jan bisschop (82 risultati)

Paperback, nette staat, 207 pagina's.

Paperback, fraai exemplaar, 207 pagina's.

Condizione: fine. 1997, 27pp. Paperback met flappen.

Condizione: New.

Seltener original Kupferstich von Jan de Bisschop (1628-1671) aus dem 17. Jh. -- Blatt-Maße: ca. 30 x 20 cm; Platte: ca. 16 x 11,5 cm. leicht fleckig, sonst gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) from the 17th century. Out of the book: "Paradigmata Graphices Variorum Artificum". slightly stained, otherwise in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 10.

Seltener original Kupferstich von Jan de Bisschop (1628-1671) nach Baccio Bandinelli (1493-1560) aus dem 17. Jh. -- Blatt-Maße: ca. 30 x 20 cm; Platte: ca. 22 x 12,5 cm. im Außenrand leicht fleckig, sonst gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) after Baccio Bandinelli (1493-1560) from the 17th century. Out of the book: "Paradigmata Graphices Variorum Artificum". slightly stained on the outer margin, otherwise in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 1550.

Seltener original Kupferstich von Jan de Bisschop (1628-1671) aus dem 17. Jh. -- Blatt-Maße: ca. 37 x 23,5 cm; Platte: ca. 17 x 11 cm. gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) from the 17th century. Out of the book: "Paradigmata Graphices Variorum Artificum". in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 1550.

Seltener original Kupferstich von Jan de Bisschop (1628-1671) aus dem 17. Jh. -- Blatt-Maße: ca. 37 x 23,5 cm; Platte: ca. 16 x 11,5 cm. gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) from the 17th century. Out of the book: "Paradigmata Graphices Variorum Artificum". in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 1550.

Seltener original Kupferstich von Jan de Bisschop (1628-1671) nach Willem Doudijns (1630-1697) aus dem 17. Jh. -- Aus dem Buch: "Signorum Veterum Icones". Blatt-Maße: ca. 36 x 24 cm; Platte: ca. 22 x 10 cm. gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) after Willem Doudijns (1630-1697) from the 17th century. -- in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 1550.

Seltener original Kupferstich von Jan de Bisschop (1628-1671) aus dem 17. Jh. -- Aus dem Buch: "Signorum Veterum Icones". Blatt-Maße: ca. 36 x 24 cm; Platte: ca. 22 x 8 cm. gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) from the 17th century. -- in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 1550.

Seltener original Kupferstich von Jan de Bisschop (1628-1671) nach Jacob III de Gheyn (1596-1641) aus dem 17. Jh. -- Aus dem Buch: "Signorum Veterum Icones". Blatt-Maße: ca. 37 x 23,5 cm; Platte: ca. 21 x 9 cm. gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) after Jacob III de Gheyn (1596-1641) from the 17th century. Out of the book: "Signorum Veterum Icones". in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 1550.

Hardcover. Quarto, Two volumes. In Good plus condition with Good dust jackets. Spines are cream with black print. Dust jackets has slight edge wear, toning to top edge. Boards in tan cloth with brown print. Sight wear to spine caps and corners. Illustrated: b&w plates. Second volume is facsimile of original publication "published before 1689". CONTENTS: [Vol. 1. Catalogue] (ISBN 9070288214), 320 pages [Vol. 2.] Icones & Paradigmata (unpaged leaves of plates). [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Netdesk Column QC (ND-QC). 1392467. FP New Rockville Stock.

Seltener original Kupferstich von Jan de Bisschop (1628-1671) aus dem 17. Jh. -- Aus dem Buch: "Signorum Veterum Icones". Blatt-Maße: ca. 36 x 24 cm; Platte: ca. 23 x 12 cm. gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) from the 17th century. -- in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 1550.

Condizione: Very good.

Seltener original Kupferstich von Jan de Bisschop (1628-1671) nach Jacob III de Gheyn (1596-1641) aus dem 17. Jh. -- Aus dem Buch: "Signorum Veterum Icones". Blatt-Maße: ca. 37 x 23,5 cm; Platte: ca. 19 x 10 cm. gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) after Jacob III de Gheyn (1596-1641) from the 17th century. Out of the book: "Signorum Veterum Icones". in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 1550.

Seltener original Kupferstich von Jan de Bisschop (1628-1671) aus dem 17. Jh. Aus dem Buch: "Signorum Veterum Icones". Blatt-Maße: ca. 37 x 23,5 cm; Platte: ca. 22 x 9 cm. gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) from the 17th century. Out of the book: "Signorum Veterum Icones". in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 10.

Seltener original Kupferstich von Jan de Bisschop (1628-1671) aus dem 17. Jh. Aus dem Buch: "Signorum Veterum Icones". Blatt-Maße: ca. 37 x 23,5 cm; Platte: ca. 22 x 9 cm. im Außenrand teils leicht fleckig, sonst gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) from the 17th century. Out of the book: "Signorum Veterum Icones". partly slightly stained on the outer margin, otherwise in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 10.

The Hague, 1972. 59 pp. 84 plts. Softcover. (Offprint from Oud-Holland, nr 4. 1971).

Seltener original Kupferstich von Jan de Bisschop (1628-1671) nach Michelangelo (1475-1564) aus dem 17. Jh. -- Blatt-Maße: ca. 37 x 23,5 cm; Platte: ca. 14,5 x 23,5 cm. gut erhalten. || Rare original engraving by Jan de Bisschop (1628-1671) after Michelangelo (1475-1564) from the 17th century. Out of the book: "Paradigmata Graphices Variorum Artificum". in good condition. || Jan de Bisschop was a lawyer who learned drawing from Bartholomeus Breenbergh. He was a founding member of the Confrerie Pictura. According to Houbraken he did a great servive to the arts with his instructional drawings copied from the artists Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangeloand Anthony van Dyck. || Jan de Bisschop war ein Rechtsanwalt, der das Zeichnen bei Bartholomeus Breenbergh lernte. Er war Gründungsmitglied der Confrerie Pictura. Laut Houbraken hat er sich mit seinen von den Künstlern Annibale Carracci, Tintoretto, Jacopo Bassano, Paolo Veronese, Rubens, Michelangelound Anthony van Dyck kopierten Lehrzeichnungen der Kunst einen großen Dienst erwiesen. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch.

Rare first known edition of a successful apothecary's manual for students, written in Dutch, mirroring the general knowledge of pharmacology in the middle of the 17th century. The author of this intriguing book long remained unidentified until his initials "I.B.S.I" (fol.*3v of the 1662 "4th" edition, in the Latin note following the Dutch approbation, both signed from Ghent) identified him as Jan Bisschop S.J. (1590-1664) who worked in Bruges as a pharmacist before he moved to Ghent in 1613 to join the Jesuit order. He trained numerous apprentice pharmacists and later served as official pharmacist at the Vienna court of the Holy Roman Emperor Ferdinand II. His book owed its success above all to its extremely practical approach, including its vast collection of medicinal recipes, many involving distillation.With owner's inscription of Carolina van de Poel on paste-down. Small tear in vellum of back board, bookblock somewhat loose in binding, no endpapers; frontispiece and first leaves a bit thumbed. First known edition of a practical apothecary's manual in Dutch.l Paul Begheyn, Jesuit books in the Dutch Republic 1657.1 (1 copy); BMN, I, p. 372; P. Boeymans, "Broeder Jan Bisschop en zijn 'Pharmacia Galenica'", in: Pharmaceutisch tijdschr. voor België, 33, 9 (1956), pp. 197-201; Hoogendoorn, Bis 01, 1 (3 copies); Jesuit books in the Dutch Republic, p. 52 ; Notaker 409; STCN (1 copy); L.J. Vanderwiele, "Het 'Licht der apotekers'", in: Kring voor de Geschiedenis van de Pharmacie in Benelux, Bulletin, 27 (1960), pp. 1-8; L.J. Vandewiele, "Enige nieuwe gegevens over apotheker Jan Bisschop, Jezuïet", in: Pharmaceutisch tijdschr. voor België, 51, 9 (1974), pp. 443-449; cf. STCV (1667 Antwerp eds. & possibly a 1660/61 Latin translation). Contemporary overlapping vellum over boards. With an engraved frontispiece showing the interior of an apothecary's shop, Van Ravesteyn's woodcut device on title-page (Elijah and the ravens); 3 half-page woodcut illustrations of distilling equipment (pp. 339, 343 and 387); woodcut decorated initials and tailpieces. Pages: [8], 460, [12] pp.

Hardcover. Condizione: Good. Quarto. Has illustrated etched half-title: Signorvm vetervm icones. Some copies of this book have a few pages of introductory text in Latin and Dutch, but these leaves were not issued with all copies. Modern red goatskin. Fillet borders. With 100 engraved plates. Universal Catalogue of Books on Art I, p. 117; Bibliothèque Nationale 150, 337; Thieme-Becker 22, 235; Hollstein, Dutch & Flemish etchings, engravings and woodcuts c.1450-1700.6; Le Blanc, Charles, Manuel de l'Amateur d'Estampes 1550-1820.5.

No binding. Condizione: Good. Daniele da Volterra (illustratore). Etching on hand laid paper. Sheet size: 12 x 22,3 cm. (4,7 x 8,8 inch). Image size: 11,8 x 22,1 cm. (4,6 x 8,7 inch).Source unknown, to be determined.Made by 'Jan de Bisschop' after 'Daniele da Volterra'. Jan de Bisschop (1628-1671) was widely influential in art and art publishing. A lawyer by profession, he set up practice in The Hague around 1652 and later founded a drawing academy there. He mingled with an elite circle of intellectuals. Condition: Good, given age. Trimmed to plate. Some paper loss at bottom left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: FEMALE FIGURE FROM BEHINDRBOS-A3-40 (RB-285b).

Condizione: Good. Daniele da Volterra (illustratore). Etching on hand laid paper. Sheet size: 12,7 x 22,3 cm. (5 x 8,8 inch). Image size: 12,5 x 22,3 cm. (4,9 x 8,8 inch).Source unknown, to be determined.Made by 'Jan de Bisschop' after 'Daniele da Volterra'. Jan de Bisschop (1628-1671) was widely influential in art and art publishing. A lawyer by profession, he set up practice in The Hague around 1652 and later founded a drawing academy there. He mingled with an elite circle of intellectuals. Condition: Good, given age. Trimmed to plate. Some paper loss at bottom left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: FEMALE FIGURE FROM BEHINDRBOS-A3-40 (RB-285a).

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1830 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 35 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 35.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1830 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 8 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 8.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1830 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 59 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 59.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1830 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 39 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 39.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1652 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 17 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 17.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1731 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 121 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 121.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1672 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 124 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 124.