jansz n (25 risultati)

Couverture souple. Condizione: bon. RO20202797: NON DATE. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos frotté, Intérieur frais. 657 pages - nombreuses cartes et plans en noir et blanc dans et hors texte - dos et plats pliés. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.

Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Amsterdam, La Veuve de Jacob van Meurs, 1681 [Reprint Whitefish (Mont.), Kessinger Publishing, 2007]. [12],329 pp. B./w. ills. - [BOUND UP WITH:] Relation du Naufrage d'un Vaisseau Hollandois, Nommé Ter Schelling. Vers la Côte de Bengala [.]. Amsterdam, Jacob van Mrurs, 1681. 80 pp. B./w. ills. Softcover. (Kessinger Publishing's Legacy Reprints). A somewhat simple reprint of two Dutch eighteenth century works.

Amsterdam, 1987. 2 dln (v./d. 3). 526, 368 blz. Z./w. ills. Linnen. - stofomslag. Deel 2 gevlekt op snee.Deel 1: Brieven en documenten. Deel 2: Toelichtingen.

Utrecht, Centraal Museum, 2000. 304 pp. Gebonden. Illustraties. *goede staat* Tentoonstellingscatalogus.

Original publisher's dark-blue cloth hardback, gilt lettering spine, gilt compass card frontcover, thick folio: [224]pp. Part I: coloured allegorial title-page, introduction, table of contents, movable compass, tables, 23 coloured double page-large maps with descriptions. Part II: coloured allegorical title-page, table of contens, 21 coloured double page-large maps with descriptions, tables. Very fine copy in slipcase., Facsimile Christoffel Plantijn, Leyden 1584 & 1685.

Naar den tweeden druk van het journaal. - Aantekeningen en inleiding door C E Warnsinck-Delprat. - Oplage van 775 exemplaren. - Dit is nr. 552. Utrecht, W. de Haan, 1944. 25 X 17 cm. In halfleer gebonden. Hardcover. 137 pag. Met illustraties in z/w. Rug licht ongaaf, inhoud in UITSTEKENDE STAAT [.

Leyden, C. Heyligert en L. Herdingh, [1641], 3rd edition, complete text three parts in 2 volumes, (28),1-404+407-773,(11) pages, hardcover marbled paper binding, serious wear and tear to bindings, top of spines damaged, all original plates are missing, some staining by age to the pages, waterstaining to the middle of the first volume, very informative book on the history of Leiden and its surroundings.

No Binding. Condizione: Very Good. Published by Jochem Hasebroek, Amsterdam, [c. 1722] Large engraved celestial chart with a rotating printed paper ring (volvelle or rete) on an off-centre axis to indicate the part of the sky visible at any date and time and to make a variety of celestial calculations, all for the Netherlands' latitude of 52 degrees.  With letterpress instructions by Calman on a separate printed slip at the right. The sky image 32.5 cm in diameter; the whole chart with the letterpress slip as mounted 56 x 66.5 cm. A string serves as a pointer for aligning the scales in the stationary and rotating parts. Coloured by a contemporary hand. The chart is here in its third state, but we have located no complete example of any earlier version. The Boerhaave Museum in Leiden has the chart without volvelle or instructional text, published by Doncker, but the 1664 edition described in Doncker's advertisement clearly included the volvelle and instructional text. Perhaps the surviving chart is the 1684 version mentioned but not seen by Bierens de Haan, who provides neither a detailed description nor a source for his information. They and the present version (printed from Doncker's plate c. 1722) seem to have appeared only as separate publications, hence their great rarity. The circular border around the sky image and the outer part of the volvelle include scales with several kinds of data so that the chart can be used for various purposes. one can use the string to align the time in the volvelle with the date in the border of the chart, so that the part of the sky visible at that moment appears inside the volvelle. The chart with its volvelle, scales and string can also be used to calculate times for the rising and setting of constellations at various dates (or to calculate the present time based on the position of the stars). Fifty-three constellations are numbered quarter by quarter (15, 9, 14 and 15), with a Dutch key identifying them in each corner. Calman's instructional text, printed letterpress on a separate slip (495 by 185 cm) and mounted to the right of the chart itself, describes the different scales, etc., then presents nine "proposals" (giving examples of the use of the chart). In the plate of the star chart itself is engraved, "Auct. J. Stampioen. 't Amsterdam by Iochem Hasebroek" but Hasebroek's name is larger and in a different style than the rest of the lettering, and one can see traces of an earlier name under it. Although the older name cannot be deciphered, one can see that "Hendrick Doncker" would fit (with traces of the h and Do, and marks where the ascenders to the d, k and k would have been), making it clear that the present chart is printed from Doncker's original plate. Calman advertised his Amsterdam boarding school for calligraphy, mathematics, etc. in 1722, and Hasebroek (1682- 1756) is recorded as a sea chart publisher and instrument maker from 1714 to 1743. Koeman IV, p. 5 (no location noted; cf. p. 153); Warner, Sky Explored, p. 260, no. 1c (no location noted; cf. p. 247); Alder Planetarium on-line database A-259; cf. Bierens de Haan 4516 (1684 ed., not seen: see his Bouwstoffen II, pp. 386 & 429 note 5); E.O. van Keulen et al., "In de Gekroonde Lootsman," item 4 & illustration between pp. 64 & 65 (1680/1696 Vooght/Van Keulen ed.); not in BMC Printed Maps; Zinner, Astron. Instrumente; NCC/Picarta; OCLC WorldCat.

Single sheet (21 x 24 6/8 inches, full margins showing the plate mark). AN EXCEPTIONALLY FINE ENGRAVED MAP OF FLANDERS decorated with a large elaborate allegorical cartouche surrounding the coat of arms bottom left, HAND-COLOURED BY THE MASTER COLOURIST, THE CELEBRATED DIRK JANSZ. VAN SANTEN, coloured in outline with cartouches, decorative borders, embellishments, and landmarks fully colored, in rich and exotic colour combinations, with added elements to clothing and to masonry, HEIGHTENED IN GUM ARABIC AND GOLD, (central vertical crease, with original mounting guard on verso). A magnificent map including the important, influential and beautiful city of Bruges, in 1680 part of the Spanish Netherlands, now in Belgium. Van Santen applied transparent and opaque colours at the same time in both mixed and pure tints. He often painted the whole surface of the map or illustration, transforming the graphic light and dark contrasts into colour. To dark areas representing shadows, clothing pleats or the 'repoussoir', the foreground of a landscape, he applied his characteristic shiny varnish; this had the effect of brightening the colour. He devoted a great deal of attention to skies and horizons, frequently making use of the same colour progression." (Goedings). Atlases and books coloured by van Santen are found in the libraries of the most prominent collectors of the golden age of Dutch cartography ".Bibles and atlases, bound in deluxe bindings by Albert Magnus (1642-1689) and decorated by van Santen were considered gifts worthy of princes. Travellers and poets wrote about this work" (Goedings). This map is from one of a series of large atlases compiled and sold by the Visscher family of art dealers and cartographers, who were among the leading producers of maps in Amsterdam at the end of the seventeenth and early eighteenth centuries, founded by Nicholas Visscher, whose work is known for the high quality of engraving, exceptionally fine ornament, and accurate geographical information. Colouring authenticated by Truusje Goedings, author of "Dirk Jansz. Van Santen.a survey" 1992.

Single sheet (21 x 24 6/8 inches, full margins showing the plate mark). AN EXCEPTIONALLY FINE ENGRAVED MAP OF WESTERN FLANDERS, HAND-COLOURED BY THE MASTER COLOURIST, THE CELEBRATED DIRK JANSZ. VAN SANTEN, coloured in outline with decorative borders, embellishments, and landmarks fully colored, in rich and exotic colour combinations, with added elements to clothing and to masonry, HEIGHTENED IN GUM ARABIC AND GOLD, (central vertical crease, with original mounting guard on verso). "The miracle of Dunkirk" (Churchill) A magnificent map including the important town of Dunkirk, in 1680 part of the Spanish Netherlands, now in northern France, and the scene of one of World War II's most heroic endeavours. Van Santen applied transparent and opaque colours at the same time in both mixed and pure tints. He often painted the whole surface of the map or illustration, transforming the graphic light and dark contrasts into colour. To dark areas representing shadows, clothing pleats or the 'repoussoir', the foreground of a landscape, he applied his characteristic shiny varnish; this had the effect of brightening the colour. He devoted a great deal of attention to skies and horizons, frequently making use of the same colour progression." (Goedings). Atlases and books coloured by van Santen are found in the libraries of the most prominent collectors of the golden age of Dutch cartography ".Bibles and atlases, bound in deluxe bindings by Albert Magnus (1642-1689) and decorated by van Santen were considered gifts worthy of princes. Travellers and poets wrote about this work" (Goedings). This map is from one of a series of large atlases compiled and sold by the Visscher family of art dealers and cartographers, who were among the leading producers of maps in Amsterdam at the end of the seventeenth and early eighteenth centuries, founded by Nicholas Visscher, whose work is known for the high quality of engraving, exceptionally fine ornament, and accurate geographical information. Colouring authenticated by Truusje Goedings, author of "Dirk Jansz. Van Santen.a survey" 1992.

Single sheet (21 x 24 6/8 inches, full margins showing the plate mark). AN EXCEPTIONALLY FINE ENGRAVED MAP OF EASTERN FLANDERS, HAND-COLOURED BY THE MASTER COLOURIST, THE CELEBRATED DIRK JANSZ. VAN SANTEN, decorated with an exceptionally fine allegorical cartouche upper right, coloured in outline with cartouches, decorative borders, embellishments, and landmarks fully colored, in rich and exotic colour combinations, with added elements to clothing and to masonry, HEIGHTENED IN GUM ARABIC, GOLD, (central horizontal crease, with original mounting guard on verso). A magnificent map of western Flanders, the part of Spanish Netherlands, now Belgium, showing the important and influential cities of Ghent and Antwerp on the Schildt, and Brussels in the south east. Van Santen applied transparent and opaque colours at the same time in both mixed and pure tints. He often painted the whole surface of the map or illustration, transforming the graphic light and dark contrasts into colour. To dark areas representing shadows, clothing pleats or the 'repoussoir', the foreground of a landscape, he applied his characteristic shiny varnish; this had the effect of brightening the colour. He devoted a great deal of attention to skies and horizons, frequently making use of the same colour progression." (Goedings). Atlases and books coloured by van Santen are found in the libraries of the most prominent collectors of the golden age of Dutch cartography ".Bibles and atlases, bound in deluxe bindings by Albert Magnus (1642-1689) and decorated by van Santen were considered gifts worthy of princes. Travellers and poets wrote about this work" (Goedings). This map is from one of a series of large atlases compiled and sold by the Visscher family of art dealers and cartographers, who were among the leading producers of maps in Amsterdam at the end of the seventeenth and early eighteenth centuries, founded by Nicholas Visscher, whose work is known for the high quality of engraving, exceptionally fine ornament, and accurate geographical information. Colouring authenticated by Truusje Goedings, author of "Dirk Jansz. Van Santen.a survey" 1992.

Single sheet (24 6/8 x 21 inches, full margins showing the plate mark). AN EXCEPTIONALLY FINE ENGRAVED MAP OF HAINAUT IN BELGIUM, HAND-COLOURED BY THE MASTER COLOURIST, THE CELEBRATED DIRK JANSZ. VAN SANTEN, decorated with a fine allegorical cartouche upper left, coloured in outline with decorative borders, embellishments, and landmarks fully colored, in rich and exotic colour combinations, with added elements to clothing and to masonry, HEIGHTENED IN GUM ARABIC AND GOLD, (central vertical crease, with original mounting guard on verso). A magnificent map including the towns of Douai and Mons. Van Santen applied transparent and opaque colours at the same time in both mixed and pure tints. He often painted the whole surface of the map or illustration, transforming the graphic light and dark contrasts into colour. To dark areas representing shadows, clothing pleats or the 'repoussoir', the foreground of a landscape, he applied his characteristic shiny varnish; this had the effect of brightening the colour. He devoted a great deal of attention to skies and horizons, frequently making use of the same colour progression." (Goedings). Atlases and books coloured by van Santen are found in the libraries of the most prominent collectors of the golden age of Dutch cartography ".Bibles and atlases, bound in deluxe bindings by Albert Magnus (1642-1689) and decorated by van Santen were considered gifts worthy of princes. Travellers and poets wrote about this work" (Goedings). This map is from one of a series of large atlases compiled and sold by the Visscher family of art dealers and cartographers, who were among the leading producers of maps in Amsterdam at the end of the seventeenth and early eighteenth centuries, founded by Nicholas Visscher, whose work is known for the high quality of engraving, exceptionally fine ornament, and accurate geographical information. Colouring authenticated by Truusje Goedings, author of "Dirk Jansz. Van Santen.a survey" 1992.

Single sheet (21 x 24 6/8 inches, full margins showing the plate mark). AN EXCEPTIONALLY FINE ENGRAVED MAP OF SOUTHERN FLANDERS, HAND-COLOURED BY THE MASTER COLOURIST, THE CELEBRATED DIRK JANSZ. VAN SANTEN, coloured in outline with decorative borders, embellishments, and landmarks fully colored, in rich and exotic colour combinations, with added elements to clothing and to masonry, HEIGHTENED IN GUM ARABIC AND GOLD, (central vertical crease, with original mounting guard on verso). A magnificent, large scale map including the important, influential and beautiful city of Bruges, in 1680 part of the Spanish Netherlands, now in Belgium. Van Santen applied transparent and opaque colours at the same time in both mixed and pure tints. He often painted the whole surface of the map or illustration, transforming the graphic light and dark contrasts into colour. To dark areas representing shadows, clothing pleats or the 'repoussoir', the foreground of a landscape, he applied his characteristic shiny varnish; this had the effect of brightening the colour. He devoted a great deal of attention to skies and horizons, frequently making use of the same colour progression." (Goedings). Atlases and books coloured by van Santen are found in the libraries of the most prominent collectors of the golden age of Dutch cartography ".Bibles and atlases, bound in deluxe bindings by Albert Magnus (1642-1689) and decorated by van Santen were considered gifts worthy of princes. Travellers and poets wrote about this work" (Goedings). This map is from one of a series of large atlases compiled and sold by the Visscher family of art dealers and cartographers, who were among the leading producers of maps in Amsterdam at the end of the seventeenth and early eighteenth centuries, founded by Nicholas Visscher, whose work is known for the high quality of engraving, exceptionally fine ornament, and accurate geographical information. Colouring authenticated by Truusje Goedings, author of "Dirk Jansz. Van Santen.a survey" 1992.

Single sheet (21 x 24 6/8 inches, full margins showing the plate mark). AN EXCEPTIONALLY FINE ENGRAVED MAP OF THE WESTERSCHELDE ESTUARY, HAND-COLOURED BY THE MASTER COLOURIST, THE CELEBRATED DIRK JANSZ. VAN SANTEN, decorated with an exceptionally fine allegorical cartouche upper right, coloured in outline with cartouches, decorative borders, embellishments, and landmarks fully colored, in rich and exotic colour combinations, with added elements to clothing and to masonry, HEIGHTENED IN GUM ARABIC, GOLD, (central horizontal crease, with original mounting guard on verso). A magnificent map of the Westerschelde estuary to the west of Antwerp, showing Ghent to the south. The river Scheldt and particularly its estuary has been of considerable commercial and strategic importance throughout history. On its banks the city of Antwerp (not shown on this map) reached its zenith as the centre of European trade in the mid 16th-century, but after the armies of Philip II of Spain invaded Flanders in 1568, and eventually blockaded the Scheldt, Amsterdam became heir to the wealth of Antwerp.In World War II the estuary once again became a contested area. Despite allied control of Antwerp, in September 1944 German forces still occupied fortified positions throughout the Scheldt estuary west and north, preventing any allied shipping to the port. In the Battle of the Scheldt, the Canadian First Army successfully cleared the area, allowing supply convoys direct access to the port of Antwerp by November 1944. Van Santen applied transparent and opaque colours at the same time in both mixed and pure tints. He often painted the whole surface of the map or illustration, transforming the graphic light and dark contrasts into colour. To dark areas representing shadows, clothing pleats or the 'repoussoir', the foreground of a landscape, he applied his characteristic shiny varnish; this had the effect of brightening the colour. He devoted a great deal of attention to skies and horizons, frequently making use of the same colour progression." (Goedings). Atlases and books coloured by van Santen are found in the libraries of the most prominent collectors of the golden age of Dutch cartography ".Bibles and atlases, bound in deluxe bindings by Albert Magnus (1642-1689) and decorated by van Santen were considered gifts worthy of princes. Travellers and poets wrote about this work" (Goedings). This map is from one of a series of large atlases compiled and sold by the Visscher family of art dealers and cartographers, who were among the leading producers of maps in Amsterdam at the end of the seventeenth and early eighteenth centuries, founded by Nicholas Visscher, whose work is known for the high quality of engraving, exceptionally fine ornament, and accurate geographical information. Colouring authenticated by Truusje Goedings, author of "Dirk Jansz. Van Santen.a survey" 1992.

Single sheet (24 6/8 x 21 inches, full margins showing the plate mark). AN EXCEPTIONALLY FINE ENGRAVED MAP OF BAVARIA, HAND-COLOURED BY THE MASTER COLOURIST, THE CELEBRATED DIRK JANSZ. VAN SANTEN, decorated with an exceptionally fine allegorical cartouche upper right, coloured in outline with cartouches, decorative borders, embellishments, and landmarks fully colored, in rich and exotic colour combinations, with added elements to clothing and to masonry, HEIGHTENED IN GUM ARABIC, GOLD and SILVER(oxidised), (central horizontal crease, with original mounting guard on verso). A magnificent map including the cities of Nurenburg, Regensburg and Munich. Van Santen applied transparent and opaque colours at the same time in both mixed and pure tints. He often painted the whole surface of the map or illustration, transforming the graphic light and dark contrasts into colour. To dark areas representing shadows, clothing pleats or the 'repoussoir', the foreground of a landscape, he applied his characteristic shiny varnish; this had the effect of brightening the colour. He devoted a great deal of attention to skies and horizons, frequently making use of the same colour progression." (Goedings). Atlases and books coloured by van Santen are found in the libraries of the most prominent collectors of the golden age of Dutch cartography ".Bibles and atlases, bound in deluxe bindings by Albert Magnus (1642-1689) and decorated by van Santen were considered gifts worthy of princes. Travellers and poets wrote about this work" (Goedings). This map is from one of a series of large atlases compiled and sold by the Visscher family of art dealers and cartographers, who were among the leading producers of maps in Amsterdam at the end of the seventeenth and early eighteenth centuries, founded by Nicholas Visscher, whose work is known for the high quality of engraving, exceptionally fine ornament, and accurate geographical information. Colouring authenticated by Truusje Goedings, author of "Dirk Jansz. Van Santen.a survey" 1992.

Single sheet (24 6/8 x 21 inches, full margins showing the plate mark). AN EXCEPTIONALLY FINE ENGRAVED MAP, HAND-COLOURED BY THE MASTER COLOURIST, THE CELEBRATED DIRK JANSZ. VAN SANTEN, coloured in outline with cartouches, decorative borders, embellishments, and landmarks fully colored, in rich and exotic colour combinations, with added elements to clothing, marbling to masonry, HEIGHTENED IN GUM ARABIC AND GOLD (central vertical crease, with original mounting guard on verso). Van Santen applied transparent and opaque colours at the same time in both mixed and pure tints. He often painted the whole surface of the map or illustration, transforming the graphic light and dark contrasts into colour. To dark areas representing shadows, clothing pleats or the 'repoussoir', the foreground of a landscape, he applied his characteristic shiny varnish; this had the effect of brightening the colour. He devoted a great deal of attention to skies and horizons, frequently making use of the same colour progression." (Goedings). Atlases and books coloured by van Santen are found in the libraries of the most prominent collectors of the golden age of Dutch cartography ".Bibles and atlases, bound in deluxe bindings by Albert Magnus (1642-1689) and decorated by van Santen were considered gifts worthy of princes. Travellers and poets wrote about this work" (Goedings). This magnificent map is from one of a series of large atlases compiled and sold by the Visscher family of art dealers and cartographers, who were among the leading producers of maps in Amsterdam at the end of the seventeenth and early eighteenth centuries, founded by Nicholas Visscher, whose work is known for the high quality of engraving, exceptionally fine ornament, and accurate geographical information. Colouring authenticated by Truusje Goedings, author of "Dirk Jansz. Van Santen.a survey" 1992. For more information on this map, or a warm welcome to see other maps and books of our collection at 72nd Street NYC, please contact Natalie Zadrozna.

Single sheet (24 6/8 x 21 inches, full margins showing the plate mark). AN EXCEPTIONALLY FINE ENGRAVED MAP OF SOUTHERN GERMANY, HAND-COLOURED BY THE MASTER COLOURIST, THE CELEBRATED DIRK JANSZ. VAN SANTEN, coloured in outline with cartouches, decorative borders, embellishments, and landmarks fully colored, in rich and exotic colour combinations, with added elements to clothing, marbling to masonry, HEIGHTENED IN GUM ARABIC AND GOLD AND SILVER (central vertical crease, with original mounting guard on verso). Van Santen applied transparent and opaque colours at the same time in both mixed and pure tints. He often painted the whole surface of the map or illustration, transforming the graphic light and dark contrasts into colour. To dark areas representing shadows, clothing pleats or the 'repoussoir', the foreground of a landscape, he applied his characteristic shiny varnish; this had the effect of brightening the colour. He devoted a great deal of attention to skies and horizons, frequently making use of the same colour progression." (Goedings). Atlases and books coloured by van Santen are found in the libraries of the most prominent collectors of the golden age of Dutch cartography ".Bibles and atlases, bound in deluxe bindings by Albert Magnus (1642-1689) and decorated by van Santen were considered gifts worthy of princes. Travellers and poets wrote about this work" (Goedings). This magnificent map is from one of a series of large atlases compiled and sold by the Visscher family of art dealers and cartographers, who were among the leading producers of maps in Amsterdam at the end of the seventeenth and early eighteenth centuries, founded by Nicholas Visscher, whose work is known for the high quality of engraving, exceptionally fine ornament, and accurate geographical information. Colouring authenticated by Truusje Goedings, author of "Dirk Jansz. Van Santen.a survey" 1992.

Single sheet (24 6/8 x 21 inches, full margins showing the plate mark). AN EXCEPTIONALLY FINE ENGRAVED MAP, HAND-COLOURED BY THE MASTER COLOURIST, THE CELEBRATED DIRK JANSZ. VAN SANTEN, coloured in outline with cartouches, decorative borders, embellishments, and landmarks fully colored, in rich and exotic colour combinations, with added elements to clothing, marbling to masonry, HEIGHTENED IN GUM ARABIC AND GOLD, WITH AN INSET addressed to the "Benevole Spectator" of the Kingdom of Burkhusiensis" (central horizontal crease, with original mounting guard on verso). Van Santen applied transparent and opaque colours at the same time in both mixed and pure tints. He often painted the whole surface of the map or illustration, transforming the graphic light and dark contrasts into colour. To dark areas representing shadows, clothing pleats or the 'repoussoir', the foreground of a landscape, he applied his characteristic shiny varnish; this had the effect of brightening the colour. He devoted a great deal of attention to skies and horizons, frequently making use of the same colour progression." (Goedings). Atlases and books coloured by van Santen are found in the libraries of the most prominent collectors of the golden age of Dutch cartography ".Bibles and atlases, bound in deluxe bindings by Albert Magnus (1642-1689) and decorated by van Santen were considered gifts worthy of princes. Travellers and poets wrote about this work" (Goedings). This magnificent map is from one of a series of large atlases compiled and sold by the Visscher family of art dealers and cartographers, who were among the leading producers of maps in Amsterdam at the end of the seventeenth and early eighteenth centuries, founded by Nicholas Visscher, whose work is known for the high quality of engraving, exceptionally fine ornament, and accurate geographical information. Colouring authenticated by Truusje Goedings, author of "Dirk Jansz. Van Santen.a survey" 1992.

Single sheet (21 x 24 6/8 inches, full margins showing the plate mark). AN EXCEPTIONALLY FINE ENGRAVED MAP, HAND-COLOURED BY THE MASTER COLOURIST, THE CELEBRATED DIRK JANSZ. VAN SANTEN, coloured in outline with cartouches, decorative borders, embellishments, and landmarks fully colored, in rich and exotic colour combinations, with added elements to clothing, marbling to masonry, HEIGHTENED IN GUM ARABIC AND GOLD (central vertical crease, with original mounting guard on verso). Van Santen applied transparent and opaque colours at the same time in both mixed and pure tints. He often painted the whole surface of the map or illustration, transforming the graphic light and dark contrasts into colour. To dark areas representing shadows, clothing pleats or the 'repoussoir', the foreground of a landscape, he applied his characteristic shiny varnish; this had the effect of brightening the colour. He devoted a great deal of attention to skies and horizons, frequently making use of the same colour progression." (Goedings). Atlases and books coloured by van Santen are found in the libraries of the most prominent collectors of the golden age of Dutch cartography ".Bibles and atlases, bound in deluxe bindings by Albert Magnus (1642-1689) and decorated by van Santen were considered gifts worthy of princes. Travellers and poets wrote about this work" (Goedings). This magnificent map is from one of a series of large atlases compiled and sold by the Visscher family of art dealers and cartographers, who were among the leading producers of maps in Amsterdam at the end of the seventeenth and early eighteenth centuries, founded by Nicholas Visscher, whose work is known for the high quality of engraving, exceptionally fine ornament, and accurate geographical information. Colouring authenticated by Truusje Goedings, author of "Dirk Jansz. Van Santen.a survey" 1992.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1677 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 435 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 435 Language: Latin.

Amsterdam, d'Erfgen. van de Wed. C. Stichter, 1755, 13x7.5 cm, marbled paper binding (cahier), gilded edges, bottom corner of the marbled paper slightly faded but otherwise in excellent condition, without page number, city crest of Amsterdam on title page, printed in black and red, with many animal and astrological symbols in the text.

[Den Haag/The Hague] 1639. Engraved frontspiece with title. Lacks printed titlepage with portrait of author on verso. [40]+ 366 pages. Bound with: Wis-konstigh Ende reden-maetigh Bewÿs Op den Reghel Fol: 25. 26 en 27. Den Haag/The Hague: 1640. [2]+58 pages. With woodcut initials and woodcut as well as engraved diagrams. Contemporary vellum binding. Bookplate on front pastedown. * Algebra, the New method, by the Dutch matematician Jan Tampioen (1610-89(?)).s in old hand on pastedowns. Name and old pen notes on front endpaper. * Algebra, the New method, by the Dutch matematician Jan Tampioen (1610-89(?)).

Amsterdam, Erfgen. van de Wed. Corn. Stichter, 1754, 8x5.5 cm, bound in dark shagreen (ray skin, in Dutch: "segrijn" or "roggehuid"), four silver clasps remain (decorated with the coat of arms of Holland), with silver pen, marbled paper flyleaves, gilded edges, no page numbers, good condition, printed in red and black ink, lots of celestial and animal symbols, printer's mark on title page. Scarce. l In the middle of the book there are several blank pages (of two kinds of paper), intended to make notes. More than one owner has left his or her mark by making use of these pages. Most entries are in Dutch, but there are also entries in French by Agathe (1817). Some entries seem to be made by a child as it concerns the date of his daddy's birthday and a visit from the school teacher. The entries date from 1817 to 1839. An endearing example in Dutch (1817, Den Haag): "Schoon ik uw dierbaar bijzijn mis (Although I miss your presence) Toch zweeft ge atloos in mijn gedachten (Still you're always in my thoughts) Uw hart betoovrend beeltenis" (Your enchanting image).

Leather Bound. Condizione: New. Language: Latin. Language: Latin. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1677. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Latin, Pages:- 431, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 431 431.