Jansen dirk jacob (5 risultati)
- Brossura
- Prima edizione
Da: Luigi De Bei, PREGANZIOL, TV, ItaliaLuigi De Bei
Contatta il venditoreVenditore con 2 stelleCondizione: Nuovo
EUR 70,00
EUR 37,00 spedizioneSpedito da Italia a U.S.A.Quantità: 1 disponibili
Brossura. Condizione: nuovo. Condizione sovraccoperta: nuovo. prima edizione. Jacopo Strada's Magnum AC Novum Opus.A sixteenth-Century Corpus of Ancient Numismatics,edited byVolker Heenes and Dirk Jacob Jansen.Petersberg 2023 Michael Imhof Verlag .Pages 392 ills. brossura nuovo Language : English text.…
L'album fiorentino dei 'disegni artificiali'.: Per cura di Vittorio Marchis e Luisa Dolza. Con saggi introduttivi di Thomas DaCosta Kaufmann e Dirk Jacob Jansen. Tecnica curiosa; 5.
STRADA, Jacopo - KAUFMANN, Thomas DaCosta - MARCHIS, Vittorio - DOLZA, Luisa - JANSEN, Dirk Jacob - STRADA, Ottavio.
Editore: Edizioni dell'Elefante, Roma., 2002
Da: Studio Bibliografico Adige, Trento, TN, ItaliaStudio Bibliografico Adige
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 10,00
EUR 39,00 spedizioneSpedito da Italia a U.S.A.Quantità: 1 disponibili
Aggiungi al carrello244 p., 33 cm, tela, cof.
HOLLAENDISCHE MALEREI IN NEUEM LICHT - Hendrick ter Brugghen und seine Zeitgenossen - Ausstellung im Centraal Museum Utrecht vom 13. November 1986 bis 12. Januar 1987. /. DUTCH PAINTING IN A NEW LIGHT - Hendrick ter Brugghen and his contemporaries - exhibition at the Centraal Museum Utrecht from November 13, 1986 to January 12, 1987
Blankert, Albert - Slatkes, Leonard - Bok, Marten Jan - Faber, Dirk E.A. - Jacob, Sabine - Huys Janssen, Paul - Jansen, Guido - Judson, J. Richard - Klessmann, Rüdiger - Rooker , Cora - Vermeer, Mieke-
Editore: Utrecht: Centraal Museum Utrecht, 1986, 1986
- Brossura
- Prima edizione
Da: °ART...on paper - 20th Century Art Books, Lugano, Svizzera°ART...on paper - 20th Century Art Books
Contatta il venditoreVenditore con 5 stelleMembro dell’associazione: ILAB
Condizione: Usato - Molto buono
EUR 70,91
EUR 25,00 spedizioneSpedito da Svizzera a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Very Good. 1st Edition. Gr.8° - 374pp - Color and B/w reproductions. Exhibition Catalog for Utrecht NL and Braunschweig Germany. First edition, text in German language. Original boards. In Very good condition.
Editore: Brill, Leiden / Boston, 2019
- Rilegato
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Come nuovo
EUR 266,13
EUR 11,19 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: As new. Octavo. Hardcover. Matte illustrated boards. No jacket as issued. XIV, pages [547]1069, illustrations.
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Da: Antiquariaat A. Kok & Zn. B.V., Amsterdam, Paesi BassiAntiquariaat A. Kok & Zn. B.V.
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 110,00
EUR 28,27 spedizioneSpedito da Paesi Bassi a U.S.A.Quantità: 1 disponibili
Aggiungi al carrello[Maastricht], [By the author], [2015]. XV,791 pp. B./w. ills. Orig. softcover. 8vo. Dissertation in order to obtain the degree of Doctor at Leiden University, September 24, 2015. With the loose sheet with statements. - Text in English. Contains a short summary in Dutch. - - This book gives a survey of the career of the Renaissance antiquary Jacopo Strada (Mantua 1515- Vienna 1588). Aspects discussed include his background, education and artistic training; his early activities in Germany; his trips to Lyon and Rome and the origins of his huge collection of visual documentation of Antiquity and of canonical modern works of art; and his appointment as architect and antiquary to Emperors Ferdinand I and Maximilian II. The second part discusses Strada's activities as architect and his share in projects of his imperial patrons in Vienna, the Munich Antiquarium, his own house and for private patrons. The third part discusses Strada's role in purveying antiques and works of art for his patrons, contents and function of his own collection or "Musaeum", and his ambition to set up as an international publisher. The conclusion first defines Strada's self-image as an antiquary; applying some of the terms of Everett Rogers' theory of the diffusion of innovations, it then demonstrates how, and to what extent, Strada's activities and the presence of his "Musaeum" in Vienna contributed to the acceptance of the ideas and the artistic idiom of the Italian High Renaissance to the north of the Alps.…
