Jana maresova (28 risultati)

Hardcover. Condizione: As New. Leichte Kratzer / Abnutzungen / Druckstellen. Tremula, Tmavruse, Hypochondrik. Strachy, o kterych vypraveji deti. Kazde ma svuj pribeh, treba o panice, treme a nejistote. Nezustane ale jen pri tom. Dostanete i radu, jak takove strachoty prekonat, jak nad nimi vyzrat. Jednoduchou rikankou, anebo poradnym super zaklinadlem. …

Hardcover. Condizione: Fine. Leichte Gebrauchsspuren. Tremula, Tmavruse, Hypochondrik. Strachy, o kterych vypraveji deti. Kazde ma svuj pribeh, treba o panice, treme a nejistote. Nezustane ale jen pri tom. Dostanete i radu, jak takove strachoty prekonat, jak nad nimi vyzrat. Jednoduchou rikankou, anebo poradnym super zaklinadlem. …

Softcover. Condizione: As New. Leichte Kratzer / Abnutzungen / Druckstellen. Pravdivy pribeh skutecneho psa a jeho rodiny. Poridit si nebojacne stene velkeho knirace a dat mu jmeno Conan - to skoro samo o sobe predurcuje, ze se budou dit poradne veci . Kdyz se pro nej rodina rozhodla a privezla si ho domu, zacalo pro vsechny obdobi radosti a utrap psiho zivota. Jak to zvladli? To se dozvite v pribezich, ktere se pred Vami prave oteviraji. Hrdinou pribehu je pes Conan - pratelsky, ochranitelsky, verny, ale take potouchly, rostacky a prekypujici energii. Jakmile prijel Conan do sveho noveho domova, nestacili se vsichni divit - jak uzasne hraje s detmi fotbal, jak vynalezavy je pri straseni postovni dorucovatelky nebo jak obratne prekonava vsechny prekazky, aby se mohl toulat po okoli. Panickove na nej nedaji dopustit a s velkou laskou i pochopenim lici Conanovy vesele kousky i dojemne chvile z jeho nemoci a stari. Zivot s ,nej psem na svete" je totiz poradna legrace.…

Condizione: neu. OBrosch., 238 Seiten mit SW-Abb., Namens- und Ortsregister, 16 x 23,5 cm, neu, originalverpackt. Sprache: tschechisch || Edition of an unpublished inventory of the historical and artistic monuments in the former Pardubice district, followed by many inventories issued by the Archaeological Commission of the Czech Academy of Sciences and Arts in 1898-1937. Preceded by a study on the development of topography in the Czech Lands from the very beginning to the publication of art-historical lists. It also maps the establishment and activity of the Archaeological Commission and, above all, the genesis of this inventory with additional data on the author and the origins of the pictures. Book Language/s: Czech.…

OBrosch., 454 Seiten mit zahlr. Illustrationen, gr.-8° (15 x 21 cm), neu. Book Language/s: English, Czech, Polish, German.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. In English.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 282 pages. 9.26x6.11x9.25 inches. In Stock.

Hardback. Condizione: New. 2024 ed. This book examines the ways in which North American Indigenous identity has been (re)imagined, represented, and negotiated in German, Croatian, Italian, Polish, and Czech culture. Employing a cross-disciplinary and comparative approach and drawing on a range of media-from literature, comics, and film to photography, painting, and the performative arts-across different historical and cultural backgrounds, it aims to both contribute innovative scholarship on Indigenous studies in Europe and open a new avenue in the field by focusing on Central European settings that have received little or no critical attention to date. The book's novelty also comes from its focus on the latest developments in the field, including the "Ravensburger/Winnetou controversy," which swept across Europe in 2022, echoing the 2017 Canadian debate over Indigenous appropriation and free speech. It seeks to provide a sound reference and lay the groundwork for future scholarship by opening up a conversation on how Indigenous identities have been portrayed in Central European literature and media texts. To this end, it not only addresses generalized expectations about North American Indigenous people underlying (Central) European public discourse and imagination but also questions whether and to what extent some of the ingrained stereotypical views and practices, such as hobbyism, have been challenged in the face of Indigenous resurgence, rapidly changing media and information-sharing realities, and global cultural shifts. The closing interview with Métis playwright, actor, and director Bruce Sinclair underscores one of the book's key goals-to spark an informed cross-cultural dialogue that will reveal the mechanisms of, as well as the contradictions and tensions inherent in, the politics of Indigenous representation in (Central) European cultural industries and encourage (Central) Europeans to confront their own cultural assumptions and attitudes.…

Taschenbuch. Condizione: Neu. (Un)Following in Winnetou's Footsteps | Representations of North American Indigeneity in Central Europe | Sanja Runti¿ (u. a.) | Taschenbuch | xv | Englisch | 2025 | Springer | EAN 9789819974238 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. …

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book examines the ways in which North American Indigenous identity has been (re)imagined, represented, and negotiated in German, Croatian, Italian, Polish, and Czech culture. Employing a cross-disciplinary and comparative approach and drawing on a range of media-from literature, comics, and film to photography, painting, and the performative arts-across different historical and cultural backgrounds, it aims to both contribute innovative scholarship on Indigenous studies in Europe and open a new avenue in the field by focusing on Central European settings that havereceived little or no criticalattention to date.The book's novelty also comes from its focus on the latest developments in the field, including the 'Ravensburger/Winnetou controversy,'which swept across Europe in 2022, echoing the 2017 Canadian debate over Indigenous appropriation and free speech. It seeks to provide a sound reference and lay the groundwork for future scholarship by opening up a conversation on how Indigenous identities have been portrayed in Central European literature and media texts. To this end, it not only addresses generalized expectations about North American Indigenous people underlying (Central) European public discourse and imagination but also questions whether and to what extent some of the ingrained stereotypical views and practices, such as hobbyism, have been challenged in the face of Indigenous resurgence, rapidly changing media and information-sharing realities, and global cultural shifts. The closing interview with Métis playwright, actor, and director Bruce Sinclair underscores one of the book's key goals-to spark an informed cross-cultural dialogue that will reveal the mechanisms of, as well as the contradictions and tensions inherent in, the politics of Indigenous representation in (Central) European cultural industries and encourage (Central) Europeans to confront their own cultural assumptions and attitudes.…

Hardback. Condizione: New. 2024 ed. This book examines the ways in which North American Indigenous identity has been (re)imagined, represented, and negotiated in German, Croatian, Italian, Polish, and Czech culture. Employing a cross-disciplinary and comparative approach and drawing on a range of media-from literature, comics, and film to photography, painting, and the performative arts-across different historical and cultural backgrounds, it aims to both contribute innovative scholarship on Indigenous studies in Europe and open a new avenue in the field by focusing on Central European settings that have received little or no critical attention to date. The book's novelty also comes from its focus on the latest developments in the field, including the "Ravensburger/Winnetou controversy," which swept across Europe in 2022, echoing the 2017 Canadian debate over Indigenous appropriation and free speech. It seeks to provide a sound reference and lay the groundwork for future scholarship by opening up a conversation on how Indigenous identities have been portrayed in Central European literature and media texts. To this end, it not only addresses generalized expectations about North American Indigenous people underlying (Central) European public discourse and imagination but also questions whether and to what extent some of the ingrained stereotypical views and practices, such as hobbyism, have been challenged in the face of Indigenous resurgence, rapidly changing media and information-sharing realities, and global cultural shifts. The closing interview with Métis playwright, actor, and director Bruce Sinclair underscores one of the book's key goals-to spark an informed cross-cultural dialogue that will reveal the mechanisms of, as well as the contradictions and tensions inherent in, the politics of Indigenous representation in (Central) European cultural industries and encourage (Central) Europeans to confront their own cultural assumptions and attitudes.…

Condizione: New. 1st ed. 2024 edition NO-PA16APR2015-KAP.

Hardcover. Condizione: Brand New. 267 pages. 9.75x6.50x0.75 inches. In Stock.

3 Bde. OBrosch. in OSchuber, 1031 Seiten, 4° (16 x 23,5 cm), neu. Book Language/s: German, Czech.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book examines the ways in which North American Indigenous identity has been (re)imagined, represented, and negotiated in German, Croatian, Italian, Polish, and Czech culture. Employing a cross-disciplinary and comparative approach and drawing on a range of media-from literature, comics, and film to photography, painting, and the performative arts-across different historical and cultural backgrounds, it aims to both contribute innovative scholarship on Indigenous studies in Europe and open a new avenue in the field by focusing on Central European settings that havereceived little or no criticalattention to date.The book's novelty also comes from its focus on the latest developments in the field, including the 'Ravensburger/Winnetou controversy,'which swept across Europe in 2022, echoing the 2017 Canadian debate over Indigenous appropriation and free speech. It seeks to provide a sound reference and lay the groundwork for future scholarship by opening up a conversation on how Indigenous identities have been portrayed in Central European literature and media texts. To this end, it not only addresses generalized expectations about North American Indigenous people underlying (Central) European public discourse and imagination but also questions whether and to what extent some of the ingrained stereotypical views and practices, such as hobbyism, have been challenged in the face of Indigenous resurgence, rapidly changing media and information-sharing realities, and global cultural shifts. The closing interview with Métis playwright, actor, and director Bruce Sinclair underscores one of the book's key goals-to spark an informed cross-cultural dialogue that will reveal the mechanisms of, as well as the contradictions and tensions inherent in, the politics of Indigenous representation in (Central) European cultural industries and encourage (Central) Europeans to confront their own cultural assumptions and attitudes. 284 pp. Englisch.…

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book examines the ways in which North American Indigenous identity has been (re)imagined, represented, and negotiated in German, Croatian, Italian, Polish, and Czech culture. Employing a cross-disciplinary and comparative approach and drawing on a range of media-from literature, comics, and film to photography, painting, and the performative arts-across different historical and cultural backgrounds, it aims to both contribute innovative scholarship on Indigenous studies in Europe and open a new avenue in the field by focusing on Central European settings that havereceived little or no criticalattention to date.The book's novelty also comes from its focus on the latest developments in the field, including the 'Ravensburger/Winnetou controversy,'which swept across Europe in 2022, echoing the 2017 Canadian debate over Indigenous appropriation and free speech. It seeks to provide a sound reference and lay the groundwork for future scholarship by opening up a conversation on how Indigenous identities have been portrayed in Central European literature and media texts. To this end, it not only addresses generalized expectations about North American Indigenous people underlying (Central) European public discourse and imagination but also questions whether and to what extent some of the ingrained stereotypical views and practices, such as hobbyism, have been challenged in the face of Indigenous resurgence, rapidly changing media and information-sharing realities, and global cultural shifts. The closing interview with Métis playwright, actor, and director Bruce Sinclair underscores one of the book's key goals-to spark an informed cross-cultural dialogue that will reveal the mechanisms of, as well as the contradictions and tensions inherent in, the politics of Indigenous representation in (Central) European cultural industries and encourage (Central) Europeans to confront their own cultural assumptions and attitudes. 284 pp. Englisch.…

Gebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Conducts research on how Indigenous identities have been portrayed in Central European literature and media textsExamines the ways North American Indigenous identity has been represented and negotiated in Central EuropeContributes to innova.…

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book examines the ways in which North American Indigenous identity has been (re)imagined, represented, and negotiated in German, Croatian, Italian, Polish, and Czech culture. Employing a cross-disciplinary and comparative approach and drawing on a range of media-from literature, comics, and film to photography, painting, and the performative arts-across different historical and cultural backgrounds, it aims to both contribute innovative scholarship on Indigenous studies in Europe and open a new avenue in the field by focusing on Central European settings that havereceived little or no criticalattention to date.The book's novelty also comes from its focus on the latest developments in the field, including the 'Ravensburger/Winnetou controversy,'which swept across Europe in 2022, echoing the 2017 Canadian debate over Indigenous appropriation and free speech. It seeks to provide a sound reference and lay the groundwork for future scholarship by opening up a conversation on how Indigenous identities have been portrayed in Central European literature and media texts. To this end, it not only addresses generalized expectations about North American Indigenous people underlying (Central) European public discourse and imagination but also questions whether and to what extent some of the ingrained stereotypical views and practices, such as hobbyism, have been challenged in the face of Indigenous resurgence, rapidly changing media and information-sharing realities, and global cultural shifts. The closing interview with Métis playwright, actor, and director Bruce Sinclair underscores one of the book's key goals-to spark an informed cross-cultural dialogue that will reveal the mechanisms of, as well as the contradictions and tensions inherent in, the politics of Indigenous representation in (Central) European cultural industries and encourage (Central) Europeans to confront their own cultural assumptions and attitudes.…

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This book examines the ways in which North American Indigenous identity has been (re)imagined, represented, and negotiated in German, Croatian, Italian, Polish, and Czech culture. Employing a cross-disciplinary and comparative approach and drawing on a range of media-from literature, comics, and film to photography, painting, and the performative arts-across different historical and cultural backgrounds, it aims to both contribute innovative scholarship on Indigenous studies in Europe and open a new avenue in the field by focusing on Central European settings that have received little or no critical attention to date.The book's novelty also comes from its focus on the latest developments in the field, including the 'Ravensburger/Winnetou controversy,' which swept across Europe in 2022, echoing the 2017 Canadian debate over Indigenous appropriation and free speech. It seeks to provide a sound reference and lay the groundwork for future scholarship by opening up a conversation on how Indigenous identities have been portrayed in Central European literature and media texts. To this end, it not only addresses generalized expectations about North American Indigenous people underlying (Central) European public discourse and imagination but also questions whether and to what extent some of the ingrained stereotypical views and practices, such as hobbyism, have been challenged in the face of Indigenous resurgence, rapidly changing media and information-sharing realities, and global cultural shifts. The closing interview with Métis playwright, actor, and director Bruce Sinclair underscores one of the book's key goals-to spark an informed cross-cultural dialogue that will reveal the mechanisms of, as well as the contradictions and tensions inherent in, the politics of Indigenous representation in (Central) European cultural industries and encourage (Central) Europeans to confront their own cultural assumptions and attitudes.Springer-Verlag KG, Sachsenplatz 4-6, 1201 Wien 284 pp. Englisch.…

Buch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This book examines the ways in which North American Indigenous identity has been (re)imagined, represented, and negotiated in German, Croatian, Italian, Polish, and Czech culture. Employing a cross-disciplinary and comparative approach and drawing on a range of media-from literature, comics, and film to photography, painting, and the performative arts-across different historical and cultural backgrounds, it aims to both contribute innovative scholarship on Indigenous studies in Europe and open a new avenue in the field by focusing on Central European settings that have received little or no critical attention to date.The book's novelty also comes from its focus on the latest developments in the field, including the 'Ravensburger/Winnetou controversy,' which swept across Europe in 2022, echoing the 2017 Canadian debate over Indigenous appropriation and free speech. It seeks to provide a sound reference and lay the groundwork for future scholarship by opening up a conversation on how Indigenous identities have been portrayed in Central European literature and media texts. To this end, it not only addresses generalized expectations about North American Indigenous people underlying (Central) European public discourse and imagination but also questions whether and to what extent some of the ingrained stereotypical views and practices, such as hobbyism, have been challenged in the face of Indigenous resurgence, rapidly changing media and information-sharing realities, and global cultural shifts. The closing interview with Métis playwright, actor, and director Bruce Sinclair underscores one of the book's key goals-to spark an informed cross-cultural dialogue that will reveal the mechanisms of, as well as the contradictions and tensions inherent in, the politics of Indigenous representation in (Central) European cultural industries and encourage (Central) Europeans to confront their own cultural assumptions and attitudes.Springer-Verlag KG, Sachsenplatz 4-6, 1201 Wien 284 pp. Englisch.…

Condizione: New. Print on Demand.

Condizione: New. PRINT ON DEMAND.

Condizione: new. Questo è un articolo print on demand.