James m cain novel (24 risultati)

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Very Good. Tanning to edge of pages Appears unread, may have minor damage from transit/storage. Next day dispatch from the UK (Mon-Fri). Please contact us with any queries.

Condizione: New.

Condizione: New.

Condizione: New.

paperback. Condizione: Very Good.

paperback. Condizione: Very Good. In our warehouse.

Encuadernación de tapa blanda. Condizione: Bien. 1ª Edición. Traducció de Maria Aurèlia Capmany. Cua de Palla, 28. Disposem de tota la col.lecció. Format: 18x12 cms. Novel.la Negra (illustratore).

Two borderless photographs from the 1981 film. One photo with a snipe attached to the verso. Directed by Bob Rafelson, and based on the 1939 novel by James M. Cain, "Postman" was one of the gems of late 1970s cinema (along with "The Verdict"), and brought David Mamet to the attention of the filmmaking world, leading to his working not only as a screenwriter but an important director. Mamet's grim update of Cain's classic hard-boiled novel was somewhat panned on release, but is today held in high regard, and is considered a major influence on the genre. Photographs 8 x 10 inches. Near Fine. Silver Classic Noir. Spicer US.…

dj. Stated "First Edition". Very good in woven black cloth stamped in silver on the front boards and on the spine. Clean, tight, and bright throughout. With red top staining. In a very good minus dust jacket with some chipping and pieces missing at the top and bottom of the spine ends. And with a little offsetting of color to the verso. A handsome copy. Novel of Hollywood, New York, and Mexico of a man who dreams of becoming a singer. Also listed in Anthony Slide's Lost Gay Novels. Basis for the 1956 Anthony Mann directed film starring Mario Lanza and Joan Fontaine. CAIN, James M. Serenade Alfred A. Knopf, New York, 1937. First Edition. W. A. Dwiggins dustjacket design. Novel of Hollywood, New York, and Mexico of a man who dreams of becoming a singer. Also listed in Anthony Slide's Lost Gay Novels. Basis for t (illustratore).…

Two Draft scripts for the 1981 film. One is a Second Draft script, dated December 1979, the other is an Agency script in generic Agency wrappers, undated. Directed by Bob Rafelson, and based on the 1939 novel by James M. Cain, "Postman" was one of the gems of early 1980 cinema (along with "The Verdict") and neo-noir, and brought David Mamet to the attention of the filmmaking world, leading to his working not only as a screenwriter but an important director. Mamet's grim update of Cain's classic hard-boiled novel was largely panned on release, but is today held in high regard, and is considered a major influence on the genre. Shot on location in Santa Barbara, California. 1979 script: Red titled wrappers. Title page present, dated December, 1979, noted as SECOND DRAFT, with credits for screenwriter Mamet and novelist Cain. 123 leaves, with last page of text numbered 121. Xerographically reproduced. Pages and wrapper Near Fine, bound with two gold brads. Undated script: Black titled pictorial wrappers. Title page present, undated, with credits for screenwriter Mamet and novelist Cain. 118 leaves, with last page of text numbered 117. Xerographically reproduced. Pages Near Fine, wrapper Very Good plus, perfect-bound. Silver Classic Noir. Spicer US.…

Two vintage US lobby cards for the 1957 film. One with a brief manuscript ink annotation to the border noting the name of screenwriter Daniel Fuchs. Based on James M. Cain's 1951 short story "The Modern Cinderella," following a young American who moves to Munich and begins an affair with a married symphony conductor. Set in Munich and shot on location in Salzburg, Austria and Munich, Germany. 14 x 11 inches. Very Good plus, with light toning to the edges and overall fading and even toning.…

Vintage reference photograph from the 1947 film. With a mimeo snipe affixed to the verso and an RKO Radio Pictures stamp dated 1946, with a credit for photographer Rod Tolmie. Based on the 1946 novel, "Build My Gallows High," by Daniel Mainwaring. A former private detective lives a quiet life in a small town until his past catches up with him, forcing him to return to the world of crime. Set in Bridgeport, California, shot in the High Sierra Mountains of Nevada and Reno, as well as locations throughout California. 8 x 10 inches. Very Good plus, with toning and some light creasing. Grant US. Selby Masterwork. Silver Classic Noir. Spicer US.…

Vintage borderless studio still photograph taken on the set of the 1981 film, showing director Bob Rafelson, actors Jack Nicholson and Jessica Lange, cinematographer Sven Nykvist, and other crew members gathered around a monitor. Partial provenance label and annotations in manuscript ink on the verso. Based on the 1939 novel by James M. Cain. One of the gems of late 1970s cinema (along with "The Verdict") that brought writer David Mamet to the attention of the filmmaking world, leading to his working not only as a screenwriter but an important director. 9.75 x 8 inches. Very Good plus. Silver Classic Noir. Spicer US.…

Poster. Condizione: Very Good+. No Dust Jacket. One-sheet movie poster for the 1981 re-make of the 1946 film. (41" X 27") Very good+ or better in folded segments. (Tape abrasions on blank reverse. Tiny pinhole at center of poster from wear to folds. ) Directed by Bob Rafelson with a David Mamet script. Starred Jack Nicholson and Jessica Lange. ; 41" x 27".…

Vintage reference photograph of director Bob Rafelson and actor Jack Nicholson on the set of the 1981 film. Provenance stamp on the verso. Based on the 1939 novel by James M. Cain. Along with "The Verdict," a film that brought writer David Mamet to the attention of the filmmaking world, leading to his working not only as a screenwriter but an important director. 10 x 8 inches. Near Fine. Silver Classic Noir. Spicer US.…

Vintage studio still photograph from the classic 1944 film noir, showing Tom Powers on the train tracks. Annotations in manuscript pencil on the verso. Director Billy Wilder, making the right decision at the right time as usual, decided it was time to bring in lauded hard-boiled crime fiction author Raymond Chandler to work on a great crime drama, using James Cain's seminal hard-boiled novella. Wilder and Chandler worked on the script for several weeks together, and at one point Cain was even brought in to resolve some questions. The result was a film that set the standard for all that would follow in what came to be known as the noir style, using a cut-up time structure, Barbara Stanwyck in a blonde wig, Fred MacMurray as a soulless sucker, and Edward G. Robinson as the straight man who brings pathos to the proceedings. Nominated for seven Academy Awards (a rare feat for a genre picture), including Best Picture, Best Director, Best Screenwriter, Best Cinematography, and Best Actress. 10 x 8 inches. Near Fine. National Film Registry. Ebert I. Grant US. Penzler 101. Rosenbaum 1000. Scorsese, A Personal Journey Through American Movies. Selby US Canon. Selby US Masterwork. Spicer US.…

Vintage reference photograph of director Michael Curtiz wielding a megaphone on location for an suburban exterior shot for the 1945 film. With a printed mimeo snipe on the verso providing detail regarding same. Based on James M. Cain's 1941 novel, which follows a newly divorced woman as she begins a career as a baker to provide for her family, to the shame of her spoiled, ungrateful firstborn daughter. A career-reviving role for Joan Crawford, who won an Academy Award for her performance, following her 1943 departure from Metro-Goldwyn-Mayer. Shot on location in Glendale, Los Angeles, and Malibu, California. 7.25 x 9.25 inches. Very Good, with light dryness and cracking to the finish, and light wear to the bottom corners. National Film Registry. Criterion Collection 860. Selby US Canon. Grant US. Spicer US. Silver and Ward Classic Noir.…

Vintage one sheet poster for the 1946 film. Based on the 1934 novel by James M. Cain. A high spot of film noir, as well as the careers of Lana Turner and John Garfield. Set and shot on location in Los Angeles. 27.25 x 41 inches. In an archival frame. Near Fine with some professional restoration and repair at the original folds. Grant US. Penzler 101. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US.…

Vintage double weight reference photograph of director Tay Garnett discussing a scene with Lana Turner and an intense John Garfield on the set of the 1946 film. Mimeo snipe on verso. Based on the 1934 novel by James M. Cain. Remade in 1981 in a grim, nihilistic adaptation by David Mamet (his screenwriting debut), directed by Bob Rafelson and starring Jack Nicholson and Jessica Lange. A high spot of film noir, as well as the careers of Turner and Garfield. Set in Twin Oaks, California, and shot on location in Laguna Beach, Norwalk and Los Angeles, California. 8 x 10 inches. Near Fine. Selby US Masterwork. Penzler 101. Spicer US. Silver and Ward US. Grant US.…

Complete set of three vintage Italian posters for the legendary 1943 Italian film noir. Based on the 1929 novel by James M. Cain, "The Postman Always Rings Twice," and preceding the US film adaptation by three years. Visconti's trenchant first feature, an unauthorized adaptation of Cain's novel, often cited as the first neorealist film. Visconti himself saved a print of the film, the only reason it exists today, Mussolini having ordered the negative destroyed. The United States' reaction to the film wasn't much better, as Cain's publisher Alfred A. Knopf kept it off American screens until 1976. 27.5 x 19.5 inches. All three posters about Fine with modest restoration. On archival linen, rolled. …