jacques lassaigne preface (10 risultati)

Softcover. Condizione: Very Good. Softcover. A chronological catalogue in French of Miro's graphic work, including 599 pieces dating from 1933 to 1974. With numerous color and black and white illustrations of Miro's etchings and lithographs. Also included is a list of exhibition catalogues of Miro's graphic work. White softcover with color Miro illustrations on front cover. "Miro" is handwritten on spine. With ownership stamp of Baltimore art dealer Ernest Lowenstein on ffep and sticker for Barron's in Woodbury, New York on title page. Signs of handling. Inserted are a poster and price list for a sale of Miro's work at Galerie Patrick Cramer 1987-1988. Very good condition. Measures 11.5 inches. 157 pages. ART/071122.

Paperback. Condizione: Good. Galerie des Beaux-Arts de Bordeaux, Published 1973. Paperback, xviii + 106 pp.; 24 cm; text in French; illustrated with 16 color plates and 90 black-and-white plates, with an 8-page supplement laid in. In Good condition. Illustrated card covers with mild shelf wear, light bumping and creasing to edges, and some color loss along the edges. A scratched patch at the foot of the spine from a removed price sticker. Binding tight, pages lightly toned. Otherwise unmarked.Catalogue for the major Cubism retrospective mounted in 1973 as the twenty-fourth Mai de Bordeaux at the Galerie des Beaux-Arts, then shown at the Musee d'Art Moderne de la Ville de Paris. Preface by Jean Cassou, the poet and founding director of the Musee National d'Art Moderne; foreword by Gilberte Martin-Mery and Jacques Lassaigne; with a 1961 interview with Georges Braque. The 181 catalogued works survey the movement through Picasso, Braque, Leger, Gris, Delaunay, Gleizes, Metzinger, Marcoussis, Duchamp-Villon, and Zadkine, alongside the African masks and sculpture that informed it. With bibliography and exhibition history.

Paperback. Condizione: Very Good. Paris / New York: Galerie Furstenberg / André Emmerich c. 1955. 30 pages; 10 tipped-in color plates. "The edition of these tapestries is limited to the traditional seven weavings of each design. Every tapestry is created by the ancient hand process of Aubusson artisans. Once the edition of seven is completed, the cartoon will be destroyed and no more will be woven." Clean throughout. Back panel of the wrapper is creased across a corner; Corners of the front panel are lightly bruised. Price list loosely inserted. Pictorial Wrapper (softcover). Very Good. Small portfolio.

22x29cm, broché, L'exposition consacrée à Pierre Alechinsky, acteur majeur du mouvement Cobra, présente des oeuvres datant de ces dix dernières années essentiellement composées de peintures acryliques. Cette exposition comprend cent oeuvres de 1965 à 1974. Le Musée Boymans-van Beuningen, Rotterdam, la présente du 25 novembre 1974 au 5 janvier 1975. Le Musée d'Art Moderne de la ville de Paris en 1975. Le catalogue contient les textes suivants : Dans la forêt / Amos Kenan ; Alechinsky, le bateleur / Roger Caillois ; Les moyens du bor / Pierre Alechinsky ; un tableau chronologique répertoriant : "fait et gestes", "expositions personnelles", "principales expositions de groupe" ; la liste des oeuvres exposées. NOTA BENE : Les questions et commandes seront traitées dans les 48h, toutes les expéditions reprendront début juillet. Merci !

in-8, broché, 11 reproductions N/B. Bon état. NOTA BENE : Les questions et commandes seront traitées dans les 48h, toutes les expéditions reprendront début juillet. Merci !

Condizione: Good. 8vo. Square. 32 pp. Soft, black and white pictorial wraps with white lettering. As new. Mostly black and white plates, some color. Includes preface by Jacques Lassaigne and text by Jean-Marie Benoist. Includes artist biography and selected list of exhibited works. Catalogue published on occasion of exhibtion held at Artcurial in Paris, France in November 1978. En Francais. Scarce.From the Collection of the Art Historian Peter Selz.

Hardcover. Condizione: Good. 27,5 x 26,5 cm - 290 pgs - toile et jaq. d'éditeur (la jaquette n'est pas parfaite) - très nombr. ills. en n/bl et couleur.

Gr.-8° (24 x 20 cm). 15 SS. 14 s/w-Tafeln u. -Abbildungen a. gestrichenem Papier ('Kunstdruckpapier'). Katalogverzeichnis in Form von 2 Faltbll. sep. auf Rückendeckel-Innenseite geheftet. OBrosch. (blau; min. bestossen u. berieben). Leichtere Gebrauchsspuren. Gesamthaft sauberes, recht gutes Exemplar. - - Annähernd ein 'Katalogobjekt' - Textbeitrag von Albrecht Fabri 'Der fünfte Gesang' in Deutsch (dat. 12. Januar 1960) - Catalogue d'exposition à la Galerie Denise René, Paris, Février - Mars 1961 - BNF no FRBNF33018652 - Ce catalogue a été tiré à 2500 exemplaires - Liste der 22 Exponate sep. eingeheftet in Rückendeckel-Innenseite, mit Angaben zu Technik (dessin, sérigraphie, gouache, collage), Jahr, Masse/Format, Materialien - Verso Verzeichnis der abgebildeten Werke ebenfalls mit Detailangaben - Text von Hans Arp für Mortensen in Gedichtform dat. 1959; Michel Seuphor: Reflexion faite devant un tableau à deux reflets de Mortensen, dat. Janvier 1961 -- Richard Mortensen (Kopenhagen 1910-1993 ibid.), dänischer Maler, einer der bedeutendsten dänischen Künstler des 20. Jahrhunderts. "Anfang der dreißiger Jahre wurde Mortensen von den Werken von Wassily Kandinsky beeinflusst. Seine Kunst dieser Zeit zeigt einen Ausdruck, der an Kandinskys abstrakte als auch an seine surrealistische Formensprache anknüpft. [.] Mortensens Kunst hat später einen spontan-expressionistischen Charakter. Seine noch späteren Bilder zeichnen sich durch große, klare, leuchtende Farbenflächen aus, die - gegeneinander gesetzt - den Raum des Gemäldes bilden." (de-academic com, online) / "Danish painter whose large, colouristic compositions of the 1930s were the first important abstract works in Danish art. [.] n 1932 he first saw Wassily Kandinsky?s paintings in Berlin, which influenced him to introduce abstraction into his own work. He was also interested in the work of Surrealist artists such as Salvador Dalí, and in the mid-1930s he combined abstract compositions with incongruous, naturalistically painted elements. [.] Mortensen?s paintings became increasingly expressive and violent during World War II. In 1947 he moved to Paris, where he painted in a purely abstract style. Mortensen remained committed to geometric abstraction, conveying through vivid colour and lively rhythm a sense of spontaneity within hard-edged structure. He also designed tapestries and stage settings." (britannica com, online). - Sprache: fr, de.

Condizione: Bon. 309 pages : illustrations en noir et en couleurs, couverture illustrée en couleurs ; 23 x 26 cm || Texte allemand + français.

Condizione: Fair. 1976. broché. 56 pages. In-folio (327x242 mm) en feuilles 56 pp.; Exemplaire sous chemise souple rempliée et étui souple; nombreuses reproductions dans et hors-texte; Ex. n° 1709 sur papier Ingres Cover (un des 2200); étui assez usé. catalogue et chemise en très bon état. Fair.