Jacques stroumsa (19 risultati)
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Encuadernación de tapa blanda. Condizione: Excelente. 1ª Edición. TRIA LA VIDA EL VIOLINISTA D'AUSCHWITZ. JACQUES STROUMSA. EDITORIAL COLUMNA. AÑO: 1999.EXCELENTE ESTADO. IDIOMA: CATALAN.
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Lingua: Catalano
Editore: Columna, Barcelona, 1999
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Aggiungi al carrelloEncuadernación de tapa blanda. Condizione: Bien. 1ª Edición. Todos nuestros libros son de segunda mano. Novel·la (illustratore).
Lingua: Francese
Editore: Cerf (Histoires Judaîsmes), Paris, 1998
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Da: Livresse, Gatineau, QC, CanadaLivresse
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Aggiungi al carrelloCouverture souple. Condizione: Bon. 148 p. Cote, cachet et code barre de biblio. Code 2040.
Lingua: Inglese
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Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Les Juifs présentés aux Chrétiens : cérémonies et coutumes qui s'observent aujourd'hui parmi lers Juifs
Leone : da ModenaStroumsa, Guy G.Le Brun, JacquesSimon, Richard
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brossura. Condizione: Fine. 1998. Opera con copertina morbida in brossura e alette. XLIX, 289 p. : ill. in b/n ft ; 21 cm. N80. Book.
Lingua: Inglese
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Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Editore: Columna, 1999
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Da: Llibreria Fènix, Badalona, B, SpagnaLlibreria Fènix
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Aggiungi al carrelloEncuadernación de tapa blanda. Condizione: Como Nuevo. TRIA LA VIDA. EL VIOLINISTA D'AUSCHWITZ. Jacques Stroumsa. Columna 1999. Traducció d'Isabel-Clara Simó. Pòrtic de Maria Àngels Anglada.
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PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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Da: Reciclibros, Madrid, M, SpagnaReciclibros
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Condizione: Como nuevo. Gracias, su compra ayuda a financiar programas para combatir el analfabetismo.
Editore: Cerf, 1998
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Aggiungi al carrelloCouverture souple. Condizione: Bon. Edition originale. Dédicacé par l'auteur.
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Aggiungi al carrelloEd. Columna; Barcelona. 1999. Castellano. Rustica. 21x14 cms. 192 pags. Buen estado. NARRATIVA. Ref. 45353.
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Da: Antiquariat Buchtip Vera Eder-Haumer, Wien, W, AustriaAntiquariat Buchtip Vera Eder-Haumer
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1. aufl. Sprache: Deutsch 112 Seiten, Okart / paperback 8° Abbildungen, guter Zustand.
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Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermaniaBuchWeltWeit Ludwig Meier e.K.
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Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Jacques Stroumsa: Preface to the English editionProfessor Dr. Erhard Roy Wiehn from the University of Konstanz and editor of an important collection of books about the Shoah, has asked me to write a preface for the English edition…of my book, Violinist in Auschwitz. The experience acquired in Germany during my lectures at Gymnasia (high schools) in Berlin and neighboring Potsdam in 1993 and 1994 gave me a number of important insights which I would like to share with the English-speaking public. The Nazi concentration camps were intended to completely destroy the human personality and to reduce it to a number tattooed on the skin, like animals in a slaughterhouse. The questions that people asked were, for example: having survived physically after being in Auschwitz and Mauthausen for two years, having survived the terrible Death March in January 1945, how did you find the strength to be a human being again; how did you adjust to living in a normal society again Above all, where did you find the strength to come back to Germany (the land where crime was so scientifically organized) and, day after day, tell young Germans the details of your sufferings How could you tell them that the younger generation is not guilty, that they and their parents (who are now the same age as my children) were not even born at the time when these events occurred The answers to these anguished questions were given to me by the children themselves; they were deeply moved by my lectures. One day, in December 1994, I received an invitation from Micaela von Marcard, head dramaturge of the Berlin State Opera, to attend the Memorial Concert to be given in Berlin on January 28, 1995, on the fiftieth anniversary of the liberation of Auschwitz. Also, Mrs. von Marcard asked me to write some 'Memories of Auschwitz' for Vivace, the bulletin of the State Opera. I used the occasion of my visit to Berlin to present several lectures at various Gymnasia in the vicinity and, most important, to once again meet a few of the girls who had written to me after my original lectures. I am very grateful to Mr. and Mrs. Leonhard Dünnwald for organizing this reunion in their villa in BerIin. I am also very grateful to four girls, Juliana, Tina, Katrin and Kristin for coming so far to our meeting and for their most thoughtful contributions to the discussions of these very anguished questions. My sincere appreciation to James S. Brice, an American student at the University of Konstanz, for translation. 108 pp. Englisch.
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Da: buchversandmimpf2000, Emtmannsberg, BAYE, Germaniabuchversandmimpf2000
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Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Jacques Stroumsa: Preface to the English editionProfessor Dr. Erhard Roy Wiehn from the University of Konstanz and editor of an important collection of books about the Shoah, has asked me to write a preface for the English edition of m…y book, Violinist in Auschwitz. The experience acquired in Germany during my lectures at Gymnasia (high schools) in Berlin and neighboring Potsdam in 1993 and 1994 gave me a number of important insights which I would like to share with the English-speaking public. The Nazi concentration camps were intended to completely destroy the human personality and to reduce it to a number tattooed on the skin, like animals in a slaughterhouse. The questions that people asked were, for example: having survived physically after being in Auschwitz and Mauthausen for two years, having survived the terrible Death March in January 1945, how did you find the strength to be a human being again; how did you adjust to living in a normal society again Above all, where did you find the strength to come back to Germany (the land where crime was so scientifically organized) and, day after day, tell young Germans the details of your sufferings How could you tell them that the younger generation is not guilty, that they and their parents (who are now the same age as my children) were not even born at the time when these events occurred The answers to these anguished questions were given to me by the children themselves; they were deeply moved by my lectures. One day, in December 1994, I received an invitation from Micaela von Marcard, head dramaturge of the Berlin State Opera, to attend the Memorial Concert to be given in Berlin on January 28, 1995, on the fiftieth anniversary of the liberation of Auschwitz. Also, Mrs. von Marcard asked me to write some 'Memories of Auschwitz' for Vivace, the bulletin of the State Opera. I used the occasion of my visit to Berlin to present several lectures at various Gymnasia in the vicinity and, most important, to once again meet a few of the girls who had written to me after my original lectures. I am very grateful to Mr. and Mrs. Leonhard Dünnwald for organizing this reunion in their villa in BerIin. I am also very grateful to four girls, Juliana, Tina, Katrin and Kristin for coming so far to our meeting and for their most thoughtful contributions to the discussions of these very anguished questions. My sincere appreciation to James S. Brice, an American student at the University of Konstanz, for translation.Books on Demand GmbH, Überseering 33, 22297 Hamburg 108 pp. Englisch.
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Jacques Stroumsa: Preface to the English editionProfessor Dr. Erhard Roy Wiehn from the University of Konstanz and editor of an important collection of books about the Shoah, has asked me to write a preface for the English edition of my… book, Violinist in Auschwitz. The experience acquired in Germany during my lectures at Gymnasia (high schools) in Berlin and neighboring Potsdam in 1993 and 1994 gave me a number of important insights which I would like to share with the English-speaking public. The Nazi concentration camps were intended to completely destroy the human personality and to reduce it to a number tattooed on the skin, like animals in a slaughterhouse. The questions that people asked were, for example: having survived physically after being in Auschwitz and Mauthausen for two years, having survived the terrible Death March in January 1945, how did you find the strength to be a human being again; how did you adjust to living in a normal society again Above all, where did you find the strength to come back to Germany (the land where crime was so scientifically organized) and, day after day, tell young Germans the details of your sufferings How could you tell them that the younger generation is not guilty, that they and their parents (who are now the same age as my children) were not even born at the time when these events occurred The answers to these anguished questions were given to me by the children themselves; they were deeply moved by my lectures. One day, in December 1994, I received an invitation from Micaela von Marcard, head dramaturge of the Berlin State Opera, to attend the Memorial Concert to be given in Berlin on January 28, 1995, on the fiftieth anniversary of the liberation of Auschwitz. Also, Mrs. von Marcard asked me to write some 'Memories of Auschwitz' for Vivace, the bulletin of the State Opera. I used the occasion of my visit to Berlin to present several lectures at various Gymnasia in the vicinity and, most important, to once again meet a few of the girls who had written to me after my original lectures. I am very grateful to Mr. and Mrs. Leonhard Dünnwald for organizing this reunion in their villa in BerIin. I am also very grateful to four girls, Juliana, Tina, Katrin and Kristin for coming so far to our meeting and for their most thoughtful contributions to the discussions of these very anguished questions. My sincere appreciation to James S. Brice, an American student at the University of Konstanz, for translation.
