Jaynie anderson (187 risultati)

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Condizione: New.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. 0th Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Very Good. Cover and edges may have some wear.

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Stiff Card Paperback. Condizione: New. First. 370pp. 41 colour and b&w illustrations.

Condizione: New.

Paperback. Condizione: New.

hardcover. Condizione: Very Good. Cover and edges may have some wear.

Paperback. Condizione: Brand New. 372 pages. 9.25x7.00x1.25 inches. In Stock.

Condizione: New.

hardcover. Condizione: Very Good. Hannibal Publishing & MUVE Fondazione; Belgium and Italy, 2019. Hardcover. A Very Good, peach color binding with white and black lettering on front board and black lettering on spine, binding sturdy and intact, some rubbing along board edges, few scuff marks and soiled stains bottom text block edge, bit of scattered foxing top text block edge, few faint handling marks to endpapers, small moisture stain bottom corner pages 109-124, in a Very Good, some handling/scuff marks to panels, bit of edge/corner wear, small tear and crease bottom front free endpaper clear taped on verso, small soiled spot verso bottom rear panel edge, Dust wrapper. A nice, clean and unmarked copy. 4to[quarto or approx. 11.5 x 13.5 inches], 159pp., bibliography, color and b&w illustrations. We pack securely and ship daily w/delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.…

Paperback. Condizione: new. Paperback. It has been widely asserted that Bernard Smith established the discipline of art history in Australia. He was the founding professor of contemporary art and the directory of the Power Institute at the University of Sydney, published the classic art text Australian Painting, three volumes on the art of Captain Cook's voyages, and two memoirs. His work was seminal for histories of Pacific encounter and he also authored some of the country's most eloquent memoirs. This publication brings together international academics from a range of disciplines to focus on everything Bernard Smith left his mark on: Antipodean and European 'envisioning' of the Pacific, the definition of Australian art, gallery scholarship and public art education, museological practice, art criticism, Australian art biography and local heritage.Contributions from: Jaynie Anderson; Andrew Sayers; Robert W. Gaston; Nicholas Thomas; Rdiger Joppien; Kathleen Davidson; Terry Smith; Peter Beilharz; Catherine Speck; Paul Giles; Simon Pierse; John Clark; Steven Miller; Joanna Mendelssohn; Christopher R. Marshall; Jim Berryman; Ann Stephen; Max Solling; Kate Challis; Sheridan Palmer; Catherine De Lorenzo; Ian McLean. It has been widely asserted that Bernard Smith established the discipline of art history in Australia. He was the founding professor of contemporary art and the directory of the Power Institute at the University of Sydney, published the classic art text Australian Painting Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

8vo, 377pp. Colour illustrations. A very good paperback copy.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: NEW.

Paperback. Condizione: New.

Paperback. Condizione: New.

Hardcover. Condizione: new. Hardcover. While preparing for an event at the University of Sydney in 2017, a librarian turned to the back page of the librarys 1497 copy of Dante Alighieris Divine Comedy and made a curious discovery. In red chalk was a drawing of a woman and baby, and an inscription in Italian: "On the day of 17th September, Giorgione of Castelfranco, a very excellent artist, died of the plague in Venice at the age of 36 and he rests in peace."This discovery would shine the international art history spotlight on Sydney and begin a project that has seen state-of-the-art imaging techniques used alongside good old-fashioned archival research in a quest for answers. Was the drawing on the endpaper actually by Giorgione? Was Dante his inspiration? Do we have for the first time the dates of Giorgiones birth and death? How should we reimagine Giorgiones chronology? And how did the early edition of Divine Comedy end up in Sydney?Bringing together scholars from art history, Italian studies, librarianship and book history from Sydney to the Vatican, Giorgione, Dante and the Sydney Incunable tells the story of the provenance and significance of this remarkable discovery. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. Giovanni Morelli changed the way we look at art. Before Morelli (1816-1891), the attribution of a painting to a particular artist or school was often based on overall impression, hearsay, even gut feeling. But Morelli, having trained as a medical doctor to look closely at anatomical detail, applied scientific rigor to understanding the works of masters such as Titian, Leonardo, and Raphael, and of other Renaissance and Baroque painters. By closely scrutinising, analysing and comparing details overlooked by most other collectors, critics, and curators, his radical 'Morellian method' became the basis of modern art connoisseurship.A proud Italian of Swiss Protestant heritage, Morelli was also a staunch patriot. He risked his life in the Italian Wars of Independence, and was elected four times to the parliament of the newly unified nation. In 1873 he was nominated senator for life. As a statesman he fought for his homeland's cultural patrimony: at a time when many of Italy's great art collections were being snapped up by foreign collectors and museums, he introduced some of the world's first legislation to prevent their loss to the nation. The Life of Giovanni Morelli in Risorgimento Italy is the first full biography of this important figure, including his romantic friendships with remarkable women such as Clementina Frizzoni, Laura Acton Minghetti (wife of the Italian prime minister), and Princess Victoria (daughter of Queen Victoria and subsequently empress of Germany). At his death he bequeathed his art collection to the Accademia Carrara in Bergamo, the birthplace of his mother, a city he loved.…

xx, 377, (3)pp. Prof. illus. Lrg. 8vo. Wraps.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.