Lingua: Inglese
Editore: Michael Imhof Verlang, Petersberg, 2023
ISBN 10: 3731909952 ISBN 13: 9783731909958
Da: Luigi De Bei, PREGANZIOL, TV, Italia
Prima edizione
EUR 70,00
Quantità: 1 disponibili
Aggiungi al carrelloBrossura. Condizione: nuovo. Condizione sovraccoperta: nuovo. prima edizione. Jacopo Strada's Magnum AC Novum Opus.A sixteenth-Century Corpus of Ancient Numismatics,edited byVolker Heenes and Dirk Jacob Jansen.Petersberg 2023 Michael Imhof Verlag .Pages 392 ills. brossura nuovo Language : English text.
Editore: Edizioni dell'Elefante, Roma., 2002
Da: Studio Bibliografico Adige, Trento, TN, Italia
EUR 10,00
Quantità: 1 disponibili
Aggiungi al carrello244 p., 33 cm, tela, cof.
Editore: Brill, Leiden / Boston, 2019
ISBN 10: 9004385223 ISBN 13: 9789004385221
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Condizione: As new. Octavo. Hardcover. Matte illustrated boards. No jacket as issued. XIV, pages [547]1069, illustrations.
Da: Antiquariaat A. Kok & Zn. B.V., Amsterdam, Paesi Bassi
EUR 110,00
Quantità: 1 disponibili
Aggiungi al carrello[Maastricht], [By the author], [2015]. XV,791 pp. B./w. ills. Orig. softcover. 8vo. Dissertation in order to obtain the degree of Doctor at Leiden University, September 24, 2015. With the loose sheet with statements. - Text in English. Contains a short summary in Dutch. - - This book gives a survey of the career of the Renaissance antiquary Jacopo Strada (Mantua 1515- Vienna 1588). Aspects discussed include his background, education and artistic training; his early activities in Germany; his trips to Lyon and Rome and the origins of his huge collection of visual documentation of Antiquity and of canonical modern works of art; and his appointment as architect and antiquary to Emperors Ferdinand I and Maximilian II. The second part discusses Strada's activities as architect and his share in projects of his imperial patrons in Vienna, the Munich Antiquarium, his own house and for private patrons. The third part discusses Strada's role in purveying antiques and works of art for his patrons, contents and function of his own collection or "Musaeum", and his ambition to set up as an international publisher. The conclusion first defines Strada's self-image as an antiquary; applying some of the terms of Everett Rogers' theory of the diffusion of innovations, it then demonstrates how, and to what extent, Strada's activities and the presence of his "Musaeum" in Vienna contributed to the acceptance of the ideas and the artistic idiom of the Italian High Renaissance to the north of the Alps.