Jean charlot illustrator (29 risultati)

Board book. Condizione: Fair. Charlot, Jean (illustratore).

Board book. Condizione: Good. Charlot, Jean (illustratore).

Paperback. Condizione: Fair. Charlot, Jean (illustratore).

Paperback. Condizione: Fair. Charlot, Jean (illustratore).

Paperback. Condizione: Fair. Charlot, Jean (illustratore).

Paperback. Condizione: Good. Charlot, Jean (illustratore).

Paperback. Condizione: Good. Charlot, Jean (illustratore).

Paperback. Condizione: Fair. Jean Charlot (illustratore).

hardcover. Condizione: Fair. Charlot, Jean (illustratore).

Paperback. Condizione: Good. some wear, Ex-Library: contains identifying library markings but withdrawn from circulation. Charlot, Jean (illustratore).

Paperback. Condizione: Good. some wear, Ex-Library: contains identifying library markings but withdrawn from circulation. Charlot, Jean (illustratore).

Hardcover. Condizione: Good. some wear, Ex-Library: contains identifying library markings but withdrawn from circulation. Charlot, Jean (illustratore).

Hardcover. Condizione: Good. No Jacket. First Edition, Later Printing. Second printing, February 1953. Gray covers with red printing; some wear on edges and corners; bottom of spine is fraying quite a bit. Color illustrated endpapers. 130 pp., b/w illustrations; soil on a few pages. Jean Charlot (illustrator) (illustratore).…

hardcover. Condizione: Good. Hardcover. Good binding and cover. Library stamps and markings. Charlot, Jean (illustratore).

Board book. Condizione: Brand New. board book edition. 12 pages. 6.25x5.00x0.50 inches. In Stock. Charlot, Jean (illustratore).

Hardcover. Condizione: Brand New. reissue edition. 32 pages. 6.75x5.75x0.50 inches. In Stock. Charlot, Jean (illustratore).

Hardcover. Condizione: Brand New. reissue edition. 32 pages. 6.75x5.75x0.50 inches. In Stock. Charlot, Jean (illustratore).

Hardcover. Condizione: Good. Charlot, Jean (illustratore).

board_book. Condizione: New. In shrink wrap. Looks like an interesting title. Charlot, Jean (illustratore).

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title. Charlot, Jean (illustratore).

full leather. Condizione: As New. Deluxe Leather Edition. - In Fine, Like New Condition. - ownership bookplates inside cover - 22kt gold-stamped spine accents - Distinctive raised spine hubs, - Intricate gilt stamped cover designs, - Specially milled acid-neutral paper, - Smyth-sewn pages, - Gilded page edges, - Permanent satin ribbon page-marker - my shelf location c-1-b*.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Gray cloth on boards with orange illustration to front and titling to spine. Book is tight, square, sharp cornered and free of major flaws or markings inside and out. Book is Fine. Illustrated endpapers. Stated as First Edition, 4th printing, March 1954. Unclipped Dust Jacket shows original price of $2.50 and has no scuffing or shelfwear to speak of, and has gold medallion from the Newberry Award that this book won just after the first printing.…

Hardcover. Condizione: Very Good. 2nd Edition.

Very good beige cloth hardcover with good dustjacket. 143p. b&w ill. Some wear and soiling to dj.

Hardcover. Condizione: Very Good. 1946. 62 pages. #66 of 1,000 copies, printed on Johannot paper as per the limitation. Illustrations by Jean Charlot. Text in French. Blue half leather with spine titles and ruling in gilt, four raised bands. Leather in very good condition for its age, with light edgewear including rubbed corners and spine tips, tiny points of fraying to bottom fore-edge corners. Gilt also a little rubbed, still bright. Binding sound. Pages toned with intermittent foxing, else clean and unmarked.…

Condizione: Good. Original dust-jackets in very good condition.

The Limited Editions Club signed limited edition of this novella that inspired Georges Bizetâs famous opera of the same name. Quarto, bound in full modern morocco by Sangorski & Sutcliffe with gilt titles to the spine, top edge gilt, gilt inner dentelles, marbled endpapers, frontispiece of Prosper Mà rimà e, illustrated with color lithographs. Boldly signed by illustrator Jean Charlot on the colophon page at the rear. One of an unstated number of copies, this is number 331. In near fine condition with sunning to the spine. Translated from the French by Lady Mary Lloyd. Introduction by Konrad Bercovici. Illustrated by Jean Charlot. Prosper Mà rimà e (1803â"1870) was a prominent French writer, historian, and archaeologist whose literary work reflects the Romantic fascination with exotic locales, psychological complexity, and the darker aspects of human passion. Though associated with the Romantic movement, Mà rimà eâs prose is marked by clarity, conciseness, and an interest in realism that sets him apart from his more lyrical contemporaries. His most enduring works, such as Carmen and Colomba, often center on violent conflicts rooted in cultural difference, honor, and personal obsession. As Inspector-General of Historical Monuments, Mà rimà e was also instrumental in preserving French architectural heritage, demonstrating a scholarly rigor that shaped both his fiction and his public life. His blend of ethnographic detail and narrative economy helped lay the groundwork for modern short fiction in France.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. First printing, measuring 5 1/2" x 6 1/2", retaining jacket price of $1.00. Hardcover, bound in printed paper boards with matching dust jacket. The jacket spine-faded and edge-rubbed with a few nicks and short tears; the book with a short tear at the top front joint and rubbing to the spine ends; two small seller stickers on the pastedown and a small scar from a removed sticker on the rear pastedown; else unmarked. …

New York: The Limited Editions Club, 1941. 4to. 143 pp. Color lithographs throughout. Quarter cloth, and colorful patterned cloth boards, backstrip and upper board with slight sunning, lacking slipcase, internally a fine copy. § Copy #1290 of 1500 copies, signed by the illustrator. Introduction by Konrad Bercovic. Illustrated with lithographs in color by Jean Charlot. The translation by Lady Mary Lloyd. "Due to the exigencies of that bastard musical form known as opera, and the lack of respect librettists the world over have shown for their 'inspirers' Mérimée's tale will be a great surprise to those who know Carmen only from this side of the opera's footlights." (Introduction). Signed.…