Janson et al (17 risultati)

Soft cover. Condizione: Very Good. 1st Edition. Small quarto, softcover, VG comic book in black, red, green and blue pictorial wraps. Unpaginated, about 40 pp. 1st Edition. 1994. Is Spawn an ally or a deadly menace? Batman must figure it out. Klaus Janson (illustratore). Book.

Hardcover without dustjacket as issued, 116 pages, very good condition, no internal marks, clean and crisp.

Soft Cover. Condizione: Very Good. 102 pp. December 1942, Vol. 24, No. 4 issue only! Solidly bound copy with moderate overall wear and use, with crisp pages and clean text. Spine shows wear. Writing on spine "Soper: Yamato-E". Over-sized and/or over weight book; may require additional postage. Please note that large and/or heavy items may incur extra shipping charge for both domestic and/or international shipments. …

Soft Cover. Condizione: Very Good. 141 pp. June 1964, Vol. 46, No. 2 issue only! Solidly bound copy with moderate external wear, crisp pages and clean text. Small tear on bottom of spine. Whiteout spot and pen writing on spine. Over-sized and/or over weight book; may require additional postage. Please note that large and/or heavy items may incur extra shipping charge for both domestic and/or international shipments. …

Hardcover. Condizione: Good. Condizione sovraccoperta: Fair. First Edition. Clean & tightly bound hardback book with gift inscription on title page, in a bright, price clipped dustjacket which is chipped and creased with short closed tears. 92 pages, illustrations in the text. Undated but appears early 1950s.…

Softcover. Condizione: VG. Light grey illus. wraps; 44 pp.; 18 color and bw figures. Includes a note on the permanent collection, "Aert van der Neer- An Unpublished Nocturne," by Anthony F. Janson, PhD, as well as journals of the director, gallery assistant, education coordinator, museum system manager, and the membership secretary.…

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2200grams, ISBN:9781451193749. …

Condizione: NEW. Burzo, Valeria; Crook, Tyler; Janson, Klaus; Kivelä, Sami; Krause, Peter; Lapham, David; Level, Brian; McDaid, Dan; Mitten, Christopher; Rubín, David; Sampson, Alison (illustratore).

Condizione: NEW. Janson, Klaus; Oeming, Michael Avon (illustratore).

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Fine hardcover in a Near Fine dust jacket. First Edition, First Printing as stated. Overall a bright and attractive copy. The book is as new. Minor shelf wear to the rear lower edge of the jacket, though no tears or chips. Just shy of being brand new. Various (illustratore).…

Condizione: New. Satisfaction Guaranteed or your money back.

Condizione: Very Good. Very Good+; Hardcover; Covers are still glossy; Unblemished textblock edges; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Medium Format (8.5" - 9.75" tall); 1.4 lbs; Purple and gray covers with title in gray lettering; 2000, Wiley-Interscience Publishing; 348 pages; "Random Graphs," by Svante Janson, et al. …

Paperback. Condizione: Good. First Edition. 96 pages. Features: Doubleweave - a workshop in your studio; Celtic knot scarf; The Bog Jacket and other reminiscences; Double-width blankets on four shafts; Double-width blankets on eight shafts; Sunset Windows Scarf; Deflected Doubleweave - bumps in the night; Putting on the glitz - jacket and shawl; A doubleweave tea cozy; Wadmal Vest - an easy project on two shafts; Flag scarves; Gabrieela Hucal; Yarn Barn Color blanket kit; and more. Average wear. Unmarked. A sound copy.; Magazine; 4to - over 9¾" - 12" tall; Handwoven (Hand Woven) Magazine, January (Jan.) / February (Feb.) 2002 - Doubleweave Workshop n your studio; Celtic knot scarf; The Bog Jacket and other reminiscences; Double-width blankets on four shafts; Double-width blankets on eight shafts; Sunset Wi.…

Paperback. Condizione: Good. First Edition. 96 pages. Features: The Gamp - the ultimate design tool; Shadow-weave gamp; A twill gamp on eight shafts; A shadow-weave gamp for a table runner; the color gamp - beautiful and practical; Color-wheel clock - a study in color and pattern; A baby quilt from handwoven cloth; a color gamp in overshot; Rainbow scarf - a color gamp you can wear; combine weaving with quilting for coverlets and throws; a decorative sampler in spot Bronson; Designing on the loom for folkore vests in overshot; The magic of iridescence; Fabric forecast fall/winter 04-'05; and more. Moderate wear. Unmarked. A sound copy.; Magazine; 4to - over 9¾" - 12" tall; Handwoven (Hand Woven) Magazine, January (Jan.) / February (Feb.) 2004 - The Gamp The Gamp - the ultimate design tool; Shadow-weave gamp; A twill gamp on eight shafts; A shadow-weave gamp for a table runner; the color gamp - beautiful and practical; Col.…

Soft cover. Condizione: Very Good. 1st Edition. Catalog accompanying an exhibition held at the Fogg Art Museum, Harvard University in 1936. 8vo (6 × 9.25 inches), printed wrappers, 55 pages followed by 20 pages of black-and -white plates. Ownership signature of midwestern museum director and educator Siegfried R. Weng to upper front wrapper. With the printed calling card of Paul J. Sachs laid in, inscribed by Sachs: "This catalogue has been produced by my students in the 1936 'Museum Class' / With my compliments / PJS." An exceptional Paul J. Sachs presentation copy to his former Museum Course student Siegfried R. Weng, documenting one of the formative networks in the professionalization of the American museum. Organized at Harvard's Fogg Art Museum in 1936, Style and Technique examined the relationship between artistic conception and the materials and processes through which art is made. Rather than treating technique as subordinate to stylistic history, the exhibition proposed that materials and working methods themselves participate in the formation of style. The introduction, signed "H.J." by the young H. W. Janson, considers how innovations in materials and technique can facilitate changes in artistic form. The plates are correspondingly organized around technical categories including tempera and oil painting. An early American publication by Janson, later one of the most influential art historians of the postwar period. The catalogue was produced by students in the celebrated Museum Course of Paul J. Sachs, as Sachs explicitly records on the accompanying card. Professor and associate director of the Fogg, Sachs pioneered a model of museum training combining art history and connoisseurship with collecting, exhibition organization and practical museum administration. His students became an influential generation of American curators and museum directors. The recipient, Siegfried R. Weng (1904-2008), was himself a product of this program. After receiving B.A. and M.A. degrees from the University of Chicago in 1927 and 1928, Weng studied at Harvard in 1929 specifically in preparation for museum work. The connection is confirmed by the Harvard Art Museums Archives, where the Papers of Paul J. Sachs contain a dedicated file catalogued "Weng, Siegfried — Museum Course, [1928-1946]." That same year, at only twenty-five, Weng became director of the Dayton Art Institute, beginning a four-decade career as a museum director. Sachs's inscription therefore has unusual documentary force: he was presenting a former Museum Course student with the work of the next generation of his students, explicitly identifying the catalogue as having been "produced by my students in the 1936 'Museum Class.'" The chronology also intersects directly with the emergence of the Museum of Modern Art. Weng's Harvard museum training in 1929 coincided with MoMA's founding, in which Sachs participated as a founding trustee. Sachs was instrumental in recommending another of his Harvard students, Alfred H. Barr, Jr., as director of the new museum; Barr himself appears in the acknowledgments to Style and Technique. The volume thus brings together two branches of Sachs's influence: Barr and the developing MoMA on one hand, and Weng and the professionalization of the regional American museum on the other. A compelling association copy at the intersection of museum studies, curatorial education, technical art history and the emergence of the modern American museum profession. Rear hinge weakened. Light bumping and rubbing to extremities. Mild damp staining to top corner of plates; not affecting text. Inscribed by Author(s).…

Frederik E, København 1989. Upagineret. Gennemillustreret i farver. Orig. omslag. Lette brugsspor.

Condizione: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9791039133616.