Ives colta stuffmann margret (20 risultati)

hardcover. Condizione: fine. near fine. Illustrated with 148 plates. xii + 268 pages. Large 4to, blue cloth, d.w. (spine sunned). New York: The Metropolitan Museum of Art, (1992). A fine copy in a near fine dust wrapper. With contributions by Klaus Herding and Judith Wechsler. Catalogue published under the sponsorship of J.P. Morgan & Co. for an exhibition at the MET, February 26 - May 2, 1993. Daumier, Honore (illustratore).…

28,5 x 24,5 cm ; Leinen. Condizione: Gut. XII, 262 S. ; Mit Beiträgen von Judith Wechsler und Klaus Herding. Großformatige Hardcoverausgabe, Leineneinband mit Schutzumschlag, XII, 262 Seiten mit zahlreichen Abbildungen. Gutes Exemplar. hw1708 ISBN: 377570390X.

Softcover. Color-illustrated softcover with black lettering. xii, 268 pp. BW and color illustrations. "The catalogue is published in conjunction with the exhibition held at the Städelsche Kunstinstitut and Städtische Galerie, Frankfurt, November 17, 1992-January 17, 1993, and at the Metropolitan Museum of Art, New York, February 26-May 2, 1993" -title page verso. VG- light wear to corners and edges, some fading to back cover, some notations in pencil.…

Soft cover. Condizione: Fine. No Jacket. Accompanies exhibition at Stadelsche Kunstinstitut in Frankfurt, and Metropolitan Museum of Art. Generously illustrated including many color plates. Book appears unread. 268 pages, 9 1/2" x 11" Additional charge for international orders.

Hardcover. Condizione: Near Fine. 268 pages, softcover in Near Fine condition.

262 S. mit zahlr. Abb. Leineneinband mit Schutzumschlag. Umschlag rückseitig minimal berieben, sonst neuwertig.

Paperback. Size: 9.5"x11", 262pp., 130 illustrations with a few in colour. Text in German. Near new, fresh unused condition, covers bright, text clean & binding tight.

Hardcover with dustjacket, 268 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

origi.Broschur, 4°, 262 Seiten. guter Zustand.

hardcover. Condizione: New. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Hardcover. Condizione: New in shrinkwrap. Color-illustrated softcover with black lettering. xii, 268 pp. BW and color illustrations. Honore Daumier (1808-1879) is best known as the nimble caricaturist of French politics and the habits of the bourgeoisie. The nearly 4,000 lithographs he created for the Parisian press have long been appreciated as magic windows on the perils and follies of everyday life and continue to be widely admired. However, it is in his rarer and less famous drawings and watercolors, the private work he made for himself and a very limited audience, that Daumier most clearly emerges as an artist of exceptional genius. Indeed, it was on the strength of his skill as a draughtsman that Baudelaire declared Daumier the equal of Ingres and Delacroix. This volume accompanies an exhibition at the Stadel Museum, Frankfurt, and The Metropolitan Museum of Art, New York, offering the most extensive display of Daumier's drawings since the Paris retrospectives of 1901 and 1934. Featuring about 150 works from twenty of the world's foremost museums and from private collections, it includes casual sketches produced by the artist to vent his restless imagination as well as many of the highly finished watercolors he designed as formal presentations of his art. By combining Daumier's drawings with selected examples of his paintings, prints, and bronzes, this book traces the evolution of the artist's succinct and emphatically expressive style from its roots in the European tradition exemplified by Rembrandt, Rubens, and Fragonard to its modern manifestations in the works of Degas, Cezanne, Toulouse-Lautrec, and Beckmann. In the course of his long and productive career Daumier returned again and again to favorite themes, often after considerable lapses of time. Thus the works here are grouped by their subject matter into six sections: studies of individual figures and faces; narrative scenes inspired by history or literature; views of contemporary urban and domestic life; dramatic portrayals of lawyers in court; depictions of street performers; and episodes in the wanderings of Don Quixote and Sancho Panza. Five essays, in which the exhibition's curators are joined by two other scholars of nineteenth-century art history, investigate particular aspects of Daumier's work as a draughtsman: the character of his fluid, energetic style; the complex iconography and structure of his drawings; the essentially sculptural nature of his art; his effective mastery of pose and gesture; and his personal view of the artist's role in society. -FirstSearch.…

Hardcover. First Edition; First Printing. Book condition is Very Good; with a Very Good dust jacket. Minor rubbing and edgewear to jacket. Text is clean and unmarked, illustrated throughout. ; 4to 11" - 13" tall; 268 pages.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Couverture rigide. Condizione: Très bon état. Condizione sovraccoperta: Very Good. In-4 28,5 x 24,5 cm. Reliure éditeur pleine toile bleue, sous jaquette illustrée en couleurs et étui à l'identique orné d'une vignette contrecollée, 148 figures, 130 reproductions en couleurs et en noir & blanc, catalogue, chronologie, bibliographie, sommaire. Exemplaire en très bon état. Texte en anglais. …

Hardcover. Condizione: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Paperback. Condizione: New.

Hardcover. Condizione: New.

4°. 268 S. Paperback Gutes Exemplar.

Condizione: Gut. 262 Seiten guter Zustand mit Gebrauchsspuren H512F3 Sprache: Deutsch Gewicht in Gramm: 1400 0,0 x 0,0 x 0,0 cm, Taschenbuch.

28 cm, 262 Seiten, mit zahlreichen Abbildungen (überwiegend sw), kartoniert. geringe Gebrauchsspuren, sehr gut erhalten. Erschien zu den Ausstellungen in der Städtischen Galerie im Städelschen Kunstinstitut, Graphische Sammlung, Frankfurt am Main vom 17. November 1992 bis 17. Januar 1993 und im Metropolitan Museum of Art, New York vom 26. Februar bis 2. Mai 1993. Sprache: Deutsch.…