Janet beizer (73 risultati)

Hardcover. Condizione: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good+. First Edition.

Hardcover. Condizione: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

hardcover. Condizione: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. Book has mild rubbing to covers with a few creases and indents to back, light wear to edges, small bends to outer corners. otherwise in very good condition, strong binding, clean and unmarked pages; an overall sturdy copy with sharp text.

paperback. Condizione: Very Good. No marks or highlighting in the book. Our copy is paperback showing shelf-wear.

Trade Paperback. Condizione: Very Good. First Printing. 295pp. Trade paperback, VG, First Printing, index, bibliography, footnotes, b&w illustrations, study of novels using hysteria as a main theme for their characters.

Hardback. Condizione: Fine. Condizione sovraccoperta: Fine. clean, unmarked copy.

Trade Paperback. Condizione: Good. some scattered highlights. some reading. unmarked, solid, clean-looking.

Paperback. Condizione: As New. Like new; text clean and tight; 8vo 8" - 9" tall; 352 pages.

Paperback. Condizione: Used-Very Good. Pap. Minor shelf wear. Else a bright, clean copy.

Condizione: Very Good. None. 295 pages. Softcover with paper wrappers. Black and white pictures throughout. Record # 30036.

paperback. Condizione: New. Softcover. Good binding and cover. Clean, unmarked pages.

Tall 8vo. Original pictorial card covers (softback) (Fine). Pp. xvii + 331, illus with coloured and b&w plates and in text (no inscriptions).

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: New. How representations of the preparation, sale, and consumption of leftovers in nineteenth-century urban France link socioeconomic and aesthetic history   The concept of the "harlequin" refers to the practice of reassembling dinner scraps cleared from the plates of the wealthy to sell, replated, to the poor in nineteenth-century Paris. In The Harlequin Eaters, Janet Beizer investigates how the alimentary harlequin evolved in the nineteenth and early twentieth centuries from the earlier, similarly patchworked Commedia dell'arte Harlequin character and can be used to rethink the entangled place of class, race, and food in the longer history of modernism.    By superimposing figurations of the edible harlequin taken from a broad array of popular and canonical novels, newspaper articles, postcard photographs, and lithographs, Beizer shows that what is at stake in nineteenth-century discourses surrounding this mixed meal are representations not only of food but also of the marginalized people-the "harlequin eaters"-who consume it at this time when a global society is emerging. She reveals the imbrication of kitchen narratives and intellectual-aesthetic practices of thought and art, presenting a way to integrate socioeconomic history with the history of literature and the visual arts. The Harlequin Eaters also offers fascinating background to today's problems of food inequity as it unpacks stories of the for-profit recycling of excess food across class and race divisions.…

Soft cover. Condizione: Fine. 1st Edition. First edition, first printing. Fine- to Near Fine trade paperback, clean and unmarked save some turned-down interior page edges.

Condizione: new.

Paperback. Condizione: new. Paperback. How representations of the preparation, sale, and consumption of leftovers in nineteenth-century urban France link socioeconomic and aesthetic history The concept of the "harlequin" refers to the practice of reassembling dinner scraps cleared from the plates of the wealthy to sell, replated, to the poor in nineteenth-century Paris. In The Harlequin Eaters, Janet Beizer investigates how the alimentary harlequin evolved in the nineteenth and early twentieth centuries from the earlier, similarly patchworked Commedia dell'arte Harlequin character and can be used to rethink the entangled place of class, race, and food in the longer history of modernism. By superimposing figurations of the edible harlequin taken from a broad array of popular and canonical novels, newspaper articles, postcard photographs, and lithographs, Beizer shows that what is at stake in nineteenth-century discourses surrounding this mixed meal are representations not only of food but also of the marginalized people-the "harlequin eaters"-who consume it at this time when a global society is emerging. She reveals the imbrication of kitchen narratives and intellectualaesthetic practices of thought and art, presenting a way to integrate socioeconomic history with the history of literature and the visual arts. The Harlequin Eaters also offers fascinating background to today's problems of food inequity as it unpacks stories of the for-profit recycling of excess food across class and race divisions. In The Harlequin Eaters, Janet Beizer investigates how the alimentary harlequin evolved in the nineteenth and early twentieth centuries from the earlier, similarly patchworked Commedia dellarte Harlequin character and can be used to rethink the entangled place of class, race, and food in the longer history of modernism. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.