j van der stock (39 risultati)

Soft cover. Condizione: Very Good. 60 pages. Arthur W Dykes "An Essay on the Bridge" / J Hullah Brown "How Little Children May Learn to Play the Violin" / Jeffrey Pulver "Bach's Solo Sonatas and Partitas for the Violin Chapter VII" / H P Morgan-Browne "John Dunn makes a World Tour" / E Van Der Straeten "Old Consorts and their Literature" / F O Souper "Famous Amarteur Orchestras - 4 Stock Exchange Orchestral Society" (M20).

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Cloth, blindstamped cover-title and panel, large 4to, 32 cm, vii, 223 pp, 150 ills including 100 colour plates. From the blurb - "In the years between 1475 and 1550 the master illuminators of Flanders produced an array of remarkable manuscripts or unparalleled splendor. This lavish volume offers a unique opportunity to discover these sumptuous, relatively unknown works of art As seen here in lush colorplates, the Flemish painters made every page a tiny masterpiece. For the first time, artists visually broke through the flat surface of the parchment, achieving an unprecedented sense of depth in interior scenes. At the same time, their exquisite details and masterful effects of light and shadow offered a new realism and brilliance to painted landscapes, and they enlivened the margins of their pages with pictures of flowers and insects in trompe l'oeil. All of their innovations were soon widely imitated. One unusual aspect of this volume, which accompanies a 1996 exhibition in St. Petersburg, Russia, and Florence, Italy, is its focus on the individuals who commissioned and purchased these works. A Portuguese patron, for example, was the owner of the sumptuous Breviary of Mayer van den Bergh, which has been newly restored and photographed especially for this book. Other foreign patrons engaged Flemish miniaturists to create a variety of elaborate works. Hymnals and graduals were made for bishops and abbots, and smaller devotional books for rich laymen. " Near Fine in Very Good dustwrapper.

Cloth, blindstamped cover-title and panel, large 4to, 32 cm, vii, 223 pp, 150 ills including 100 colour plates. From the blurb - "In the years between 1475 and 1550 the master illuminators of Flanders produced an array of remarkable manuscripts or unparalleled splendor. This lavish volume offers a unique opportunity to discover these sumptuous, relatively unknown works of art As seen here in lush colorplates, the Flemish painters made every page a tiny masterpiece. For the first time, artists visually broke through the flat surface of the parchment, achieving an unprecedented sense of depth in interior scenes. At the same time, their exquisite details and masterful effects of light and shadow offered a new realism and brilliance to painted landscapes, and they enlivened the margins of their pages with pictures of flowers and insects in trompe l'oeil. All of their innovations were soon widely imitated. One unusual aspect of this volume, which accompanies a 1996 exhibition in St. Petersburg, Russia, and Florence, Italy, is its focus on the individuals who commissioned and purchased these works. A Portuguese patron, for example, was the owner of the sumptuous Breviary of Mayer van den Bergh, which has been newly restored and photographed especially for this book. Other foreign patrons engaged Flemish miniaturists to create a variety of elaborate works. Hymnals and graduals were made for bishops and abbots, and smaller devotional books for rich laymen. " Very Good in Very Good dustwrapper.

Original publisher's sewn paperback, pictorial frontcover, large 8vo: 94pp., richly illustrated [44], bibliography, list illustrations, abbreviations, iconographical index, concordances, folded table at the rear. Very fine copy., Catalogue Koninklijke Bibliotheek Albert I.

BROCHE. Condizione: Très bon. 92 pahes, Nombreuses illustrations, exemplaire en néerlandais.

Hard bound. Condizione: Almost as new. Condizione sovraccoperta: Jacket. 214 pp. Glossario. Indice dei manoscritti. Indice dei nomi. Couloured illustrations. language: Italian. Size: 31 x 24 cm.

Text in french, quarto, red cloth boards with gilt lettering to spine, illus eps, 615pp, illus, Nr Fine in d/w VG (light soiling, light bruising to spine extrems, light rubbing).

hardcover. Condizione: New. 1st.

Paperback, geillustreerde stofwikkel : Portret van Thomas Gresham, 383 pp., 255 x 330 mm., mooie en overvloedige illustraties ISBN 9053490604. Uitgegeven naar aanleiding van de gelijknamige tentoonstelling die doorging in het Hessenhuis te Antwerpen van 25 juni tot 10 oktober 1993 in het kader van Antwerpen ' 93. Boek is in zeer goede staat. 2850 g.

paperback. Condizione: New. 1st.

Original publisher's red cloth hardback, gilt title spine, blind-stamped ornament frontcover, pictorial dustjacket, thick large 4to: pictorial endpapers, 616pp., ca. 550 coloured plates & illustrations, 22 contributions with illustrations - notes & references, CATALOGUE of 396 items depicted & described with notes & references, large general bibliography, credits photographs, table of contents. Very fine copy.

Hardcover. Condizione: Brand New. 402 pages. 11.75x8.50x1.00 inches. In Stock.

Condizione: New.

Paperback. Condizione: new. Paperback. On the first page of his famous book, Thomas More describesUtopia as a Libellus vere aureas, a little true goldenbook. This little book, published in Leuven in 1516, proved to becomeone of the greatest works of socio-political analysis of all time; thenew spirit attached to Mores work continues to inspire, and was equallythe inspiration for the collection of essays presented in this book. Thepresent volume contains the proceedings of the conference ImagingUtopia: New Perspectives on Northern Renaissance Art. In this book,several leading experts in the field of art history reflect on the themeImaging Utopia in diverse and inventive ways. The result of thesescholarly reflections is as varied as the theme itself and examines suchtopics as the work by Quinten Massys in the context of his relation withErasmus and More, the Utopian construction of the Prince Bishops Palaceof Liege, and City Portraits in religious iconography. A number ofentries discuss the art technical research on the importantsixteenth-century Enclosed Gardens of Mechelen. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: As New. Unread book in perfect condition.

Condizione: gut. Early Prints, The Print Collection of the Royal Library of Belgium In englischer Sprache. pages.

Condizione: gut. Anjou Bible. A Royal Manuscript Revealed, Naples 1340 In deutscher Sprache. pages.

Paperback. Condizione: new. Paperback. On the first page of his famous book, Thomas More describesUtopia as a Libellus vere aureas, a little true goldenbook. This little book, published in Leuven in 1516, proved to becomeone of the greatest works of socio-political analysis of all time; thenew spirit attached to Mores work continues to inspire, and was equallythe inspiration for the collection of essays presented in this book. Thepresent volume contains the proceedings of the conference ImagingUtopia: New Perspectives on Northern Renaissance Art. In this book,several leading experts in the field of art history reflect on the themeImaging Utopia in diverse and inventive ways. The result of thesescholarly reflections is as varied as the theme itself and examines suchtopics as the work by Quinten Massys in the context of his relation withErasmus and More, the Utopian construction of the Prince Bishops Palaceof Liege, and City Portraits in religious iconography. A number ofentries discuss the art technical research on the importantsixteenth-century Enclosed Gardens of Mechelen. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: gut. Imaging Utopia: New Perspectives on Northern Renaissance Art. Papers Presented at the Twentieth Symposium for the Study of Underdrawing and Technology in Painting Underdrawing and Technology in Painting. Symposia , nr. 20 In deutscher Sprache. pages.

Condizione: gut. Netherlandish Art and Luxury Goods in Renaissance Spain In englischer Sprache. pages.

Hardcover/Hardback. Condizione: Very Good. In zeer goede staat. Hardcover met stofomslag. 615 pp.

Gand, Ludion, 1997. 223 pp., nums. ills. in col. 4to, linnen/stofomslag.

Large quarto, illus light card covers, white lettering to spine & floor, 383pp, illus, VG (v slight soiling to page edges, v slight creasing to cover edges).

Imperial octavo, black cloth boards with gilt lettering to spine, 292pp, illus, Nr Fine in d/w Nr Fine.

Hardback.184 pages., 550 b/w ill. 16 colour ill., ills., 225 x 305 mm, Languages: English, NEW condition ! ISBN 9781872501291. The Print Room of the Royal Library of Belgium currently possesses roughly 700,000 independent prints, including a few hundred early' woodcuts and engravings from the fifteenth and early sixteenth centuries, which make up one of the most important parts of the collection. In the course of time, only a small portion of these has been recorded in a systematic catalogue. One-and-a-half centuries ago, in 1857, the head curator Louis Alvin catalogued the Library's noteworthy collection of Italian niello prints. Thirty-five years later, in 1892, Max Lehrs, then head of the Dresden Print Room, published the first and only inventory of the collection of fifteenth-century northern engravings in the Royal Library's Print Room. As for the two other parts of the collection included in this book, namely the early woodcuts and the early Italian prints, this is the very first time that each has been examined as a group. Consequently, the exceptionally rich collection of 'early' prints in the Royal Library of Belgium has remained essentially unknown to many thus far. This catalogue is a first step in making the collection better known. 0 g.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. FIRST EDITION THUS.

Bound, hardcover, with dusjacket, Pages: XII-335 p. fine illustrated in colorplates. ISBN 9789042924451. The Anjou Bible, now kept in the Theology Faculty's Maurits Sabbe Library of the University of Leuven (Belgium) is a superbly illuminated manuscript created at the Royal Court of Naples in the turbulent fourteenth century. At this time much of Central and Southern Europe was governed by the successful dynasty of Anjou, which continued to expand its territories and encouraged artists and writers like Giotto, Simone Martini, Boccaccio and Petrarch. In 1328, after the death of her father, Joanna of Anjou became the official heir to the prosperous Kingdom of Naples and Sicily. Several years later her grandfather, Robert I, gave Joanna and her young fiance Andrew of Hungary a precious gift, which became known as the Anjou Bible, a manuscript that is priceless from a historical and art-historical point of view. In addition to Bible texts and splendid miniatures, it contains a wealth of historical information about the house of Anjou and the book's origins. One of the artists responsible for the magnificent painting was Cristophorus Orimina, the leading illuminator in Naples, who signed the work. The Anjou Bible has now been carefully conserved and studied: the research findings are brought together in this book. Essays by some of the most noted experts in the field describe how the arts were promoted at the court of Robert I of Anjou and also shed light on the Bible's genesis and on all the research methods and results. This book is richly illustrated and contains all the illuminated folios of the Anjou Bible. 0 g.

Original publishers paper-covered boards, 208 pages, 30.5 x 22.5 cm, english text. *New. ISBN 9789042941526. Imaging Utopia: New Perspectives on Northern Renaissance Art Papers Presented at the Twentieth Symposium for the Study of Underdrawing and Technology in Painting Underdrawing and Technology in Painting. Symposia , nr. 20 0 g.

Cloth, 4to, 28 cm, 238 pp, plates, ills. From the publisher's description: "The three Wierix brothers were among the most prolific of the numerous engravers active in Antwerp in the second half of the sixteenth and in the early seventeenth centuries. Johannes (c. 1549-c. 1618) is also recorded in Delft (1577-79), and probably moved to Brussels before the turn of the century, where he died. His younger brothers Hieronymus (1553-1619) and Antonius II (c. 1555/59-1604) remained active in Antwerp. The majority of the Wierix's production is religious and served the Counter-Reformation. They engraved in styles virtually indistinguishable from one another and their output is renowned for its technical sophistication and delicacy, perhaps best illustrated in the copies after Dürer and in the portraits. The book illustrations engraved by the Wierix brothers rank among the finest of their time; they were mainly intended for religious books, a great number of which were published by the renowned firm of Plantin in Antwerp. The catalogue further expand on and refine the meticulous four-volume catalogue of Mauquoy-Hendrickx, completed in 1983. Special attention has been paid to the issue of originals, replicas and variants, and all known preparatory drawings for the prints will be listed." Fine in Near Fine dustwrapper.