Lingua: Inglese
Editore: University of California Press, 1987
ISBN 10: 0520054032 ISBN 13: 9780520054035
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Lingua: Inglese
Editore: University of California Press, 1987
ISBN 10: 0520054032 ISBN 13: 9780520054035
Da: Books From California, Simi Valley, CA, U.S.A.
hardcover. Condizione: Good.
Lingua: Inglese
Editore: University of California Press, 1987
ISBN 10: 0520054032 ISBN 13: 9780520054035
Da: Regent College Bookstore, Vancouver, BC, Canada
EUR 8,95
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Fair. Moderate wear, edge and corner wear, light foxing on edges, text block clear. WR.
Lingua: Inglese
Editore: University of California Press, 1987
ISBN 10: 0520054032 ISBN 13: 9780520054035
Da: Hiding Place Books, Philadelphia, PA, U.S.A.
Hardcover. Condizione: Near Fine.
Lingua: Inglese
Editore: Princeton University Press, 2012
ISBN 10: 0691155569 ISBN 13: 9780691155562
Da: BoundlessBookstore, Wallingford, Regno Unito
Prima edizione
EUR 20,24
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Good. 1st printing. Very good condition paperback with minimal wear. Contents are clean and bright throughout with no markings.
Editore: University of California Press, Berkeley Los Angeles, London, 1986
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Hardcover. Condizione: Very Good. Octavo. Boards. xix, 380 pp. With numerous musical examples throughout and several illustrative plates, some in color. In dustjacket.
Soft cover. Condizione: Very Good. A bright, tight copy. Crease on rear panel, light rubbing to edges; pages all clean & sharp.
Lingua: Inglese
Editore: University of California Press, 1986
ISBN 10: 0520054032 ISBN 13: 9780520054035
Da: Austin Sherlaw-Johnson, Secondhand Music, Oxford, Regno Unito
EUR 11,91
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Good. Some wear to wrappers, rear wrapper creased. Some slight staining/spotting to endpapers.
Lingua: Inglese
Editore: Princeton University Press, 2012
ISBN 10: 0691155569 ISBN 13: 9780691155562
Da: Taos Books, Santa Fe, NM, U.S.A.
Prima edizione
paperback. Condizione: As New. First Edition. New looking first print (paperback), no creases no slant, NO age toning, tight clean unmarked, Near Fine.
Lingua: Inglese
Editore: Princeton University Press, 2012
ISBN 10: 0691155550 ISBN 13: 9780691155555
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Lingua: Inglese
Editore: Princeton University Press, 2012
ISBN 10: 0691155569 ISBN 13: 9780691155562
Da: CARDINAL BOOKS ~~ ABAC/ILAB, London -- Birr, ON, Canada
EUR 26,66
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Fine. Softcover. Otherwise clean, tight and unmarked. Very neat -- a sound and handsome copy. Size: 8vo - over 7¾ - 9¾" tall. Book.
Lingua: Inglese
Editore: Princeton University Press, 2012
ISBN 10: 0691155550 ISBN 13: 9780691155555
Da: Labyrinth Books, Princeton, NJ, U.S.A.
Condizione: Very Good.
Lingua: Inglese
Editore: Princeton University Press, 2012
ISBN 10: 0691155569 ISBN 13: 9780691155562
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Lingua: Inglese
Editore: Princeton University Press, 2012
ISBN 10: 0691155569 ISBN 13: 9780691155562
Da: INDOO, Avenel, NJ, U.S.A.
EUR 49,55
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Princeton University Press, 2012
ISBN 10: 0691155569 ISBN 13: 9780691155562
Da: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: University of California Press, 1987
ISBN 10: 0520054032 ISBN 13: 9780520054035
Da: West Cove UK, Wellington, Regno Unito
EUR 18,38
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Hardcover. English. See images for condition. About the book >.>.> Anyone concerned with modern music and culture must confront Igor Stravinsky, the twentieth century's most celebrated and controversial composer. Stravinsky's genius for creative self-renewal led him from the revolutionary Rite of Spring to the severe neoclassicism of the Symphony in C and then, in an equally unpredictable metamorphosis, to the serial techniques of his arch-rival, Arnold Schoenberg. Con-fronting Stravinsky probes the mystery of why Stravinsky remains recognizably Stravinsky despite astonishing stylistic diversity. This question and other issues central to the composer's life and work are here examined from a variety of perspectives, breaking down the barriers of geography and discipline that have too long separated Stravinsky scholars. The contributors come from Europe, Japan, and through-out the United States. They include Stravinsky's friends, cultural historians, musicologists, music theorists, and com-posers, as well as the pianolist Rex Lawson and the celebrated artist David Hockney. Confronti.
Lingua: Inglese
Editore: Princeton University Press, 2012
ISBN 10: 0691155569 ISBN 13: 9780691155562
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: University of California Press, 1986
ISBN 10: 0520054032 ISBN 13: 9780520054035
Da: michael diesman, Fresh Meadows, NY, U.S.A.
Soft cover. Condizione: Near Fine. Not Indicated. First edition. From Library Journal In 1982, the University of California, San Diego, hosted the International Stravinsky Symposium in celebration of the centenary of the composer's birth. The 21 papers presented there have been collected in this handsome volume and edited with care by Pasler, the symposium's director. The scope and quality of the material is impressive, though much of the subject matter will interest only serious scholars, particularly the knotty sections on theoretical perspectives and compositional practices. Unfortunately, one of the lighter and more inventive contributions, a droll essay by Roger Shattuck, inexplicably has been pared down. Still, the book will be an important resource for music students and should be acquired by libraries with substantial music holdings. Larry Lipkis, Music Dept., Moravian Coll., Bethlehem, Pa. Copyright 1987 Reed Business Information, Inc.
Lingua: Inglese
Editore: Princeton University Press, 2012
ISBN 10: 0691155569 ISBN 13: 9780691155562
Da: INDOO, Avenel, NJ, U.S.A.
EUR 49,87
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread copy in mint condition.
Lingua: Inglese
Editore: Princeton University Press, US, 2012
ISBN 10: 0691155569 ISBN 13: 9780691155562
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 54,19
Quantità: 3 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Camille Saint-Saens--perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in nearly every musical genre, from opera and the symphony to film music--is now being rediscovered after a century of modernism overshadowed his earlier importance. In a wide-ranging and trenchant series of essays, articles, and documents, Camille Saint-Saens and His World deconstructs the multiple realities behind the man and his music. Topics range from intimate glimpses of the private and playful Saint-Saens, to the composer's interest in astronomy and republican politics, his performances of Mozart and Rameau over eight decades, and his extensive travels around the world. This collection also analyzes the role he played in various musical societies and his complicated relationship with such composers as Liszt, Massenet, Wagner, and Ravel. Featuring the best contemporary scholarship on this crucial, formative period in French music, Camille Saint-Saens and His World restores the composer to his vital role as innovator and curator of Western music.The contributors are Byron Adams, Leon Botstein, Jean-Christophe Branger, Michel Duchesneau, Katharine Ellis, Annegret Fauser, Yves Gerard, Dana Gooley, Carolyn Guzski, Carol Hess, D. Kern Holoman, Leo Houziaux, Florence Launay, Stephane Leteure, Martin Marks, Mitchell Morris, Jann Pasler, William Peterson, Michael Puri, Sabina Teller Ratner, Laure Schnapper, Marie-Gabrielle Soret, Michael Stegemann, and Michael Strasser.
Lingua: Inglese
Editore: Princeton University Press, 2012
ISBN 10: 0691155569 ISBN 13: 9780691155562
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 48,41
Quantità: 6 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Princeton University Press, 2012
ISBN 10: 0691155569 ISBN 13: 9780691155562
Da: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 47,89
Quantità: 6 disponibili
Aggiungi al carrelloCondizione: new.
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 55,09
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 56,44
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Princeton University Press, US, 2012
ISBN 10: 0691155569 ISBN 13: 9780691155562
Da: Rarewaves USA, OSWEGO, IL, U.S.A.
EUR 58,97
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Camille Saint-Saens--perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in nearly every musical genre, from opera and the symphony to film music--is now being rediscovered after a century of modernism overshadowed his earlier importance. In a wide-ranging and trenchant series of essays, articles, and documents, Camille Saint-Saens and His World deconstructs the multiple realities behind the man and his music. Topics range from intimate glimpses of the private and playful Saint-Saens, to the composer's interest in astronomy and republican politics, his performances of Mozart and Rameau over eight decades, and his extensive travels around the world. This collection also analyzes the role he played in various musical societies and his complicated relationship with such composers as Liszt, Massenet, Wagner, and Ravel. Featuring the best contemporary scholarship on this crucial, formative period in French music, Camille Saint-Saens and His World restores the composer to his vital role as innovator and curator of Western music.The contributors are Byron Adams, Leon Botstein, Jean-Christophe Branger, Michel Duchesneau, Katharine Ellis, Annegret Fauser, Yves Gerard, Dana Gooley, Carolyn Guzski, Carol Hess, D. Kern Holoman, Leo Houziaux, Florence Launay, Stephane Leteure, Martin Marks, Mitchell Morris, Jann Pasler, William Peterson, Michael Puri, Sabina Teller Ratner, Laure Schnapper, Marie-Gabrielle Soret, Michael Stegemann, and Michael Strasser.
Lingua: Inglese
Editore: Princeton University Press, 2012
ISBN 10: 0691155569 ISBN 13: 9780691155562
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 46,92
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New. 2012. Paperback. Camille Saint-Sans - perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in every musical genre, from opera and the symphony to film music - is now being rediscovered after a century of modernism overshadowed his importance. This book deconstructs the multiple realities behind the man and his music. Editor(s): Pasler, Jann. Series: The Bard Music Festival. Num Pages: 440 pages, 25 halftones. 3 tables. 15 musical examples. BIC Classification: AVGC5; AVH. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 236 x 154 x 26. Weight in Grams: 650. . . . . .
Editore: University of California Press, Berkeley, 1986
Da: Bij tij en ontij ..., Kloosterburen, NL, Paesi Bassi
EUR 10,00
Quantità: 1 disponibili
Aggiungi al carrelloPaperback, 25 cm, 380 pp. Ills.: black and white illustrations. Cease in front cover and a bit foxing on the edges. Cond.: goed / good. ISBN: 9780520054035.
Lingua: Inglese
Editore: Oxford University Press 3/1/2014, 2014
ISBN 10: 0199336105 ISBN 13: 9780199336104
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condizione: New. Writing Through Music: Essays on Music, Culture, and Politics. Book.
Lingua: Inglese
Editore: Princeton University Press, Princeton And Oxford, 2012
ISBN 10: 0691155550 ISBN 13: 9780691155555
Prima edizione
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: No Dust Jacket. First Edition. A nice, clean copy. ; The Bard Music Festival; Vol. 32; 8vo 8" - 9" tall; 440 pages.
Lingua: Inglese
Editore: Oxford University Press Inc, US, 2014
ISBN 10: 0199336105 ISBN 13: 9780199336104
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 62,29
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Drawing on a passion for music, a remarkably diverse interdisciplinary toolbox, and a gift for accessible language that speaks equally to scholars and the general public, Jann Pasler invites us to read as she writes "through" music, unveiling the forces that affect our sonic encounters. In an extraordinary collection of historical and critical essays, some appearing for the first time in English, Pasler deconstructs the social, moral, and political preoccupations lurking behind aesthetic taste. Arguing that learning from musical experience is vital to our understanding of past, present, and future, Pasler's work trenchantly reasserts the role of music as a crucial contributor to important public debates about who we can be as individuals, communities, and nations. The author's wide-ranging and perceptive approaches to musical biography and history challenge us to rethink our assumptions about important cultural and philosophical issues including national identity and postmodern musical hybridity, material culture, the economics of power, and the relationship between classical and popular music. Her work uncovers the self-fashioning of modernists such as Vincent d'Indy, Augusta Holmès, Jean Cocteau, and John Cage, and addresses categories such as race, gender, and class in the early 20th century in ways that resonate with experiences today. She also explores how music uses time and constructs narrative. Pasler's innovative and influential methodological approaches, such as her notion of "question-spaces," open up the complex cultural and political networks in which music participates. This provides us with the reasons and tools to engage with music in fresh and exciting ways. In these thoughtful essays, music--whether beautiful or cacophonous, reassuring or seemingly incomprehensible--comes alive as a bearer of ideas and practices that offers deep insights into how we negotiate the world. Jann Pasler's Writing through Music brilliantly demonstrates how music can be a critical lens to focus the contemporary critical, cultural, historical, and social issues of our time.