Ivo blom (27 risultati)

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Folio, picture book, NF, in VG dj. Written in English, French, Chinese, Swiss, and German. Rotterdam terminal of the Rhine River. On one hand the picturesque Rhine flows through rocks, castles, and ci tadels, vineyards, and ruins--on the other it is the outlet of smoke and industry waste; 100 years ago the fishermen along the river were supplying thousands of salmon to the locals; now it is poll u ted by industry. The Rhine meanders through Switzerland Germany and France to Holland, thence to the North Sea. The world's leading port, Rotterdam, in the North of Europe, leads to the River Rhine. Dick Sellenraad et al, Photos (illustratore). Book.…

Condizione: Acceptable. Used - Acceptable. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Soft cover. Condizione: Very Good. ] Softcover, 8vo, 112 pages, VG+. "Een geheel nieuw boek [1984] over het Rotterdam van nu, niet alleen als wereldhaven nr. 1, maar ook als stad van gedurfde architectuur, met haar levendige internationale bevolking." "Tekst in het Nederlands, Engels, Duits en Frans." RWR5 The Netherlands Holland Rotterdam Fotoboeken Photography Architecture Navigation Naval Foreign Language.…

Soft Cover. Condizione: Near Fine. First Softcover Edition. soft cover., small label to front free endpaper. no other flaws or wear. no markings. no bumps, tears, creases. tight sewn binding.; english text.; 472pp., 22 color plates. 72 b/w illustrations.; the role of one individual in the evolution of dutch cinemas, film distribution in the early decades of the 20th century. Size: 8vo - over 7¾" - 9¾" tall.…

Condizione: Very Good.

Paperback. Condizione: Very Good. Very Good paperback with light shelfwear - NICE! Oversized.

Condizione: Good. Original stapled wrappers, illustrations in b/w, unpaged, ca. 17.5x25cm.

Hardcover.

Condizione: Very Good.

Condizione: Good. Paperback, veel illustraties (waaronder foto's) in z/w, vierkant (circa 23x23cm).

Hardcover. o. A. Good condition. Reading pages are clean and without markings. Light signs of storage and use. With dust jacket. Dust jacket with light edge wear. Book is in five languages. Otherwise a decent copy. Sprache: Niederländisch Gewicht in Gramm: 1001.

Rotterdam, 1974. 94 blz. Platen. Karton.

Hardcover met stofomslag. Condizione: New. Condition: Nieuw. Binding: Hardcover met stofomslag. Description: Nieuw in folie.

Hardcover. Condizione: Good. Dust-jacket fully intact, only light rubbed at edges. Contents mostly clean and bright, with uncreased pages. Ownership inscription on first inside page. A good used copy with no major flaws. Publisher's note: This work is composed of essays describing Jewish life in Dutch history, from the Middle ages to the present. Size: 23.5 x 15.8 x 4.4 cm. xv, 508 pp. Shipped Weight: 1-2 kilos. Category: History; ISBN: 187477451X. ISBN/EAN: 9781874774518. Add. Inventory No: 251107REE0075553.…

Paperback. Condizione: Brand New. 01 edition. 314 pages. 9.75x7.00x0.75 inches. In Stock.

Condizione: As New.

Couverture rigide. Condizione: bon. RO80026739: 1987. In-Folio. Cartonné. Bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. Environ 75/100 pages de photos en couleurs dans le texte et hors-texte. Ouvrage en hollandais, anglais et allemand. Cartonnage bordeaux. Jaquette défraichie. Avec Jaquette. . A l'italienne. Classification Dewey : 949.2-Pays Bas.…

Hardcover. Condizione: Brand New. 01 edition. 318 pages. 10.00x7.25x1.00 inches. In Stock.

1997 Gemeentelijk havenbedrijf Rotterdam, hardcover 95 blz. In woord en beeld de ontwikkeling van de Rotterdamse haven. In goede staat.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Reframing Luchino Visconti: Film and Art gives new and unique insights into the roots of the visual vocabulary of one of Italy's most reputed film authors. It meticulously researches Visconti's appropriation of European art in his set and costume design, from pictorial citations and the archaeology of the set to the use of portraits and pictorial references in costume design. Yet it also investigates Visconti's cinematography in combination with his mise-en-scène in terms of staging, framing, mobile framing, and mirroring. Here not only aesthetic conventions from art but also those from silent and sound cinema have been clearly appropriated by Visconti and his crew.This book gives answers to the question: where does the visual splendour of Visconti's films come from 'This book, apart from showing a long-standing passion and fidelity, gives us one of the most original international researches ever produced on Visconti's work. Through thorough archival research and numerous interviews with people close to Visconti such as his crew members, Ivo Blom's monograph reveals the extraordinary network of iconographic and cultural connections that unite Visconti's work, expose Visconti's cinematographic signature and link different historic events with crucial moments in Visconti's personal life.' - Gian Piero Brunetta (Università degli Studi di Padova)'This journey through Visconti's films broadens our view of an oeuvre whose richness is not as much due to its manifold cultural references, but more to their daring use by the artist.' - Michèle Lagny (Université Sorbonne Nouvelle - Paris 3)CLUES is an international scientific series covering research in the field of culture, history and heritage which have been written by, or were performed under the supervision of members of the research institute CLUE+.ContentsIntroduction: Intervisuality, Theory and HistoryI. Pictorial Citation, Art Direction, and Costume Design in Visconti's Films1. Pictorial Citation: Il Bacio and Other Citations in Senso2. Archaeology of the Set (I): Greuze and The Leopard3. Archaeology of the Set (II): The Conversation Pieces in Conversation Piece4. The (Photo) Portrait and the Remembrance of Things Past5. Costume and Painting in Senso6. Costume: Veiling, Unveiling and Revealing with ViscontiII. Staging, Framing and Mirroring in Visconti's Films7. Staging in Depth: Objects and People8. Framing: Doors, Windows, and Anti-framing9. Mobile Framing and Visual Explorations10. Mirrors: Awkward ConfrontationsConclusionAcknowledgementsIllustration CreditsIndex 316 pp. Englisch.…

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Reframing Luchino Visconti: Film and Art gives new and unique insights into the roots of the visual vocabulary of one of Italy's most reputed film authors. It meticulously researches Visconti's appropriation of European art in his set and costume design, from pictorial citations and the archaeology of the set to the use of portraits and pictorial references in costume design. Yet it also investigates Visconti's cinematography in combination with his mise-en-scène in terms of staging, framing, mobile framing, and mirroring. Here not only aesthetic conventions from art but also those from silent and sound cinema have been clearly appropriated by Visconti and his crew.This book gives answers to the question: where does the visual splendour of Visconti's films come from 'This book, apart from showing a long-standing passion and fidelity, gives us one of the most original international researches ever produced on Visconti's work. Through thorough archival research and numerous interviews with people close to Visconti such as his crew members, Ivo Blom's monograph reveals the extraordinary network of iconographic and cultural connections that unite Visconti's work, expose Visconti's cinematographic signature and link different historic events with crucial moments in Visconti's personal life.' - Gian Piero Brunetta (Università degli Studi di Padova)'This journey through Visconti's films broadens our view of an oeuvre whose richness is not as much due to its manifold cultural references, but more to their daring use by the artist.' - Michèle Lagny (Université Sorbonne Nouvelle - Paris 3)CLUES is an international scientific series covering research in the field of culture, history and heritage which have been written by, or were performed under the supervision of members of the research institute CLUE+.ContentsIntroduction: Intervisuality, Theory and HistoryI. Pictorial Citation, Art Direction, and Costume Design in Visconti's Films1. Pictorial Citation: Il Bacio and Other Citations in Senso2. Archaeology of the Set (I): Greuze and The Leopard3. Archaeology of the Set (II): The Conversation Pieces in Conversation Piece4. The (Photo) Portrait and the Remembrance of Things Past5. Costume and Painting in Senso6. Costume: Veiling, Unveiling and Revealing with ViscontiII. Staging, Framing and Mirroring in Visconti's Films7. Staging in Depth: Objects and People8. Framing: Doors, Windows, and Anti-framing9. Mobile Framing and Visual Explorations10. Mirrors: Awkward ConfrontationsConclusionAcknowledgementsIllustration CreditsIndex.…

Taschenbuch. Condizione: Neu. Reframing Luchino Visconti | Ivo Blom | Taschenbuch | CLUES no. 4 | 316 S. | Englisch | 2018 | Sidestone Press Dissertations | EAN 9789088905483 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu Print on Demand.…

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Reframing Luchino Visconti: Film and Art gives new and unique insights into the roots of the visual vocabulary of one of Italy¿s most reputed film authors. It meticulously researches Visconti¿s appropriation of European art in his set and costume design, from pictorial citations and the archaeology of the set to the use of portraits and pictorial references in costume design. Yet it also investigates Visconti¿s cinematography in combination with his mise-en-scène in terms of staging, framing, mobile framing, and mirroring. Here not only aesthetic conventions from art but also those from silent and sound cinema have been clearly appropriated by Visconti and his crew.This book gives answers to the question: where does the visual splendour of Visconti¿s films come from ¿This book, apart from showing a long-standing passion and fidelity, gives us one of the most original international researches ever produced on Visconti¿s work. Through thorough archival research and numerous interviews with people close to Visconti such as his crew members, Ivo Blom¿s monograph reveals the extraordinary network of iconographic and cultural connections that unite Visconti¿s work, expose Visconti¿s cinematographic signature and link different historic events with crucial moments in Visconti¿s personal life.¿ ¿ Gian Piero Brunetta (Università degli Studi di Padova)¿This journey through Visconti¿s films broadens our view of an oeuvre whose richness is not as much due to its manifold cultural references, but more to their daring use by the artist.¿ ¿ Michèle Lagny (Université Sorbonne Nouvelle ¿ Paris 3)CLUES is an international scientific series covering research in the field of culture, history and heritage which have been written by, or were performed under the supervision of members of the research institute CLUE+.ContentsIntroduction: Intervisuality, Theory and HistoryI. Pictorial Citation, Art Direction, and Costume Design in Visconti¿s Films1. Pictorial Citation: Il Bacio and Other Citations in Senso2. Archaeology of the Set (I): Greuze and The Leopard3. Archaeology of the Set (II): The Conversation Pieces in Conversation Piece4. The (Photo) Portrait and the Remembrance of Things Past5. Costume and Painting in Senso6. Costume: Veiling, Unveiling and Revealing with ViscontiII. Staging, Framing and Mirroring in Visconti¿s Films7. Staging in Depth: Objects and People8. Framing: Doors, Windows, and Anti-framing9. Mobile Framing and Visual Explorations10. Mirrors: Awkward ConfrontationsConclusionAcknowledgementsIllustration CreditsIndexBooks on Demand GmbH, Überseering 33, 22297 Hamburg 316 pp. Englisch.…

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Reframing Luchino Visconti: Film and Art gives new and unique insights into the roots of the visual vocabulary of one of Italy's most reputed film authors. It meticulously researches Visconti's appropriation of European art in his set and costume design, from pictorial citations and the archaeology of the set to the use of portraits and pictorial references in costume design. Yet it also investigates Visconti's cinematography in combination with his mise-en-scène in terms of staging, framing, mobile framing, and mirroring. Here not only aesthetic conventions from art but also those from silent and sound cinema have been clearly appropriated by Visconti and his crew.This book gives answers to the question: where does the visual splendour of Visconti's films come from 'This book, apart from showing a long-standing passion and fidelity, gives us one of the most original international researches ever produced on Visconti's work. Through thorough archival research and numerous interviews with people close to Visconti such as his crew members, Ivo Blom's monograph reveals the extraordinary network of iconographic and cultural connections that unite Visconti's work, expose Visconti's cinematographic signature and link different historic events with crucial moments in Visconti's personal life.' - Gian Piero Brunetta (Università degli Studi di Padova)'This journey through Visconti's films broadens our view of an oeuvre whose richness is not as much due to its manifold cultural references, but more to their daring use by the artist.' - Michèle Lagny (Université Sorbonne Nouvelle - Paris 3)CLUES is an international scientific series covering research in the field of culture, history and heritage which have been written by, or were performed under the supervision of members of the research institute CLUE+.ContentsIntroduction: Intervisuality, Theory and HistoryI. Pictorial Citation, Art Direction, and Costume Design in Visconti's Films1. Pictorial Citation: Il Bacio and Other Citations in Senso2. Archaeology of the Set (I): Greuze and The Leopard3. Archaeology of the Set (II): The Conversation Pieces in Conversation Piece4. The (Photo) Portrait and the Remembrance of Things Past5. Costume and Painting in Senso6. Costume: Veiling, Unveiling and Revealing with ViscontiII. Staging, Framing and Mirroring in Visconti's Films7. Staging in Depth: Objects and People8. Framing: Doors, Windows, and Anti-framing9. Mobile Framing and Visual Explorations10. Mirrors: Awkward ConfrontationsConclusionAcknowledgementsIllustration CreditsIndex 316 pp. Englisch.…

Buch. Condizione: Neu. Reframing Luchino Visconti | Ivo Blom | Buch | CLUES no. 4 | 316 S. | Englisch | 2018 | Sidestone Press Dissertations | EAN 9789088905490 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu Print on Demand.…

Buch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Reframing Luchino Visconti: Film and Art gives new and unique insights into the roots of the visual vocabulary of one of Italy¿s most reputed film authors. It meticulously researches Visconti¿s appropriation of European art in his set and costume design, from pictorial citations and the archaeology of the set to the use of portraits and pictorial references in costume design. Yet it also investigates Visconti¿s cinematography in combination with his mise-en-scène in terms of staging, framing, mobile framing, and mirroring. Here not only aesthetic conventions from art but also those from silent and sound cinema have been clearly appropriated by Visconti and his crew.This book gives answers to the question: where does the visual splendour of Visconti¿s films come from ¿This book, apart from showing a long-standing passion and fidelity, gives us one of the most original international researches ever produced on Visconti¿s work. Through thorough archival research and numerous interviews with people close to Visconti such as his crew members, Ivo Blom¿s monograph reveals the extraordinary network of iconographic and cultural connections that unite Visconti¿s work, expose Visconti¿s cinematographic signature and link different historic events with crucial moments in Visconti¿s personal life.¿ ¿ Gian Piero Brunetta (Università degli Studi di Padova)¿This journey through Visconti¿s films broadens our view of an oeuvre whose richness is not as much due to its manifold cultural references, but more to their daring use by the artist.¿ ¿ Michèle Lagny (Université Sorbonne Nouvelle ¿ Paris 3)CLUES is an international scientific series covering research in the field of culture, history and heritage which have been written by, or were performed under the supervision of members of the research institute CLUE+.ContentsIntroduction: Intervisuality, Theory and HistoryI. Pictorial Citation, Art Direction, and Costume Design in Visconti¿s Films1. Pictorial Citation: Il Bacio and Other Citations in Senso2. Archaeology of the Set (I): Greuze and The Leopard3. Archaeology of the Set (II): The Conversation Pieces in Conversation Piece4. The (Photo) Portrait and the Remembrance of Things Past5. Costume and Painting in Senso6. Costume: Veiling, Unveiling and Revealing with ViscontiII. Staging, Framing and Mirroring in Visconti¿s Films7. Staging in Depth: Objects and People8. Framing: Doors, Windows, and Anti-framing9. Mobile Framing and Visual Explorations10. Mirrors: Awkward ConfrontationsConclusionAcknowledgementsIllustration CreditsIndexBooks on Demand GmbH, Überseering 33, 22297 Hamburg 316 pp. Englisch.…

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Reframing Luchino Visconti: Film and Art gives new and unique insights into the roots of the visual vocabulary of one of Italy's most reputed film authors. It meticulously researches Visconti's appropriation of European art in his set and costume design, from pictorial citations and the archaeology of the set to the use of portraits and pictorial references in costume design. Yet it also investigates Visconti's cinematography in combination with his mise-en-scène in terms of staging, framing, mobile framing, and mirroring. Here not only aesthetic conventions from art but also those from silent and sound cinema have been clearly appropriated by Visconti and his crew.This book gives answers to the question: where does the visual splendour of Visconti's films come from 'This book, apart from showing a long-standing passion and fidelity, gives us one of the most original international researches ever produced on Visconti's work. Through thorough archival research and numerous interviews with people close to Visconti such as his crew members, Ivo Blom's monograph reveals the extraordinary network of iconographic and cultural connections that unite Visconti's work, expose Visconti's cinematographic signature and link different historic events with crucial moments in Visconti's personal life.' - Gian Piero Brunetta (Università degli Studi di Padova)'This journey through Visconti's films broadens our view of an oeuvre whose richness is not as much due to its manifold cultural references, but more to their daring use by the artist.' - Michèle Lagny (Université Sorbonne Nouvelle - Paris 3)CLUES is an international scientific series covering research in the field of culture, history and heritage which have been written by, or were performed under the supervision of members of the research institute CLUE+.ContentsIntroduction: Intervisuality, Theory and HistoryI. Pictorial Citation, Art Direction, and Costume Design in Visconti's Films1. Pictorial Citation: Il Bacio and Other Citations in Senso2. Archaeology of the Set (I): Greuze and The Leopard3. Archaeology of the Set (II): The Conversation Pieces in Conversation Piece4. The (Photo) Portrait and the Remembrance of Things Past5. Costume and Painting in Senso6. Costume: Veiling, Unveiling and Revealing with ViscontiII. Staging, Framing and Mirroring in Visconti's Films7. Staging in Depth: Objects and People8. Framing: Doors, Windows, and Anti-framing9. Mobile Framing and Visual Explorations10. Mirrors: Awkward ConfrontationsConclusionAcknowledgementsIllustration CreditsIndex.…