Jacques coelemans (87 risultati)
Editore: \N, ANVERSA, 1704
Da: Stampe Antiche e Libri d'Arte BOTTIGELLA, VIGEVANO, PV, ItaliaStampe Antiche e Libri d'Arte BOTTIGELLA
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Aggiungi al carrelloIncisione calcografica a bulino L. 64 X 46, 6 cm. l'intero foglio compreso gli ampi margini (40,6 x 29,4 cm. la sola parte incisa senza le lettere) - Titolo: sotto al centro tra lo stemma gentilizio: IACOB DIT A LABAN, DONE MOY RACHEL CAR LE TEMS EST ACOMPLI, LORS. .LABAM AYANT ASSEMBLE' PLUSIEURS DE SES AMIS FIT LES NOPCES. Gen…. Chap. 29, vers 21 e 22. / Peint par Michael Ange de Caravage et gravà par Iacques. .Coelemans d'aprà s l'original haut de 6 pieds sur 8 de large. 1704. - In ottime condizioni. JACQUES COELEMANS (Anversa 1654 - Aix 1735) incisore fiammingo allievo di Vermeulen, fu attivo ad Anversa e Aix-en-Provence verso la fine del XVII. sec. dove fu sopranominato: Boyer d'Aguilles - primi XVIII. - Bibliografia: LE BLANC, II, 32-33 - MILESI, 111 - BENEZIT, III, 91 (Ed. del 1976) - GORI G., I, 243, ecc.
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Aggiungi al carrello'87. SI LOQUOR NON QUIESCET DOLOR MEUS ET SI TACUERO A ME .'(If I speak, my pain will not rest, and if I keep silent .)Made by Jacques Coelemans after Sebastien Barras.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 25 x 29.5 cm (9.84 x 11.61 inch). Image size: 17.3 x 22.2 cm. (6….81 x 8.74 inch).LADY-MOTHER OF SORROWS-MARYPCO-B6-39BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Sebastien Barras (1653-1703) was a French painter and engraver from Aix-en-Provence. He was a pupil of Boyer d'Aguilles. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Sebastien Barras (illustratore).
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Aggiungi al carrello'90. SEPULCHRUM RACHEL IN FINIBUS BENIAMIN.'(The tomb of Rachel in the borders of Benjamin.)Made by Jacques Coelemans after Francisque Milet.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 34 x 23 cm (13.39 x 9.06 inch). Image size: 17.3 x 19.5 cm. (6.81 x 7.68 inch).TOMB-RACHELP…CO-B6-39BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Francisque Milet (1644-1680) was a Flemish-French painter from Antwerp. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Francisque Milet (illustratore).
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Aggiungi al carrello'44.'A landscape with a shepherdess with goats resting.Made by Jacques Coelemans after Pieter Paul Rubens.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 22 x 17.5 cm (8.66 x 6.89 inch). Image size: 14.6 x 10.7 cm. (5.75 x 4.21 inch).LANDSCAPE-SHEPHERDESS-GOATSPCO-B6-23BACKGROUND… INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Pieter Paul Rubens (1577-1629.) was an Belgian painter born in Cologne. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Pieter Paul Rubens (illustratore).
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Aggiungi al carrello'77. TOBIE .'(Tobias .) Tobias / Tobit and the angel.Made by Jacques Coelemans after Nicolas Pinson.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 25.3 x 20 cm (9.96 x 7.87 inch). Image size: 18.8 x 14 cm. (7.4 x 5.51 inch).TOBIAS AND THE ANGELPCO-B6-35BACKGROUND INFORMATIONFrom…: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Nicolas Pinson (1635/40-1681) was a French painter and etcher from Valence. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Nicolas Pinson (illustratore).
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Aggiungi al carrello'17. DILECTUS MEUS MIHI ET EGO ILLI.'(My love to me and I to him.)Made by Jacques Coelemans after Guido Reni.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 27.5 x 21.5 cm (10.83 x 8.46 inch). Image size: 13.5 x 16 cm. (5.31 x 6.3 inch).LOVE-HOLY VIRGIN-JESUS-JOHN THE BAPTISTPCO-…B6-09BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Guido Reni (1575-1642) was an Italian painter/draughtsman from Bologna. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Guido Reni (illustratore).
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Aggiungi al carrelloNo Binding. Condizione: Good. Portrait of Alessandro Turchi. Born 1578 in Verona, Italy. Died 22 January 1649 in Rome, Italy. Etching and Engraving by Jacques Coelemans (1654-1732), after Alessandro Turchi (1578-1649), c. 1700. Good condition. Verso: blank. Note: dimensions reflect the plate mark. Dimensions: 128 x 120 mm. Aless…andro Turchi was Painter, Artist, "Alessandro Veronese", and "L'Orbetto". c. 1700. Print.
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Aggiungi al carrelloNo Binding. Condizione: Fair. Portrait of Olimpia Maidalchini Pamphili. Born 26 May 1591 in Viterbo, Italy. Died 27 September 1657 in Viterbo, Italy. Etching and Engraving by Jacques Coelemans (1654-1732), after Giuseppe Cesari d'Arpino (1568-1640), c. 1700. Reasonable condition. Paper a bit soiled. Verso: blank. Dimensions: 153… x 118 mm. Olimpia Maidalchini Pamphili was "Olimpia Pamphili", and Sister-in-law of Pope Innocent X. c. 1700. Print.
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Aggiungi al carrello'16. LA VOIX DE CELUY QUI CRIE DANS LE DEZERT.'(The choice of the one who cries in the desert.) Made by Jacques Coelemans after Annibale Carracci.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 24.5 x 25 cm (9.65 x 9.84 inch). Image size: 14.5 x 18.5 cm. (5.71 x 7.28 inch).JESUS…VOICE CRIES IN THE DESERT-PORTRAITPCO-B6-08BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Annibale Carracci (1560-1609) was an Italian painter and engraver from Bologna. Along with his brother Agostino (1557--1602) and his cousin Ludovico (1555-1619) they are considered the progenitors of the Baroque style and highly influential. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Annibale Carracci (illustratore).
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Aggiungi al carrelloNo Binding. Condizione: Good. Portrait of Conrad Ruthven. Died after 1650. Etching and Engraving by Jacques Coelemans (1654-1732), after Jan Gerritsz van Bronckhorst (1603-1661), c. 1700. Good condition. Short upper margin. Some browning along the top. Very faint staining (=mainly visible on verso). Some minor creasing. Verso: b…lank. Dimensions: 245 x 199 mm. Conrad Ruthven was Statesman. c. 1700. Print.
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Aggiungi al carrello'89. LE VOUS AY COUVERT DE FEUILLE DARBRES A CAUSE DE LA CHALEUR.'(You were covered with leaves from trees because of the heat.) Two shepherd's in a landscape with trees greeting a woman carrying a basket with flowers.Made by Jacques Coelemans after Francisque Milet.Etching / engraving on hand laid (verge) paper. Watermark: (pre…sent to be determined).Sheet size: 29 x 31 cm (11.42 x 12.2 inch). Image size: 22 x 28 cm. (8.66 x 11.02 inch).LANDSCAPE-SHEPHERD-WOMAN-FLOWERS-TREESPCO-B6-39BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Francisque Milet (1644-1680) was a Flemish-French painter from Antwerp. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Francisque Milet (illustratore).
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Aggiungi al carrello'91. THAMAR DEPOSITIS UIDUITATIS UESTIBUS THERISTRUM ET MUTATO HABITU SEDIT IN BIUIO ITINERIS QUOD DUCIT AD THAMNAN .'(Tamar took off her widow's veil and changed her dress and sat down at the crossroads that leads to Tamnan ,) Set in a wide landscape.Made by Jacques Coelemans after Francisque Milet.Etching / engraving on hand l…aid (verge) paper. Watermark: (present to be determined).Sheet size: 32.5 x 28.8 cm (12.8 x 11.34 inch). Image size: 26.3 x 23.3 cm. (10.35 x 9.17 inch).TAMAR-THAMAR-WIDOW'S VEIL-LANDSCAPEPCO-B6-42BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Jean-Francois called Francisque Milet / Millet (1642-1680) was a Flemish / French artist from Antwerp. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Francisque Milet (illustratore).
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Aggiungi al carrelloNo binding. '107. IOSUE ARRESTE LE SOLEIL.'(Joshua stops the sun.) Joshua makes the sun rest / darken / eclips during the battle of Amor.Made by Jacques Coelemans after Raymond Lafage.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 28.4 x 34.5 cm (11.18 x 13.58 inch). Image size:… 21.5 x 29 cm. (8.46 x 11.42 inch).BATTLE OF AMOR-JOSHUA-SUN ECLIPSPCO-B6-48BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Raymond Lafage (1656-1684) was a Baroque French artist from the Island of Lisle-sur-Tam, notable for his mythological prints and drawings. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Raymond Lafage (illustratore).
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Aggiungi al carrello'18, VIDETE SI EST DOLOR SICUT DOLOR MEUS.'(See if there is pain like my pain.) Jesus suffering with the thorn crown.Made by Jacques Coelemans after Guido Reni.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 26.5 x 31 cm (10.43 x 12.2 inch). Image size: 17.3 x 22.2 cm. (6.81 x 8.…74 inch).PAIN-JESUS-THORN CROWNPCO-B6-09BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Guido Reni (1575-1642) was an Italian painter/draughtsman from Bologna. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Guido Reni (illustratore).
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Aggiungi al carrello'74. LANGE DU SEIGNEUR DIT A AGAR RETOURNE A TA MAITRESSE ET HUMILIE TOY SOUS SA MAIN.'(The angel of the Lord said to Agar return to your mistress and humble yourself under his hand.)Made by Jacques Coelemans after Nicolas Loyr.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 33 x… 24.3 cm (12.99 x 9.57 inch). Image size: 26 x 19 cm. (10.24 x 7.48 inch).ANGEL-LORD-AGAR-RETURN TO MASTERPCO-B6-34BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Nicolas Loyr / Loire (1624-1679) was a French painter, draftsman and printmaker from Paris. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Nicolas Loyr (illustratore).
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Aggiungi al carrello'30. CUMQUE MINASSET GREGEM AD INTERIORA DESERTI MOYSES VENIT A MONTERUM DEI HOREB.'(And when Moses led the flock to the inner parts of the desert, he came from Horeb, the god of the mountains.)Made by Jacques Coelemans after Jean-Benoist Castiglione named le Benedette.Etching / engraving on hand laid (verge) paper. Watermark: (…present to be determined).Sheet size: 35 x 39 cm (13.78 x 15.35 inch). Image size: 25.8 x 28 cm. (10.16 x 11.02 inch).MOSES LEADING THE FLOCK TO THE DESERT-HOREB MOUNTAINPCO-B6-17BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Jean-Benoist Castiglione (1616-1670) was an Italian painter from Genua. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Jean-Benoist Castiglione named le Benedette (illustratore).
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Aggiungi al carrello'15. JURE OCULIS DEXTRAQUE MANU PRESSA UBERA SIGNAT, QUEIS LACTENS VERE LAC DEUS EST HOMINI.'(With the right eyes and the right hand he presses the breasts. For those who suck, God is truly milk for man.)Made by Jacques Coelemans after Annibale Carracci.Etching / engraving on hand laid (verge) paper. Watermark: (present to be de…termined).Sheet size: 24 x 27.5 cm (9.45 x 10.83 inch). Image size: 15 x 19 cm. (5.91 x 7.48 inch).MARY-JESUS-BREASTFEEDING-GOD IS MILK FOR MANPCO-B6-08BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Annibale Carracci (1560-1609) was an Italian painter and engraver from Bologna. Along with his brother Agostino (1557--1602) and his cousin Ludovico (1555-1619) they are considered the progenitors of the Baroque style and highly influential. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Annibale Carracci (illustratore).
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Aggiungi al carrello'52.'Landscape with cows drinking from a river.Made by Jacques Coelemans after Cornelis Poelenburg.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 24 x 21 cm (9.45 x 8.27 inch). Image size: 14.5 x 12 cm. (5.71 x 4.72 inch).LANDSCAPE-COWS-RIVERPCO-B6-25BACKGROUND INFORMATIONFrom:…'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Cornelis Poelenburg (1586-1660) was an Dutch painter. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Cornelis Poelenburg (illustratore).
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Aggiungi al carrello'106. TOBIE EFFRAIE.'(Tobias scared / frightened.) Tobias is scared by a fish but god's angel reassures him to catch the fish.Made by Jacques Coelemans after Raymond Lafage.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 27.4 x 33 cm (10.79 x 12.99 inch). Image size: 20.5 x 29.5…cm. (8.07 x 11.61 inch).TOBIAS SCARED FOR A FISH-ANGELPCO-B6-47BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Raymond Lafage (1656-1684) was a Baroque French artist from the Island of Lisle-sur-Tam, notable for his mythological prints and drawings. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Raymond Lafage (illustratore).
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Aggiungi al carrelloNo binding. '110. S. FRANCISCUS.'Saint Francis is being held a crucifix by angels. He want to ressemble Jesus and receives the wounds in his hands.Made by Jacques Coelemans after Raymond Lafage.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 23.5 x 29 cm (9.25 x 11.42 inch). Imag…e size: 17.5 x 22.5 cm. (6.89 x 8.86 inch).SAINT FRANCIS-ANGELS-CRUCIFIXPCO-B6-48BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Raymond Lafage (1656-1684) was a Baroque French artist from the Island of Lisle-sur-Tam, notable for his mythological prints and drawings. Condition: very good, given age. Some foxing. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Raymond Lafage (illustratore).
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Aggiungi al carrelloNo Binding. Condizione: Very Good. No Jacket. '113. INVENERUNT PUERUM CUM MARIA MATRE EIUS ET PROCIDENTES ADORAVERUNT EUM.' (They found the boy with his mother Maria, and they fell down and worshiped him.) The pilgrimage of the magi. Made by Jacques Coelemans after Jean Baptiste Boyer d'Aiguilles. Etching / engraving on hand lai…d (verge) paper. Watermark: (present to be determined). Sheet size: 27.5 x 30.9 cm (10.83 x 12.17 inch). Image size: 20.8 x 28.5 cm. (8.19 x 11.22 inch). Condition: very good, given age. Some foxing. Rust stain from iron particle at bottom left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. THE PILGRIMAGE OF THE MAGI-HOLY FAMILY PCO-B6-48 BACKGROUND INFORMATION From: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles (1650-1709), his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare. Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213. Raymond Lafage (illustratore).
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Aggiungi al carrello'4. MATER AMABILIS.'(Lovely mother.) The virgin Mary holding Jesus backed by St. John the baptist.Made by Jacques Coelemans after Antonio Allegri named Correggio.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 27.5 x 25.5 cm (10.83 x 10.04 inch). Image size: 16.4 x 23.5 cm. (6.46… x 9.25 inch).VIRGIN MARY-JESUS-CHILDPCO-B6-04BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Antonio Allegri / Correggio (1489-1534) was an Italian painter/draughtsman from Parma. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Antonio Allegri named Correggio (illustratore).
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Aggiungi al carrello'53.'Interior of a church or cathedral.Made by Jacques Coelemans after Hendrik van Steenwijk.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 25.5 x 22 cm (10.04 x 8.66 inch). Image size: 17.5 x 14 cm. (6.89 x 5.51 inch).CHURCH INTERIOR-ARCHITECTUREPCO-B6-25BACKGROUND INFORMATIONF…rom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Hendrik van Steenwijk (c.1550-1603) was an Dutch painter and engraver from Kampen, mainly known for his church interiors. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Hendrik van Steenwijk (illustratore).
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Aggiungi al carrello'55.'Still life with fruit: peaches and grapes.Made by Jacques Coelemans after Charles de Somme.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 25.5 x 22 cm (10.04 x 8.66 inch). Image size: 17.5 x 14 cm. (6.89 x 5.51 inch).STILL LIFE-FRUIT-PEACH-GRAPESPCO-B6-25BACKGROUND INFORMAT…IONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Charles de Somme (1637-1673) was a French still-life painter. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Charles de Somme (illustratore).
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Aggiungi al carrello'76. QUI CONSURGENS, ACCEPIT PUERUM ET MATREM EUIS ET VENITIN TERRAM ISRAEL.'(And he arose, and took the child and his mother, and came to the land of Israel.) Holy family after their return from Egypt.Made by Jacques Coelemans after Nicolas Loyr.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determine…d).Sheet size: 30 x 26.8 cm (11.81 x 10.55 inch). Image size: 22.4 x 19.2 cm. (8.82 x 7.56 inch).HOLY FAMILY-JESUS-RETURN TO ISRAELPCO-B6-35BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Nicolas Loyr / Loire (1624-1679) was a French painter, draftsman and printmaker from Paris. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Nicolas Loyr (illustratore).
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Aggiungi al carrello'75. LANGE D'DIEU APPELLA DU CIEL AGAR, ET LUI DIT QUE FAIS TU AGARINE CRAIN POINT CAR DIEU A OUI LA VOIX DE L'ENFANT DU LIEU OU IL EST.'(The Angel of God called Agar from Heaven, and told her what you are doing Agarine, fear not, for God has heard the child's voice from the place where he is.) An Angel shows Agar and her dying…child a fountain and promisses the protection of god.Made by Jacques Coelemans after Nicolas Loyr.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 33 x 24 cm (12.99 x 9.45 inch). Image size: 26 x 19 cm. (10.24 x 7.48 inch).AGAR-ANGEL-GOD'S PROTECTION-HEALINGPCO-B6-34BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Nicolas Loyr / Loire (1624-1679) was a French painter, draftsman and printmaker from Paris. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Nicolas Loyr (illustratore).
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Aggiungi al carrello'86. S. ANDREAS.'(Saint Andrew is reading a book)Made by Jacques Coelemans after Claude Vignon.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 17.5 x 20.5 cm (6.89 x 8.07 inch). Image size: 7.5 x 10.5 cm. (2.95 x 4.13 inch).SAINT ANDREW-READING-BOOKPCO-B6-39BACKGROUND INFORMATION…From: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Claude Vignon (1593-1670) was a French painter and engraver from Tours. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Claude Vignon (illustratore).
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Aggiungi al carrello'29. CUMQUE CIRCUMSPEXISS ET MOYSES HUC ATQUE ILLUC ET NULLUM ADESSE .'(As Moses looks around for witnesses .) Moses hiding after killing an Egyptian.Made by Jacques Coelemans after Jean-Benoist Castiglione named le Benedette.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 35 x 3…9 cm (13.78 x 15.35 inch). Image size: 25.6 x 28 cm. (10.08 x 11.02 inch).MOSES HIDING-KILLING AN EGYPTIANPCO-B6-17BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Jean-Benoist Castiglione (1616-1670) was an Italian painter from Genua. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Jean-Benoist Castiglione named le Benedette (illustratore).
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Aggiungi al carrello'54.'Still life of kitchen gear with pots end pans and a basket.Made by Jacques Coelemans after Willem Kalf.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 25.5 x 22 cm (10.04 x 8.66 inch). Image size: 17.5 x 14 cm. (6.89 x 5.51 inch).STILL LIFE-POTS-PANS-KITCHENPCO-B6-25BACKGROU…ND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Willem Kalf (1619-1693) was a Dutch still-life painter from Amsterdam. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Willem Kalf (illustratore).
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Aggiungi al carrello'59. TABLEAUX DE MR. BOYER SECONDE PARTIE.'(Painting of Mr. Boyer second part.) Putti's lifting a draperie from a painters easel. Allegory on painting.Made by Jacques Coelemans after Mr. Boyer.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 36 x 45.5 cm (14.17 x 17.91 inch). Imag…e size: 28 x 36 cm. (11.02 x 14.17 inch).TITLE ENGRAVING-PUTTI'S-PAINTERS EASELPCO-B6-28BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Mr. Boyer (illustratore).
