Jan de meere (22 risultati)

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Condizione: Good. Dedication on first endpaper.

Condizione: Neuf.

Hardcover. Condizione: As New.

Softcover, 143 pages, Texte en Francais, 300 x 240 mm, Tres belle exemplaire. ISBN 9789061533504. Au cours de l'été 2011, M le Musée de Louvain présente l'exposition itinérante « Un Regard Romantique » et le Fonds Mercator publie le catalogue qui l'accompagne. Un ensemble de quelque 70 tableaux compose un panorama unique de la peinture romantique du 19e siècle en Belgique et aux Pays-Bas. L'automne dernier, cette exposition a déjà été accueillie au Musée d'Etat de l'Ermitage à Saint-Pétersbourg sous le titre Through the Romanticist's Eyes. Le début du dix-neuvième siècle fut une époque agitée: à peine la révolution française avait-elle balayé les certitudes séculaires de l'Ancien Régime que l'Europe tout entière fut ébranlée par les guerres napoléoniennes. De nouvelles classes sociales émergèrent: la bourgeoisie et la classe ouvrière. Le libéralisme et la révolution industrielle s'imposèrent. Autrement dit, la société évoluait à une vitesse vertigineuse. Evolution qui se révéla particulièrement spectaculaire dans le monde artistique. En réaction à la rationalité du siècle des Lumières, le Romantisme consacra la primauté du sentiment, des passions et du mysticisme. Bien que cette réaction ait été perceptible dans toute l'Europe, le romantisme pictural se résume actuellement à quelques noms, comme William Turner, John Constable, Théodore Gericault ou Eugène Delacroix. La peinture romantique des Pays-Bas s'est peu à peu effacée de la mémoire collective. Pourtant, les artistes de cette école romantique peu connue, qui excellaient dans la technique, nous ont laissé de véritables petits chefs-d'oeuvre, pittoresques et sublimes. L'exposition et le catalogue qui l'accompagne « Un Regard Romantique » sont structurés autour de cinq thèmes ou genres : paysages d'été et d'hiver, marines, vues urbaines, natures mortes et portraits. Ils nous feront découvrir des oeuvres de Barend Cornelis Koekkoek, Andreas Schelfhout, David de Noter, Fredrik Marinus Kruseman, Jacob Abels, Basile de Loose et Petrus van Schendel. 0 g.…

Paperback with flaps, 300x240mm, 144p, 70 colour illustrations, Dutch (NL) edition . ISBN 9789061533498. Het begin van de negentiende eeuw was een turbulente tijd: de eeuwenlange zekerheden van het Ancien Regime waren nog maar net van de kaart geveegd door de Franse Revolutie en heel Europa kreeg al meteen te maken met de Napoleontische Oorlogen. Er kwamen nieuwe sociale klassen naar voren: de burgerij en de arbeiders. Liberalisme en de Industriele revolutie breken door. Met andere woorden, de hele maatschappij was in sneltreinvaart aan het veranderen. Deze overgang was niet in het minst te voelen in de artistieke wereld. Als reactie op het rationele van de 18e eeuwse verlichting ontstond er een tegenbeweging die nadruk wou leggen op het gevoel, op de mystiek van het verleden, de passie en hartstochten: de Romantiek. Deze reactie is in heel Europa voelbaar maar toch omvat de huidige canon van romantische schilders slechts een handvol namen als William Turner, John Constable, Theodore Gericault of Eugene Delacroix. De volledige romantische schilderkunst uit de Lage Landen is echter langzaam verdwenen uit het collectieve geheugen. De kunstenaars van deze weinig gekende romantische schilderschool muntten uit in techniek en vervaardigden pittoreske en sublieme pareltjes. Werken van Barend Cornelis Koekkoek, Andreas Schelfhout, David de Noter, Fredrik Marinus Kruseman, Jacob Abels, Basile de Loose, Petrus van Schendel zullen in Een Romantische Kijk te zien zijn. De tentoonstelling en de catalogus worden opgebouwd rond vijf thema's of genres: de genrestukken, de architectuurstukken, de landschap, de marine en de nocturnes. 0 g.…

Hardcover. Condizione: Very Good. 1st Edition. Cloth bound hardcover with dust jacket (light edge wear), 214p, illustrations (chiefly in color), 31 cm. Very good, clean, no internal marks.

Paperback with flaps, 300x240mm, 144p, 70 colour illustrations,Deutsch (DE) edition . ISBN 9789061533528. The early nineteenth century was a momentous time: the French Revolution had swept away the secular certainties of the Ancien Regime, and the Napoleonic wars shook all of Europe to its foundations. New social strata the bourgeoisie and the working class began to emerge. Liberalism and the Industrial Revolution took centre stage. In short, society was evolving at a breakneck pace. These changes were particularly spectacular in the artistic world. In reaction to the rationality of the Enlightenment, Romanticism stressed the importance of emotion, passion and mysticism. Although the Romantic movement arose everywhere across Europe, today its pictorial form is often reduced to a handful of names, such as William Turner, John Constable, Theodore Gericault and Eugene Delacroix. Dutch Romantic painting was progressively eliminated from collective memory. And yet, artists from this little-known school of painting who excelled in technique left small masterpieces behind them, vivid and sublime. Both the exhibition and catalogue for Through the Romanticist's Eyes are structured around five themes or genres: summer and winter landscapes, seascapes, urban scenes, still lifes and portraits. Through them, we are able to discover the works of Barend Cornelis Koekkoek, Andreas Schelfhout, David de Noter, Fredrik Marinus Kruseman, Jacob Abels, Basile de Loose and Petrus van Schendel. 0 g.…

Paperback with flaps, 300x240mm, 144p, 70 colour illustrations, FRENCH (FR) edition . ISBN 978906153349813. Au cours de l'ete 2011, M le Musee de Louvain presente l'exposition itinerante "Un Regard Romantique" et le Fonds Mercator publie le catalogue qui l'accompagne. Un ensemble de quelque 70 tableaux compose un panorama unique de la peinture romantique du 19e siecle en Belgique et aux Pays-Bas. L'automne dernier, cette exposition a deja ete accueillie au Musee d'Etat de l'Ermitage a Saint-Petersbourg sous le titre "Through the Romanticists Eyes". 0 g.…

Paperback with flaps, 300x240mm, 144p, 70 colour illustrations, English (ENG) edition . ISBN 9789061533511. The early nineteenth century was a momentous time: the French Revolution had swept away the secular certainties of the Ancien Regime, and the Napoleonic wars shook all of Europe to its foundations. New social strata the bourgeoisie and the working class began to emerge. Liberalism and the Industrial Revolution took centre stage. In short, society was evolving at a breakneck pace. These changes were particularly spectacular in the artistic world. In reaction to the rationality of the Enlightenment, Romanticism stressed the importance of emotion, passion and mysticism. Although the Romantic movement arose everywhere across Europe, today its pictorial form is often reduced to a handful of names, such as William Turner, John Constable, Theodore Gericault and Eugene Delacroix. Dutch Romantic painting was progressively eliminated from collective memory. And yet, artists from this little-known school of painting who excelled in technique left small masterpieces behind them, vivid and sublime. Both the exhibition and catalogue for Through the Romanticist's Eyes are structured around five themes or genres: summer and winter landscapes, seascapes, urban scenes, still lifes and portraits. Through them, we are able to discover the works of Barend Cornelis Koekkoek, Andreas Schelfhout, David de Noter, Fredrik Marinus Kruseman, Jacob Abels, Basile de Loose and Petrus van Schendel. 0 g.…

Condizione: Very Good.

Broschiert. Quart. 143 S. Klappenbroschur. Mit zahlr. farb. Abb. gutes Exemplar.

Hardcover. Condizione: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Wear commensurate with age and use. Clean unmarked copy. Light bumping visible to corners of boards and ends of spine strip. Dust jacket wrapped in protective mylar sleeve. Secure packaging for safe delivery. …

Hardcover. Condizione: As New. Frederick Marinus Kruseman's work and life as a Dutch painter during the first half of the 19th century is presented in this beautifully illustrated work. Following his experiences as a fledgling artist studying with Jan Reekers, Nicolaas Roosenboom, and Jan van Ravenswaaij through his extensive travels that culminated in Brussels, this comprehensive study of Kruseman explores his influences and the similarities of his paintings to those of his contemporaries. More than 100 color plates and a complete monochrome catalog also illuminate Kruseman's stylistic development.…

Paperback. Condizione: New. In summer 2011, M - Museum Leuven will present the travelling exhibition Through the Romanticist's Eyes, with an accompanying catalogue published by Mercatorfonds. More than 70 paintings offer a unique vision of 19th-century Belgian and Dutch Romantic painting. In the fall of 2010, this exhibition was mounted at the State Hermitage Museum in Saint Petersburg. The early nineteenth century was a momentous time: the French Revolution had swept away the secular certainties of the Ancien Rà gime, and the Napoleonic wars shook all of Europe to its foundations. New social strata - the bourgeoisie and the working class - began to emerge. Liberalism and the Industrial Revolution took centre stage. In short, society was evolving at a breakneck pace. These changes were particularly spectacular in the artistic world. In reaction to the rationality of the Enlightenment, Romanticism stressed the importance of emotion, passion and mysticism. Although the Romantic movement arose everywhere across Europe, today its pictorial form is often reduced to a handful of names, such as William Turner, John Constable, Thà odore Gericault and Eugà ne Delacroix. Dutch Romantic painting was progressively eliminated from collective memory. And yet, artists from this little known school of painting - who excelled in technique - left small masterpieces behind them, vivid and sublime. Both the exhibition and catalogue for Through the Romanticist's Eyes are structured around five themes or genres: summer and winter landscapes, seascapes, urban scenes, still lifes and portraits. Through them, we are able to discover the works of Barend Cornelis Koekkoek, Andreas Schelfhout, David de Noter, Fredrik Marinus Kruseman, Jacob Abels, Basile de Loose and Petrus van Schendel.…

gebunden mit Schutzumschlag. Condizione: sehr guter Zustand. 214 Seiten 1900 gr.

Broschiert Broschiert. Condizione: Sehr gut. Mit zahlreichen Abbildungen, 143 Seiten, Zust: Gutes Exemplar. Der Katalog erschien begleitend zur Ausstellung Ein Romantischer Blick, die Sammlung Rademakers, Eremitage, Sankt Petersburg (29. Oktober 2010 - 6. Februar 2011) . Sinebrychoff Museum of Art, Helsinki (26. September 2012 - 13. Januar 2013). Schneller Versand und persönlicher Service - jedes Buch händisch geprüft und beschrieben - aus unserem Familienbetrieb seit über 25 Jahren. Eine Rechnung mit ausgewiesener Mehrwertsteuer liegt jeder unserer Lieferungen bei. Wir versenden mit der deutschen Post. Sprache: Deutsch Gewicht in Gramm: 860. …

Soft cover. Condizione: As New. Language: Dutch. Softcover, 23 x 23 cm, 44 pages + fold-out card in color, Dutch, illustrations, condition: As New [This description may have been translated by AI.].

[Schiedam], Scriptum Sigature, [1998]. 214 pp. Col. & b./w. ills. Orig. hardcover (clothbound), d./j. 4to. - Lower edge of dust jacket sl. creased.With a preface by Saskia de Bodt. - Text in English.

214 S. Leinen mit Schutzumschlag. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Obere Kante des Schutzumschlages minimal berieben. Sonst sehr gut erhalten. Sprache: eng.

Softcover. Condizione: gut. 2011. Die Sammlung Rademakers. Ein romantischer Blick. Erscheint begleitend zur Ausstellung Eremitage, Sankt Petersburg (29. Oktober 2010 - 6. Februar 2011) u.a. In deutscher Sprache. pages.