James victore michael bierut (11 risultati)

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: acceptable. This copy has clearly been enjoyedâ"expect noticeable shelf wear and some minor creases to the cover. Binding is strong, and all pages are legible. May contain previous library markings or stamps.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. Very good, unclipped. Immaculate and unmarked within, artwork on exceptionally fine paper and binding firm with ribbon bookmark BUT the clean unfaded black boards are bowed due to poor storage, and there is a small gash at crown of spine.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine Dust Jacket. First Edition. CLEAN near fine 2010 First Edition hard cover with near fine dust jacket.

Hardcover. Condizione: Used - Very Good. In his first book, iconoclastic designer James Victore gives fans a survey of his work and his no-holds-barred take on the practice, business, and teaching of graphic design today. Known for making vivid, memorable, and often controversial work, Victore has sought comrades, not clients--brave, smart collaborators who have encouraged him to reinterpret old design solutions and to pressure viewers to think about issues in a new way. Leading readers through this collection of 'greatest hits,' Victore tells the stories behind his inspirations, his process, and the lessons learned. The result is an inspiring, funny, and honest book, which showcases a body of work that has been plastered on the streets of New York, hung at MoMA, and featured in magazines all over the world.Praise for 'Victore or, Who Died and Made You Boss?: ''Victore's book makes the reader want to rise up and, in Victore's words, 'examine the cliche, then dig deeper into the idea, and do that again and again, turning and twisting it deeper each time.'' --Stacey Kahn, Print magazine, October 2010 ''Victore or, Who Died and Made You Boss?' is both a monograph and a manifesto, visually tacking ideas on racism, war or capital punishment while taunting complacency and challenging the boundaries of taste.' --Ruth Hagopian, Communication Arts, December 2010 'With his unpatriotic attitude and interest in 'unholy sex, ' James Victore is a designer with opinions, as exhibited in a new book of his work.' --David Crowley, Creative Review, October 2010 'For anyone interested in the currency of ideas, this volume will inspire, encourage, and, quite possibly, shock. It's a ride well worth taking.' --Jim Carr, The Denver Post, September 19, 2010 wrapped in complimentary Brodart dust jacket protector. Very nice clean, tight copy free of any marks.…

Magazine. First edition. Fine magazine with a hint of handling. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The November 30, 2003, issue of the Sunday New York Times Magazine, the annual design issue, with: a lead essay by Arthur Lubow titled "Inspiration: Where Does It Come From?;" a look at the working methods of the artist Tara Donovan, by Jon Gertner, with a photo by Raymond Meier; a portfolio of sketches by Santiago Calatrava for a bridge in Jerusalem; Rob Walker peels the Apple iPod apart, layer by layer, to understand why it has become an icon; a pictorial schematic by the design team of Hjalti Karlsson and Jan Wilker looking at the evolution of seven designs, including SpongeBob SquarePants, the Blister Band-aid, Selfridges, the US $20 bill, the Tropf' Nix, the Aquada Car-Boat, and The Muhammad Ali Book by Taschen; Pagan Kennedy on M.I.T. teacher Amy Smith and her belief that the best technology should be cheap and simple with a portrait by Baerbel Schmidt; famous designers produce modern political campaign graphics, with text by Gail Collins and contributions from George Lois, James Victore, Michael Bierut, Walter Bernard and Milton Glaser, and others; a look at the jacket Olivier Theyskens designed for the fashion house Rochas, by Lynn Hirschberg; Joel Silver bought Auldbrass, the Frank Lloyd Wright house in Yemassee, SC, and is restoring it, by Matt Lee and Ted Lee; Delta Air Lines hires designer Kate Spade to put style in Song, their low-budget, leisure-travel subsidiary, by Jonathan Dee; a panel of designers debate tv's influence on popular taste; a pictorial photographed by Chris Anderson on the making of a Hermes bag; a large Ralph Lauren Polo holiday section; and much more. Staple-bound magazine; 146 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches.…

Sin paginar 31 cm Encuadernación editorial en cartoné con sobrecubierta en papel. Estado de conservación: Muy bien.

4°, o, P, (ca. 100 Bl.), zahlr. farb. Abb., Kart. m. OU, Tadellos. EA. - «In his first book, iconoclastic designer James Victore gives fans a survey of his work and his no-holds-barred take on the practice, business, and teaching of graphic design today. Known for making vivid, memorable, and often controversial work, Victore has sought comrades, not clients?brave, smart collaborators who have encouraged him to reinterpret old design solutions and to pressure viewers to think about issues in a new way. Leading readers through this collection of ?greatest hits,? Victore tells the stories behind his inspirations, his process, and the lessons learned. The result is an inspiring, funny, and honest book, which showcases a body of work that has been plastered on the streets of New York, hung at MoMA, and featured in magazines all over the world.» 2100 gr. Schlagworte: Kunst - Grafikdesign, Kunst - Monographien.…