jasinska danuta (7 risultati)

First Edition. Two volumes. Significant shelf wear to dust jackets. Otherwise clean and tidy copies with tight bindings. Used - Very Good. VG hardback in VG dust jacket Used - Very Good. VG hardback in VG dust jacket.

Hardcover. Condizione: Near Fine. A clean unmarked copy.

Hardcover. Condizione: Near Fine. A clean unmarked copy.

Hardcover. Condizione: Very Good. 1st Edition. Hardcover, 241 pages, NOT ex-library. Interior is clean and bright throughout with unmarked text, free of inscriptions and stamps, firmly bound. Boards show gentle handling wear. Issued without a dust jacket. -- This comprehensive volume focuses on Henryk Wieniawski, one of the most influential violin virtuosos of the 19th century, and explores his pivotal role in the development of the bravura style. The book presents Wieniawski not only as a performer but also as a composer who shaped the technical and expressive standards of violin playing. It dives into the evolution of bravura playing, examining the techniques, artistry, and pedagogical methods that Wieniawski championed. The volume includes detailed analysis of his works, their historical context, and how his musical legacy continues to influence modern violinists. Through contributions from scholars, this work offers insight into both his personal life and professional career, setting him within the broader framework of 19th-century music and performance traditions.

gr-8°. 221 S. mit zahlr. Notenbeisp. The Department of Musicology at the Adam Mickiewicz University in Poznan.

219 S. Blauer Original-Hardcoverband im Original-Schutzumschlag. Sehr gutes Exemplar (very good copy).

Hardcover. Condizione: Good. Dust Jacket Included. 1st Edition. A complete set of two hardcovers, 1997 & 1998, 219 + 289 pages, multilingual, NOT ex-library. Pages are clean and bright with unmarked text, free of inscriptions and stamps, firmly bound. Outer page edges of both volumes affected by age-spotting. Dust jackets with small tears to edges, frayed corners, scuffing; scratches and extensive shelfworn marks. -- The papers included in these volumes demonstrate a vast panorama of the contemporary musicological thought, ranging from traditional, source-studying, historical-musicological studies to ethnosemantic, philosophical and aesthetic approaches. -- Contents: Volume I: 1. Musical Work: Research Strategies and Artistic Practice: - Preziosità nell' Introito 'Omnes gentes' / Nino Albarosa; Zur Bogurodzica-Frage / Rudolf Flotzinger; 'Aus zwei mach vier'. Satztechnische Schwierigkeiten eines Komponisten um 1500 / Martin Staehelin; Metastasios azioni sacre. Ein methodischer Versuch zur Dramenstruktur / Helen Geyer; Bemerkungen zum frühen Liedschaffen Alban Bergs. Die vier Lieder für eine Singstimme mit Klavier op. 2 / Christoph-Hellmut Mahling; Die Pittsburgh Ouverture (1967) von Krzysztof Penderecki / Wolfgang Suppan; 2. Concepts and Perspectives of Ethnomusicology: - Structure, Meaning and Culture. Concepts and Perspectives in Ethnomusicology / Artur Simon; Systèmes musicaux en Afrique Subsaharienne / Simha Arom; Musikalisch-religiöser Synkretismus in Lateinamerika / Max Peter Baumann; Über die Ethnizität des Typenhaften / Vladimir Karbusicky; Türkische, armenische, griechische, albanische und aromunische Hochzeiten in Reiseberichten des XVIII und XIX Jahrhunderts / Rudolf M. Brandl; Kobza - Lira - Rylja. Radleiern im Museum für Völkerkunde Berlin SMPK / Maria Dunkel; 3. In the Domain of Philosophy, Psychology and Acoustics: - Systematische Musiktheorie und kognitive Psychologie / Uwe Seifert; Musiktheorie und kognitive Musikpsychologie: ergänzende Bemerkungen / Albrecht Schneider; The Musical 'Hermeneutic' of Young People: A Pedagogical Study / Mario Baroni; Zum stimmlichen Ausdrucksrepertoire von Hank Williams / Franz Födermayr & Wemer A. Deutsch // Volume 2: Zu der sogenannten 'Deklamationsrhythmik'; A Roman Quest for Dramatic Monody / Anna Szweykowska; 'Erbarme Dich, mein Gott'; Eine bisher nicht verwertete Quelle der Geschichte der Adventslieder in Polen / Karol Mrowiec; From "1+3" to "1+1+1+1" or Merely to "4": (Some Remarks Concerning the Texture in String Quartet); Zur Genese der Sonatensatzform in der Musiktheorie des 18. und der ersten Hälfte des 19. Jh. / Irena Poniatowska; On Songs by Brahms / Mieczyslaw Tomaszewski; The Salvation of Faust: The Narrative Function of the Tonal Structure in 'A Faust Symphony' of Franz Liszt; Tadeusz Strumillo (1920-1956): "ein Meteor der polnischen Musikwissenschaft" / Kornel Michalowski; The School of Nadia Boulanger; Organizational and Material Bases for the Development of Amateur Music Movement in Galicia (1772-1914) / Jolanta T. Pekacz; -- Meaning of Musical Form and the Metaphor of Time (upon the Example of the Maqam) / Ludwik Bielawski; On Reception of Polish Contemporary Music: Some Aspects of Exploration / Anna Czekanowska; Falsobordone als Quelle der sardinischen mehrstimmigen Gesänge? / Bozena Muszkalska; Julian Pulikowski: Musikethnologe, Historiker und Philosoph der Musik; Unknown Letters of Rev. Wladyslaw Skierkowski to Adolf Chybinski; Contemporary Polish Musical Folklore in the Studies Conducted by the Department of Musicology at Poznan University UAM; -- On the Systematics and Programme of Musical Cognition; Rules of Musical Syntax; Musical Icon: Theoretical Considerations; Notion of Music in Dictionaries and Encyclopedias 1700-1830; Notion of Musical Prose in the Aesthetics of Mario Pilo; La mémoire de la hauteur du son en musique; Acoustic Analytical Methods in Musical Studies.