Japonisme (11 risultati)

Hardcover. Condizione: As New. Condizione sovraccoperta: Near Fine. 1st American Edition.

Hardcover. Condizione: Good. First edition. VG condition book with dust jacket. DJ is clean, has fresh colours and has little wear to edges. Book has clean and bright contents.

Soft cover. Condizione: Good. No Jacket. 2nd Edition. English text.; Paperback.; 25 x 29 cm.; 1.8 kg.; 328 pages with black and white and colour illustrations.; Used with signs of wear on the exterior and interior. The exterior shows edge wear, wear marks, scuffs and scratches. Small bumps at the bottom and top of the spine. Interior with an ex-library stamp on the first two pages. Remaining interior with minor signs of wear.; A selection of the prints in this catalogue was exhibited in the Van Gogh Museum from 7 June until 22 September 1991 as part of the exhibition Japan: Van Gogh's Utopia.; "The collection of 474 Japanese prints in the Van Gogh Museum is for the most part owned by the Vincent van Gogh Foundation and hails from the joint estate of Vincent and Theo Van Gogh. Theo's son, Ir Dr Vincent Willem van Gogh (1890-1978), later expanded the collection somewhat. It is no longer possible to find out exactly which prints were added by him to the original group. In 1986 the museum's collection was enlarged with a gift of 35 prints by the Tokyo Shimbun in Japan, whereby Hiroshige's Tokaido series of 1855, of which 20 prints were already in the museum's possession, could be completed. This catalogue is a completely revised and extended edition of the 1978 catalogue Japanese Prints collected by Vincent van Gogh. Its publication will be accompanied by a summer presentation of Japanese prints and of paintings and drawings by Vincent van Gogh in- spired by Japanese art under the title Japan: Van Gogh's Utopia.Charlotte van Rappard-Boon and Keiko van Bremen-Ito adapted the original text of the catalogue according to the latest available information and, advised by Yoriko Yoshida, Machiko Fukae, Tsuneo Kodaira, Lotje van der Peet and Tom Harper, they added a myriad of new facts and details." excerpt from the preface Ronald de Leeuw.…

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. This is a fine, as new, hardcover first edition copy in a fine, as new, mylar protected DJ, white spine. 331 pages with index. Papers heard at an international symposium held Dec. 1979 by the proactive Committee for the Year 2001. Photos on request.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Heavy book may require extra postage unless posted within South Africa. Publication of 331 pages. The dust jacket is a little shelf rubbed. There are minor marks on the boards, they remain strong and are in good condition. Internally the pages are clean and complete. Tightly bound and presented in cellophane. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Book is Near Fine with a faint stain on the upper right inside of the back cover. The dust jacket has a soil mark and stain in the upper left corner on the back.

°°° [Ultimate POST-SUMMERSALE: PRICE-REDUCTION of 50% until Monday, October 05, 2026; previously EUR 1.800,-] --- RARE AND BIBLIOPHILLY BOUND EXTENSIVE EPITAPH OF THE CELEBRATED ARTIST: Publisher's titled vellum-tinted papercover, bound in a possibly slightly later gilt-titled night-blue 3/4-morocco binding with black-and-blue marbled panels, gilt topedge green marker-ribbon and colourful marbled endpapers, 3 additional blank largepaper-sheets with watermark 'Hallines Dambricourt Frères' before and after the publ. papercover; 4to.(28 x 19 cm). - *) ''When it came time to auction off everything that made up the studio of our dear and missed Diaz, his studies which he showed us with such joy and happiness, the paintings and drawings of his friends and those of the old masters whom he most loved, these works of art for which he had such a great passion, it seemed to us that we would be grateful to reproduce, in a short summary, the opinions and judgments of our most authoritative critics, opinions and judgments formulated at different times in this very full artistic career. We have therefore borrowed from Th. Silvestre his biography; from Thoré, Th. Gautier, MM. Ed. About and J. Claretie their appreciations on the works exhibited at the various Salons, or on the general work of the painter; then from MM. Albert Wolff, Émile Bergerat, E. Véron, Ph. Burty, E. Gonzalès, Privat, their farewells to the artist whom we have just lost. . .''(translated Introduction, followed by a detailed chronological list of Diaz' works exhibited ''. . . aux divers Salons de 1831 à 1850.''). - Corners of the binding slightly rubbed, frontpanel with superficial horizontal scratch, some of the additional blank endpapers slightly foxy. A BEAUTIFUL COPY; inner frontpanel with engraved 19th-century pictorial exlibris 'Alexis Martin'((1834-1904, Literate and Collector, Author of 'Le Bibliophile amoureux', 1866), signed 'Aglaüs Bouvenne'(1829-1903, Engraver, also for Victor Hugo). --- DIAZ WAS BORN IN BORDEAUX to Spanish parents, became an orphan at the age of ten and lost one of his legs after his foot was bitten by a reptile in Meudon-Wood, near Sèvres where he started his artistic career at the age of fifteen in the Porcelain-Studios. He also spent much time at Barbizon, near the Fontainebleau Forest, where he painted some of his most famous works. One of his teachers and friends in Paris was Francois Souchon and he admired the painter Théodore Rousseau. Diaz exhibited at many 'Paris Salons' and the World Expo of 1855, and became 'Chevalier de la Légion d'Honneur' in 1851; Auguste Renoir once said ''My hero was Diaz.''. Diaz' paintings and drawings are held by the Louvre, The Metropolitan Museum of Art and many other famous institutions. - THE CONTENT IN DETAIL: (to be continued. . . --- **) A Photoglyptie (or 'Woodburytype') is a photomechanical printing process to create high quality continuous-tone images with surfaces that show a slight relief-effect, a mold-produced copy of an original photographic negative. It had been invented by the pioneering English photographer Walter Bentley Woodbury (1834-1885), one of the earliest photographers in Australia and the Dutch East Indies and was in use during the final third of the 19th century, most commonly for illustrating fine books with photographic portraits.…

Cave à cigare en acajou, en placage de cuir gaufré doré et polychrome d'un décor japonisant. Intérieur en acajou avec deux tiroirs de huit emplacements cigares chacun.Bon état général. Sans la clé d'origine.

London, General Steam Navigation Company, May 1893, poster printed on pre-imprinted japanese crêpe paper, illustrated with coloured woodcuts, 43 x 34 cm. (small hole in the image - ca. 1 cm - with minor image interference ; some foxing spots mainly at the lower right quarter of the poster). Rare specimen of a British publicity poster printed on pre-imprinted japanese paper. The poster announces the scedule for the Whitsun Holidays ship excusrsions of the General Steam Navigation Company. This shipping company, based in London organised excursions to Hamburg in Germany, to Margate, Ramsgate, Deal , Dover and Yarmouth.…

Peinture à l'huile sur toile sablée, signée en bas à droite, 2024, 80 x 100 cm. Sylvain Yeatman Eiffel (né en 1943) est un artiste aux multiples facettes, aux violons d'Ingres essentiellement artistiques : peinture, création de tissus pour Christian Dior, conception de meubles, musique et auteur de divers ouvrages - notamment sur Gustave Eiffel dont il est l'arrière petit-fils. Il aime travailler la matière, se reconnaît une filiation artistique avec Bernard Boutet de Monvel et cultive les thèmes picturaux avec des variations telles que ses "36 Vues de La Tour Eiffel", hommage à Hokuzaï, exposé à la Mairie du 7ème, le Japonisme à la Galerie Maket Messine, ses déclinaisons Odalistiques . Ses sujets de prédilection : les ombres sur les murs, les reflets dans l'eau, le déferlement des vagues alliant le rêve et la réalité pour inciter au repos et à la méditation. Oeuvre originale. . Illustrateur : YEATMAN-EIFFEL (Sylvain). (illustratore).…

Peinture à l'huile sur toile sablée, signée en bas à droite, 2025, 100 x 80 cm. Deux carpes koï évoluent au milieu de nénuphars, telles celles de l'Empereur dans ses bassins, sont l'ouverture d'une série d'oeuvres sur le thème "Japonisme", hommage de l'artiste Sylvain Yeatman-Eiffel à sa belle-fille Yuki et ses 2 petits-fils ainsi qu'à Monet.Sylvain Yeatman Eiffel (né en 1943) est un artiste aux multiples facettes, aux violons d'Ingres essentiellement artistiques : peinture, création de tissus pour Christian Dior, conception de meubles, musique et auteur de divers ouvrages - notamment sur Gustave Eiffel dont il est l'arrière petit-fils. Il aime travailler la matière, se reconnaît une filiation artistique avec Bernard Boutet de Monvel et cultive les thèmes picturaux avec des variations telles que ses "36 Vues de La Tour Eiffel", hommage à Hokuzaï, exposé à la Mairie du 7ème, le Japonisme à la Galerie Maket Messine, ses déclinaisons Odalistiques . Ses sujets de prédilection : les ombres sur les murs, les reflets dans l'eau, le déferlement des vagues alliant le rêve et la réalité pour inciter au repos et à la méditation. Oeuvre originale. . Illustrateur : YEATMAN-EIFFEL (Sylvain). (illustratore).…