Jacopo benassi giulia cenci (4 risultati)

- Rilegato
Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 58,09
Spedizione gratuitaSpedito da Regno Unito a U.S.A.Quantità: 1 disponibile
Hardback. Condizione: New. Illustrated.
Altre immaginiLingua: Inglese
Editore: NERO Editions, Roma, 2025
- Brossura
- Prima edizione
Da: s.t. senza titolo, Roma, RM, Italias.t. senza titolo
Contatta il venditoreVenditore con 3 stelleCondizione: Usato - Come nuovo
EUR 32,00
EUR 40,00 spedizioneSpedito da Italia a U.S.A.Quantità: 1 disponibile
Aggiungi al carrelloBrossura. Condizione: come nuovo. prima edizione. Jacopo Benassi / Giulia Benassi | Pietraia Nero editions, 2025 A cura e testo di Antonio Grulli Direzione creativa di Francesco De Figueiredo Progetto grafico di Marco De Ieso, Nero Traduzione di Anna Martinelli Brossura, cm. 24 x 34, pagine 120 Lingua inglese Pietraia is the result of the encounter between sculptor Giulia Cenci and photographer Jacopo Benassi - their practices merging to create a new body of work, where the hybrid forms of her pieces and his visceral gaze generate a shared language of transformation. Introduced by curator Antonio Grulli, the artists met in Milan and then gathered in Pietraia, a rural village where Cenci set up her studio in the former stables of her family's farm. There, she works with metal to create casts of organic and mechanical bodies - branches and pipes, bones and pistons, human and animal faces - which she assembles and disassembles to shape new, visionary figures. Benassi photographed these creations indoors, in the studio, and outdoors, in the woods. Rejecting conventional modes of documentation, he worked in darkness, using flash and long exposures, fragmenting and multiplying the shapes, turning heavy metal into trails of pure light. Rearranging Cenci's works into unexpected constellations - relating and contrasting with each other and with the surrounding vegetation - his shots reveal their spectral nature and amplify their phantasmatic presence. "A cast is a photographic process, albeit a three-dimensional one" - writes Grulli. At the same time, using the blinding flash of his camera, Benassi sets out to "re-sculpt" Cenci's figures. Pietraia thus becomes the outcome of a collaboration where two distinct practices fuse, giving rise to something entirely new - an uncanny language of light and matter, haunted and alive.…

- Rilegato
Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 57,00
EUR 77,88 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibile
Hardback. Condizione: New. Illustrated.

- Brossura
- Prima edizione
Da: s.t. senza titolo, Roma, RM, Italias.t. senza titolo
Contatta il venditoreVenditore con 3 stelleCondizione: Usato - Come nuovo
EUR 32,00
EUR 40,00 spedizioneSpedito da Italia a U.S.A.Quantità: 1 disponibile
Brossura. Condizione: come nuovo. prima edizione. Pietraia is the result of the encounter between sculptor Giulia Cenci and photographer Jacopo Benassi—their practices merging to create a new body of work, where the hybrid forms of her pieces and his visceral gaze generate a shared language of transformation. Introduced by curator Antonio Grulli, the artists met in Milan and then gathered in Pietraia, a rural village where Cenci set up her studio in the former stables of her family's farm. There, she works with metal to create casts of organic and mechanical bodies—branches and pipes, bones and pistons, human and animal faces—which she assembles and disassembles to shape new, visionary figures. Benassi photographed these creations indoors, in the studio, and outdoors, in the woods. Rejecting conventional modes of documentation, he worked in darkness, using flash and long exposures, fragmenting and multiplying the shapes, turning heavy metal into trails of pure light. Rearranging Cenci's works into unexpected constellations—relating and contrasting with each other and with the surrounding vegetation—his shots reveal their spectral nature and amplify their phantasmatic presence. "A cast is a photographic process, albeit a three-dimensional one"—writes Grulli. At the same time, using the blinding flash of his camera, Benassi sets out to "re-sculpt" Cenci's figures. Pietraia thus becomes the outcome of a collaboration where two distinct practices fuse, giving rise to something entirely new—an uncanny language of light and matter, haunted and alive. BENASSI, Jacopo / CENCI, Giulia (illustratore).…