Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
EUR 2,27
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Aggiungi al carrelloPaperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Condizione: New.
EUR 11,00
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Aggiungi al carrelloPaperback. Condizione: New.
EUR 10,23
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Paperback. Condizione: new. Paperback. A multidisciplinary collection of essays reflecting on Cold War cultural tropes in film, fiction, and contemporary art, and the models of knowledge that they imply.If the term "Cold World" describes a world of infinite complexity, algorithmic capital, and the technological sublime, in many ways the dread experienced during the Cold War, when clear oppositions were laid out between nation states, is echoed in the hall of mirrors of Cold World globalization, where our collective consciousness is overtaken by a flood of difference, uncertainty, and the dread of the incomputability of this alien yet constructed world.But what is the crime scene of the Cold World? How is it to be decrypted? Where are its discontinuities, what is the nature of its violence? This is to say, what is our place in this alien world and how do we even compute the "we" that we describe ourselves to be?Given the existential uncertainty unleashed for those who lived through the Cold War, but whose repercussions are in many ways amplified, relayed, and replayed in a new form for those who must now survive what has been called the "Cold World"-that of technological subjectivation, political malaise, cultural dysphoria, and ecological crisis-this terrain comprises an experiential and experimental horizon that prompts many to pose, and to stage in myriad forms, a fundamental question- "What will we of make of ourselves?"Cold War/Cold World documents a research project in progress that attempts to evaluate and respond to this fundamental shock to the system, examining attempts to render knowable, representable, or figurable the looming threats of both Cold War and Cold World-the common denominator being a distressed attempt to inquire into the dynamics of a real that seems in excess over understanding and the means of politics traditionally conceived; and a concomitant temptation to abandon any intelligent collective engagement in favour of a pragmatics that limits itself to wrestling with local contingencies, or an aesthetics mesmerised by a global sublime. A multidisciplinary collection of essays reflecting on Cold War cultural tropes in film, fiction, and contemporary art, and the models of knowledge that they imply. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condizione: New. pp. 120.
Da: Revaluation Books, Exeter, Regno Unito
EUR 13,08
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 111 pages. 9.00x6.00x1.00 inches. In Stock.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 14,92
Quantità: 15 disponibili
Aggiungi al carrelloCondizione: New. 2018. Paperback. . . . . .
Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 15,51
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. pp. 120.
Condizione: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.
Editore: Penguin Random House
ISBN 10: 0995455082 ISBN 13: 9780995455085
Da: INDOO, Avenel, NJ, U.S.A.
EUR 12,58
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Aggiungi al carrelloCondizione: As New. Unread copy in mint condition.
Editore: Penguin Random House
ISBN 10: 0995455082 ISBN 13: 9780995455085
Da: INDOO, Avenel, NJ, U.S.A.
EUR 12,67
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Aggiungi al carrelloCondizione: New. Brand New.
EUR 18,74
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Aggiungi al carrelloCondizione: New.
EUR 25,27
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. A multidisciplinary collection of essays reflecting on Cold War cultural tropes in film, fiction, and contemporary art, and the models of knowledge that they imply.If the term "Cold World" describes a world of infinite complexity, algorithmic capital, and the technological sublime, in many ways the dread experienced during the Cold War, when clear oppositions were laid out between nation states, is echoed in the hall of mirrors of Cold World globalization, where our collective consciousness is overtaken by a flood of difference, uncertainty, and the dread of the incomputability of this alien yet constructed world.But what is the crime scene of the Cold World? How is it to be decrypted? Where are its discontinuities, what is the nature of its violence? This is to say, what is our place in this alien world and how do we even compute the "we" that we describe ourselves to be?Given the existential uncertainty unleashed for those who lived through the Cold War, but whose repercussions are in many ways amplified, relayed, and replayed in a new form for those who must now survive what has been called the "Cold World"-that of technological subjectivation, political malaise, cultural dysphoria, and ecological crisis-this terrain comprises an experiential and experimental horizon that prompts many to pose, and to stage in myriad forms, a fundamental question- "What will we of make of ourselves?"Cold War/Cold World documents a research project in progress that attempts to evaluate and respond to this fundamental shock to the system, examining attempts to render knowable, representable, or figurable the looming threats of both Cold War and Cold World-the common denominator being a distressed attempt to inquire into the dynamics of a real that seems in excess over understanding and the means of politics traditionally conceived; and a concomitant temptation to abandon any intelligent collective engagement in favour of a pragmatics that limits itself to wrestling with local contingencies, or an aesthetics mesmerised by a global sublime. A multidisciplinary collection of essays reflecting on Cold War cultural tropes in film, fiction, and contemporary art, and the models of knowledge that they imply. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
EUR 18,73
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Aggiungi al carrelloPaperback. Condizione: New.
Da: moluna, Greven, Germania
EUR 18,53
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Aggiungi al carrelloCondizione: New. Robin Mackay is a philosopher, Director of the UK arts organization Urbanomic, and Associate Researcher at Goldsmiths University of London.Amanda Beech is an artist and writer based in Los Angeles.James Wiltgen is a Lecturer at the Californi.
Da: Goodwill of Greater Milwaukee and Chicago, Racine, WI, U.S.A.
Condizione: good. Book is considered to be in good or better condition. The actual cover image may not match the stock photo. Hard cover books may show signs of wear on the spine, cover or dust jacket. Paperback book may show signs of wear on spine or cover as well as having a slight bend, curve or creasing to it. Book should have minimal to no writing inside and no highlighting. Pages should be free of tears or creasing. Stickers should not be present on cover or elsewhere, and any CD or DVD expected with the book is included. Book is not a former library copy.
EUR 65,98
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
EUR 18,73
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Aggiungi al carrelloPaperback. Condizione: New.