jean aurel (33 risultati)

Condizione: New.

Hardcover. Condizione: Very Good. .OVERSIZED HARDCOVER EDITION ISSUED WITHOUT DUSTJACKET.SLIPCASE PRESENT.TEXT UNMARKED.NOT EX-LIBRARY.binding is solid.

Condizione: As New. Unread book in perfect condition.

Couverture souple. Condizione: Tres bon. JAC collection , 2024. 1 volume broché(s) format In-8 très bon 276 pages - dédicacé.

Condizione: Gut. Gr. 8°. 16 S. Orig.heft, leichte Altersspuren. zahlr. Abb. -------- Mitwirkende: Shmuel Rodensky, Paolo Gorin, Lilly Towska, Liesel Dieden, Edith M. Stein, Gutzi Willer, Doris Wiescholek, Lilli Pesch, Senta Sommerfeld.

Condizione: New.

Jean Aurel Police et Contre-Espionnage / PARIS, Presse-édition Parisiennes - 1949 - FA.19x13,5 - Fascicule en un cahier agrafé au dos; couverture noire et rouge au premier plat illustré en blanc par Jean Aurel; 128 pages; illustrations in-texte en noir; texte sur 2 colonnes. (Collection Police et Contre-Espionnage - N° 1 - Septembre 1949 - Périodique mensuel illustré - 60 f). Bon exemplaire. Le chat dans le convoi (W. G. Schofield, traduit par Simone Gall - 102 pages). Garçon, un demi. Souvenirs d'un agent secret (J. S. - 3 pages). Police scientifique, chronique (H. Pocoes - 4 pages). A vous de juger, problème policier (6 pages). Ce mois-ci, dans le monde. Chronique criminelle (M. Morley - 8 pages). Noir sur blanc (L. Mader - 2 pages). *****___*****___***** "Police et Contre-Espionnage, périodique mensuel illustré, vous offre dans chaque numéro: un choix d'articles, de reportages et d'interviews, un roman complet inédit de police et d'espionnage et vous tient au courant de la vie et des techniques policières internationales". Français Revues.

Condizione: As New. Unread book in perfect condition.

Condizione: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Condizione: Comme neuf. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Condizione: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Vintage program from the Danish release of the 1964 French film. Text in Danish. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene, befriending Andy Warhol and his superstars, Lou Reed, Allen Ginsberg, Patti Smith, Salvador Dali, and many others. A graduate of the Parsons School of Design, his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat, and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Loosely based on Stendhal's 1822 novel "De l'amour." After breaking up, a man and a woman each go separate ways with regard to relationships and love. 4.75 x 6 inches. Four pages in pictorial saddle stapled wrappers. Very Good plus, with an old dealer annotation on the title page.

in-4 broché - 1964 - 109 pages - Ed. Solar bon état.

Klammergeheftet. Condizione: Gut. Unpagiert, zahlr. Abb., 23*20 cm . Einband leicht berieben. Sprache: Deutsch Gewicht in Gramm: 550.

Paris : Arts, 1956 - journal grand format en feuilles (42,8x69,5 cm), 14 pages abondamment illustrées - exemplaire plié en deux sans atteinte au texte - bon état général - Au sommaire de ce numéro, François Truffaut (Journal du festival de Cannes 1956), Eric Rohmer (La loi des rues de Ralph Habib, et, La mort de Siegfried de Fritz Lang), Jean Aurel (Les Truands, de Carlo Rim), Gilbert Ganne (enquête sur les mouvements intellectuels d'avant-guerre), etc.Fondée en 1952, animée par Louis Pauwels, André Parinaud et Jacques Laurent, la revue Arts a notamment ouvert ses pages à une large diversité d'écrivains. Arts est sans doute l'hebdomadaire qui rend le mieux compte de la vie intellectuelle française des années 1950 et 1960 (Arts a cessé de paraître en 1966). Livres.

Condizione: Comme neuf. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Condizione: Good. Envoi rapide Bon état de l'ensemble cependant page titre marquée sur le 2e livre (annoté) avec hommage de l'auteur sur " Ti-Delam l'enfant du Qébec-suivi de L'histoire de Goutteline". in4. 1994. Cartonné. illustrations en couleurs. Good.

Collection of 130 vintage black-and-white still photographs and 3 medium-format negatives for the 1957 French-Italian film. The collection consists of two unique but complimentary pieces, one being a set housed in the original paper box with "Crumiere / Paris" paper label, and annotations on the box top in manuscript ink noting French film title and "B. Bardot," the other being nearly 100 smaller photographs elegantly presented mounted on thick stock in a "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper, and an affixed paper title label featuring the film's poster art of Bardot. Several photographs with series number on the verso in manuscript pencil, a few with rubber-stamps crediting film title and starring actors, and photos in notebook numbered at the edges prior to being printed. Bardot is seen in nearly every image, highlighting an array of hairstyles and costumes, scenes in the pilot's cockpit, snacking between takes, dancing, being curious at galas. Contact sheets, glamour portraits of Madeleine Lebeau, action sequences of bar fights, and on-the-set images are equally prominent. Negatives show costume design illustrations for men in military uniforms. Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet (Vidal), who happens to be a womanizer. Taking control of the situation, she has an weekend affair with a prince (Boyer), and ultimately reunites with her husband after somewhat passive apologies. Photographs in large quarto notebook 4 x 5 inches to 8 x 10.5 inches, mounted on thick stock. Boxed photographs 4.75 x 7 inches to 9.25 x 11.75 inches, with 3 medium-format negatives, 3.5 x 4.5 inches. Photographs Near Fine overall, light curling, a handful with short creases, negatives Very Good, notebook Very Good plus, box Very Good.

Condizione: Hervorragend. Zustand: Hervorragend | Sprache: Rumänisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Two original uncut Japanese stamp sheets for the 1957 French-Italian film. Bardot is amply represented in red and green variants, 10 stamps per sheet, also with an image of the Eiffel Tower. Produced by the Towa Corporation (Japan) with "BB" and film titles in Japanese represented. The film was released in Japan in December, about one week after the French premiere. Scarce and cool Bardot ephemera, and a unique Japan-France collaboration, circa 1957-1958. Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet (Vidal), who happens to be a womanizer. Taking control of the situation, she has an weekend affair with a prince (Boyer), and ultimately reunites with her husband after somewhat passive apologies. Sheets 4.5 x 8 inches, stamps 1.25 x 1.75 inches. Very Good plus overall, with a little light handling and toning.

Vintage borderless reference photograph of Jacques Becker and Marc Michel on the set of the 1960 film. "Lorcaster" and "636" stamps on verso. Based on the 1957 novel by Jose Giovanni. True story of the 1947 Le Sante Prison break, with one of the real escapees, Keraudy, playing his own character in the film. Jacques Becker's final film, having died two weeks after completing the film. Nominated for the Palm d'Or. 7 x 9 inches. Some light creasing, else Near Fine. Buss, French Film Noir. Criterion Collection 129. Godard, Histoire(s) du Cinema. Grant France. Hayden and Schneider 1001. Selby France. Spicer France.

Six vintage borderless reference photographs from the 1974 French hardcore film. A young college student leaves her school and family and seeks employment at a brothel, where she enjoys a variety of strange experiences. Shot on location in France and Sri Lanka. 9.5 x 7 inches. Near Fine. Bier 176.

Vintage borderless reference photograph of Brigitte Bardot and director Roger Vadim on the set of the 1961 film. "Photo Walter Carone" stamp, two "La Bride sur le cou" stamps, and faint recurring "Paris Match Marie Claire" stamps, on verso. Sophie learns her boyfriend is thinking of leaving her for another woman and her first thought is to win him back or kill the woman, but with the help of her friend Alain, she resolves on the former. Shot on location in Alps, Haute-Savoie, France. 7.75 x 10.25 inches. Very Good plus.

Collection of over 80 vintage borderless single weight candid and glamor photographs and film negatives, black-and-white and color, and color transparencies, for the 1956 French-Italian film. Most of the images are glamour portraits of the film's leading women: Dany Carrel, Nicole Courcel, Giorgia Moll, and Beatrice Altariba. Several color transparencies show Brigitte Bardot, whose sister Mijanou starred in the film, leaving a small airplane with her male companion. Several photos rubber-stamped with various photographer names and agencies, including Esther Kiss, Rene Hollinger, and L. Markine. Housed in a vintage French Crumiere brand photo paper box. A remake of Jacques Deval's 1936 film of the same name, about a women's boarding house, and the group of women forced to band together because of a housing shortage. Released during the heyday of American exploitation films about women's prisons, all-girl boarding schools, and girl gangs. Photographs range from 7.25 x 9.25 inches to 3 x 4 inches, with most being smaller (developed photos from medium-format transparencies), negatives and transparencies include 15 frames on 35mm strips, 6 mounted medium format color transparencies, 5 medium format color transparencies, and 39 medium format negatives. Negatives with light rubbing. Very Good plus overall. Box split at corners, foxing, Good.

Collection of 150 vintage black-and-white keybook contact sheet photographs and 8 loose photographs for the 1957 French-Italian film. The film is represented in test shots, set design shots, and many candid moments from the set, including dramatic high-contrast images of starring actors, Bardot amply represented in the collection and seen in nearly every image, off-camera with the cast and crew, spinning records on a portable player, and traveling by plane and train. Most keybook photos with 12 images per sheet, and a few have been trimmed to only a few images per sheet, amounting to over 1700 images captured. Nearly all images with series number bordering the image, but unlike similar examples from France, all sheets lack credits for the photo laboratory, film studio, film title, and often, the photographer. A few with layout annotations in manuscript pencil on the image, a few with brief annotations on the verso in manuscript ink, and two loose photographs with ditto-style mimeo snipes on the verso, crediting original title, Boyer, Vidal, Bardot, and Boisrond. Housed in a blue paper 2-ring binder with French title mounted on the front with cello tape. Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet (Vidal), who happens to be a womanizer. Taking control of the situation, she has an weekend affair with a prince (Boyer), and ultimately reunites with her husband after somewhat passive apologies. Most keybook contact sheets and 3 loose photos 7 x 9.25 inches, binder slightly larger, and 5 loose photos 5 x 7 inches. A few contact sheets are cropped slightly smaller, and all are 2-hole punched. Very Good Plus overall, keybook photos rubbed.

Collection of 16 vintage borderless single weight still photographs from the 1960 French film noir. A remarkable collection, including still photographs from the film, candid shots, and shots from the set. On-set images include director Jacques Becker with his camera and with the actors, actors Marc Michel and Michel Constantin, and other members of the cast and crew. Notations in manuscript pencil, on the versos of nearly the photos. Based on Jose Giovanni's 1957 first novel, "Le Trou" (The Break). True story of the 1947 Le Sante Prison break, with one of the real escapees, Keraudy, playing his own character in the film. Four photos 7 x 9.5 inches, twelve photos 5 x 7 inches. Very Good plus to Near Fine. Buss, French Film Noir. Criterion Collection 129. Godard, Histoire(s) du Cinema. Grant France. Hayden and Schneider 1001. Selby France. Spicer France.

LeatherBound. Condizione: NEW. LeatherBound edition. Condition: New. Reprinted from 1850 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 256.

LeatherBound. Condizione: NEW. LeatherBound edition. Condition: New. Reprinted from 1850 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 268.

LeatherBound. Condizione: NEW. LeatherBound edition. Condition: New. Reprinted from 1803 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 412.

LeatherBound. Condizione: NEW. LeatherBound edition. Condition: New. Reprinted from 1773 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 444.