly that the photographic medium of reality is now colour, where once it was considered to be monochrome. And this is unsettling: Auschwitz is brought into the here and now. These calm, summery pictures remove it from the long ago and far away, a symbol of the past that we can safely leave with an unbelieving shudder. They force us to meditate not only on what happened, but on the forces of intolerance--still at work--that may allow it to happen again." Signed by Author.…

Condizione: New. pp. 231.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Stefan Ivens beschäftigt sich mit grundlegenden Fragestellungen, die sich aus der Nutzung von sozialen Medien für Stakeholdergruppen wie Kunden, Mitarbeiter und Bewerber ergeben. Er analysiert Auswirkungen von Mitarbeiterverhaltensweisen in der digitalen Welt auf die Unternehmensreputation. Dabei stützt sich der Autor auf anerkannte psychologische und wirtschaftswissenschaftliche Theorien. Er verwendet sowohl qualitative als auch quantitative Methoden der empirischen Forschung. Forschern hilft diese Arbeit, die Auswirkungen von Mitarbeiterverhalten in sozialen Medien besser zu verstehen, weil sie die unterschiedlichen Reaktionen der Stakeholder beleuchtet. Managern werden Strategien und Methoden aufgezeigt, um die Unternehmensreputation besser zu steuern und Reputationsschäden zu verhindern.Der AutorStefan Ivens ist derzeit Post-Doc und Lehrbeauftragter an der Universität Koblenz Landau im Institut für Management. Seine wissenschaftlichen Schwerpunkte liegen imBereich der Reputationsforschung in Verbindung mit digitaler Transformation.…

Paperback. Condizione: Brand New. 253 pages. German language. 8.27x5.83x0.58 inches. In Stock.

Condizione: new. Questo è un articolo print on demand.

PF. Condizione: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Stefan Ivens beschäftigt sich mit grundlegenden Fragestellungen, die sich aus der Nutzung von sozialen Medien für Stakeholdergruppen wie Kunden, Mitarbeiter und Bewerber ergeben. Er analysiert Auswirkungen von Mitarbeiterverhaltensweisen in der digitalen Welt auf die Unternehmensreputation. Dabei stützt sich der Autor auf anerkannte psychologische und wirtschaftswissenschaftliche Theorien. Er verwendet sowohl qualitative als auch quantitative Methoden der empirischen Forschung. Forschern hilft diese Arbeit, die Auswirkungen von Mitarbeiterverhalten in sozialen Medien besser zu verstehen, weil sie die unterschiedlichen Reaktionen der Stakeholder beleuchtet. Managern werden Strategien und Methoden aufgezeigt, um die Unternehmensreputation besser zu steuern und Reputationsschäden zu verhindern.Der AutorStefan Ivens ist derzeit Post-Doc und Lehrbeauftragter an der Universität Koblenz Landau im Institut für Management. Seine wissenschaftlichen Schwerpunkte liegen im Bereich der Reputationsforschung in Verbindung mit digitaler Transformation. 256 pp. Deutsch.…

Condizione: New. Print on Demand pp. 231.

Condizione: New. PRINT ON DEMAND pp. 231.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Strategien und Methoden, um Reputationsschaeden zu verhindernStefan Ivens beschaeftigt sich mit grundlegenden Fragestellungen, die sich aus der Nutzung von sozialen Medien fuer Stakeholdergruppen wie Kunden, Mitarbeiter und Bewerber ergeben. Er analysiert .…

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Stefan Ivens beschäftigt sich mit grundlegenden Fragestellungen, die sich aus der Nutzung von sozialen Medien für Stakeholdergruppen wie Kunden, Mitarbeiter und Bewerber ergeben. Er analysiert Auswirkungen von Mitarbeiterverhaltensweisen in der digitalen Welt auf die Unternehmensreputation. Dabei stützt sich der Autor auf anerkannte psychologische und wirtschaftswissenschaftliche Theorien. Er verwendet sowohl qualitative als auch quantitative Methoden der empirischen Forschung. Forschern hilft diese Arbeit, die Auswirkungen von Mitarbeiterverhalten in sozialen Medien besser zu verstehen, weil sie die unterschiedlichen Reaktionen der Stakeholder beleuchtet. Managern werden Strategien und Methoden aufgezeigt, um die Unternehmensreputation besser zu steuern und Reputationsschäden zu verhindern.Springer Gabler in Springer Science + Business Media, Tiergartenstr. 15-17, 69121 Heidelberg 256 pp. Deutsch.…