Jan strybol (29 risultati)

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Hardcover. Condizione: Brand New. bilingual edition. 144 pages. French language. 11.50x8.75x0.75 inches. In Stock.

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Condizione: New. In this book of objects from private collections the author shows the great variety of the sculptures of the Middle Belt. This study mainly deals with wooden figures but also contains four wooden masks and three bronzes.Text in English and French.

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Condizione: gut. Art and the Sacred in Mumuyeland In deutscher Sprache. pages.

Condizione: gut. Central Nigerian Art Revisited- SCULPTURES OF THE NIGERIAN MIDDLE BELT In deutscher Sprache. pages.

Dans de précédentes études, Jan Strybol indiquait que, contrairement à ce qui est communément admis, la sculpture au nord du Nigéria prospérait. Des sculptures en bois y étaient partout présentes, à l'exception d'une partie du Grand Nord. Dans cette étude, l'auteur examine les traditions sculpturales d'un certain nombre de peuples du Nigéria central, plus précisément du plateau de Jos et de la vallée de la moyenne Bénoué jusqu'au cours supérieur de la rivière Taraba. Ces peuples peuvent être qualifiés de communautés non centralisées où des spécialistes à temps partiel produisaient surtout des objets d'art en matériaux périssables, contrairement aux royaumes centralisés du Sud (Ife, Bénin), où des spécialistes à temps plein réalisaient des ?uvres d'art sophistiquées à partir de matériaux durables (pierre, bronze, fer). Pour les amateurs d'art africain, le groupe ethnique le plus connu de la région de la moyenne Bénoué est celui des Mumuye. Depuis la fin du 20e siècle, la progression des religions universelles a entraîné la disparition accélérée des rituels traditionnels et de la sculpture mumuye tellement admirée en Europe et en Amérique. Dans son étude de 2018, l'auteur a tenté de donner un aperçu de cette sculpture sur bois. Dans une série de contributions, il examine à présent divers aspects de l'art des Mumuye. En plus de la sculpture sur bois, il prête attention aux objets en bronze, fer, terre cuite et autres matériaux. Jusqu'à présent, ces formes d'art sont restées dans l'ombre et ont presque totalement disparu. Enfin, l'auteur examine plus en détail quelques réalisations artistiques de certains groupes résiduels peu connus du territoire mumuye qui peuvent se vanter d'une riche tradition artistique.…

Couverture rigide. Condizione: Très bon. Edition originale. Festschrift publié en 1993 en hommage à l'égyptologue Hermann De Meulenaere, réunissant des contributions internationales en français, anglais, allemand et italien. Études philologiques, iconographiques, archéologiques et muséologiques, accompagnées de figures, planches et fac-similés. Volume relié de 213 pages, édition originale publiée par les Musées Royaux d'Art et d'Histoire (Bruxelles). RARE Mots‑clés : égyptologie, Festschrift, De Meulenaere, Limme, Strybol, Musées Royaux d'Art et d'Histoire. …

Condizione: gut. Arts du Nigéria central revisités. Mumuye et peuples environnants. In deutscher Sprache. pages.

Hardcover, 192 pages, illustrations in colours.FR, 280 x 210 mm, NOUVEAU, ISBN 9789058566935. Dans de précédentes études, Jan Strybol indiquait que, contrairement à ce qui est communément admis, la sculpture au nord du Nigéria prospérait. Des sculptures en bois y étaient partout présentes, à l'exception d'une partie du Grand Nord. Dans cette étude, l'auteur examine les traditions sculpturales d'un certain nombre de peuples du Nigéria central, plus précisément du plateau de Jos et de la vallée de la moyenne Bénoué jusqu'au cours supérieur de la rivière Taraba. Ces peuples peuvent être qualifiés de communautés non centralisées où des spécialistes à temps partiel produisaient surtout des objets d'art en matériaux périssables, contrairement aux royaumes centralisés du Sud (Ife, Bénin), où des spécialistes à temps plein réalisaient des ouvres d'art sophistiquées à partir de matériaux durables (pierre, bronze, fer). Pour les amateurs d'art africain, le groupe ethnique le plus connu de la région de la moyenne Bénoué est celui des Mumuye. Depuis la fin du 20e siècle, la progression des religions universelles a entraîné la disparition accélérée des rituels traditionnels et de la sculpture mumuye tellement admirée en Europe et en Amérique. Dans son étude de 2018, l'auteur a tenté de donner un aperçu de cette sculpture sur bois. Dans une série de contributions, il examine à présent divers aspects de l'art des Mumuye. En plus de la sculpture sur bois, il prête attention aux objets en bronze, fer, terre cuite et autres matériaux. Jusqu'à présent, ces formes d'art sont restées dans l'ombre et ont presque totalement disparu. Enfin, l'auteur examine plus en détail quelques réalisations artistiques de certains groupes résiduels peu connus du territoire mumuye qui peuvent se vanter d'une riche tradition artistique. 0 g.…

HB, 280 x 210 mm, 144 p, 100 illustrations. ENG edition. ISBN 9789058566294. The ethnographic literature of the 20th century focused mainly on the sculptural traditions of the numerous ethnic groups that populated Southern Nigeria while the more northern areas remained largely terra incognita. In 2013 Jan Strybol published a study on the sculpture of Northern Nigeria. He pointed out that in many parts of this region there are peoples who still had, at least until recently, their own sculptural tradition. In the present study the author restricted himself to what is referred to as the Middle Belt and especially to the part between the Bauchi Plateau, the Gongola River and the Katsina Ala River. In 1974 Roy Sieber pointed out that, with a few exceptions, the peoples who were members of the Niger-Congo language family laid the foundations for the great African sculptural traditions south of the Sahara. However, the largest group of iconophile peoples in the Central Middle Belt of Nigeria is to be found in the Chadic branch of the Afro-Asiatic language family. 0 g.…

Hardcover, HB, 280 x 210 mm, 144 pages , 90 illustrations, English edition. fine! ISBN 9789058566003. Arts of Central Nigeria Despite some field research our knowledge of the sacred among the Mumuye is still embryonic. In all these acephalic groups of a binary and antinomic nature, the complex va constitutes an extremely varied semantic field in which certain aspects are accentuated depending on the circumstances. Religious power is linked to the strength contained in sacred objects, of which only the elders are the guardians. Moreover, this gerontocracy relies on a system of initiatory stages which one must pass to have access to the status of 'religious leader'. Geographically isolated, the Mumuye were able to resist the attacks of the Muslim invaders, the British colonial authority and the activities of the different Christian missions for a long time. As a result the Mumuye practised woodcarving until the beginning of our century. In 1970 Philip Fry published his essay on the statuary of the Mumuye of which the analysis of the endogenous network has so far lost nothing of its value. Basing himself on in situ observations, Jan Strybol attempted to analyse the exogenous network of this woodcarving. Thus he was able to document about forty figures and some masks and additionally to identify more than twenty-five Mumuye artists as well as a specific type of sculpture as being confined to the Mumuye Kpugbong group. During and after the Biafran war, hundreds of Mumuye sculptures were collected. Based on information gathered between 1970 and 1993 the author has demonstrated that a certain number of these works are not Mumuye but must be attributed to relic groups scattered in Mumuye territory. 0 g.…

Hardcover. Condizione: Very Good. 1st Edition. Hardcover, 29 x 22 cm, 144 pp., English, 1st Edition, Illustrations, book condition: Very Good [This description may have been translated by AI.].

Hardcover. Condizione: Very Good. 1st Edition. Hardcover, 29 x 22 cm, 144 pp., English, 1st Edition, Illustrations, book condition: Very Good Despite some field research our knowledge of the sacred among the Mumuye is still embryonic. In all these acephalic groups of a binary and antinomic nature, the complex va constitutes an extremely varied semantic field in which certain aspects are accentuated depending on the circumstances. Religious power is linked to the strength contained in sacred objects, of which only the elders are the guardians. Moreover, this gerontocracy relies on a system of initiatory stages which one must pass to have access to the status of 'religious leader'. Geographically isolated, the Mumuye were able to resist the attacks of the Muslim invaders, the British colonial authority and the activities of the different Christian missions for a long time. As a result, the Mumuye practised woodcarving until the beginning of our century. In 1970 Philip Fry published his essay on the statuary of the Mumuye of which the analysis of the endogenous network has so far lost nothing of its value. Basing himself on in situ observations, Jan Strybol attempted to analyze the exogenous network of this woodcarving. Thus he was able to document about forty figures and some masks and additionally to identify more than twenty-five Mumuye artists as well as a specific type of sculpture as being confined to the Mumuye Kpugbong group. During and after the Biafran war, hundreds of Mumuye sculptures were collected. Based on information gathered between 1970 and 1993 the author has demonstrated that a certain number of these works are not Mumuye but must be attributed to relic groups scattered in Mumuye territory. [This description may have been translated by AI.]. …

Bruxelles, Musées royaux d'art et d'histoire, [etc.], 1993. 213 pp. B./w. ills. Orig. hardcover (gilt lettered blue cloth). Large 8vo.Title in Latin. Contributions in French, English, German and Italian.

Musées Royaux d'Art et d'Histoire, Bruxelles, 1993. First edition. In-4, 213 pages. Original cloth, a fine copy. Language: French/Français - English - German/Deutsch - Italian/Italiano. This book ships from Europe, shipping costs will be updated accordingly (BPF). Relevant subjects: Egypt: Festschriften and Proceedings. …