Jean sutherland degas (49 risultati)

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

xiv, 302 pages. Large paperback: H 28cm x L 24cm. Stiff paper covers rubbed, slight curling at front cover's fore-edge, light vertical crease to spine. Slight soiling to edge; small dark stain at upper fore-edge with a few leaves fractionally affected at margins; interior pages are otherwise clean. Binding is firm. A very good copy. With Patron's Preface, Lenders to the Exhibition, Director's Foreword, Acknowledgements, b/w and color illustrations throughout, Selected Bibliography, and Photograph Credits. Features essays and material titled as: "Edgar Degas, Almost a Son of Louisiana" by Gail Feigenbaum; "Degas and New Orleans: Exorcizing the Exotic" by Christopher Benfey; "The Country for Men with Nerve" by Christina Vella; "Franco-American Aspects of Degas's 'A Cotton Office in New Orleans'" by Marilyn R. Brown; "A Tale of Two Families: The De Gas-Musson Correspondence at Tulane University" by Marilyn R. Brown; "New Orleans and the Work of Degas" by Jean Sutherland Boggs; "Catalogue" by Jean Sutherland Boggs (pages 105-264) with "Provenances" and "Checklist: Supplemental Objects" plus "Appendix I: Degas's Family in New Orleans: A Who's Who" by James B. Byrnes & Victoria Cooke and "Appendix II: Degas's Letters from New Orleans." Please note that this large book has an approximate shipping weight of 4.25 pounds (1.92 kg) and will require additional postage for any postal class other than domestic Media Mail. ISBN 0894940732. …

hardcover. Condizione: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good. 12.80 X 9.60 X 1.20 inches; 191 pages.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. First Paperback Edition. In pictorial wraps, 4to, 639pp. Illustrated. Size: 4to - over 9¾" - 12" tall. Color and b/w Illustrations (illustratore). Book.

hardcover. Condizione: Very Good. Merrell Holberton; London, 1994. Hardcover. A Very Good, grey cloth binding with gilt lettering on spine, binding sturdy and intact, a hint of sunning along board and spine edges, bit of age toning to pages, some scattered foxing to text block edges and front/back matters, in a Very Good, some handling/scuff marks to panels, bit of edge/corner wear, some scattered foxing to verso panels and flaps, Dust wrapper. A nice, overall clean and unmarked copy. 4to[quarto or approx. 11.5 x 13.5 inches], 372pp., catalogue, bibliography, acknowledgements, index, color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.…

hardcover. Condizione: Very Good. Degas Portraits This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Hardcover. Condizione: Very Good Plus. Condizione sovraccoperta: Very Good Dust Jacket. 372 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Very good dust jacket. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.…

hardcover. Condizione: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Condizione: Very good. - Quarto, 12-1/4 inches high by 93/8 inches wide. Hardcover, bound in light brown cloth titled in gilt on the spine, in a color pictorial dust wrapper. The dust jacket is slightly soiled and there is a small faint stain to the book's front cover. 640 pages, profusely illustrated in color and black & white. Near fine. First edition.Published in conjunction with the exhibitions at the Galeries Nationales du Grand Palais in Paris, the National Gallery of Canada in Ottawa, and The Metropolitan Museum of Art in New York.…

Condizione: Fine. - Quarto [13 inches high by 9-1/2 inches wide], light tan cloth in a dust wrapper. 191 pages. Profusely illustrated in color and black & white. Near fine. First edition.Introduction and commentaries by Jean Sutherland Boggs and Anne Maheux.

Paperback. Condizione: Very Good. very good paperback. 1966.

hardcover. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. First edition. Very Good+ paperback with a touch of sunning to the spine and part of the front, light rubbing to the extremities and spine edges, a small patch of staining to the fore edge, and one very light crease to the spine. A nice copy overall. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalogue for an exhibition of drawings by Edgar Degas (1834-1917), presenting 156 works each with an illustration, annotation, and commentary. The exhibit opened at the City Art Museum of Saint Louis, Jan. 20 - Feb. 26, 1967, and traveled to the Philadelphia Museum of Art, Mar. 10 - Apr. 30, 1967, and then The Minneapolis Society of Fine Arts, May 18 - June 25, 1967. Essay and catalogue entries by Jean Sutherland Boggs; foreword by Charles E. Buckley. 237 pages; 4 color and 152 b&w illustrations; 8.5 x 9.5 inches. Chronology, bibliography. …

Hardcover. Condizione: Very Good. Condizione sovraccoperta: About Fine. First Edition. Top rear corner lightly bumped, else a fine, clean, tight copy in an about fine dust jacket with just the faintest light wear and a couple very short closed tears to top edge. No chips. No bookplates, no ownership markings or names. No remainder markings. Massive 640 page volume. Profusely Illustrated (illustratore).…

Hardcover. First American edition, first printing. Very Good cloth-bound hardcover with rubbing to the bottom edges of the boards, tanning to the spine ends, and a small tear to the crown in a Fair dust jacket with chipping to the extremities and top edge, moderate soiling, rubbing to the folds, a chip to the fore edge, and an abrasion across the back panel; interior is clean and bright with only light indications of handling. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. A monograph focusing on the portraits by Edgar Degas. Text by Jean Sutherland Boggs. xv + 142 pages + 8 color and 146 b&w plates + color frontis; 8.75 x 11.25 inches. Bibliography, notes, 2 appendices, index. Due to size and weight, international and expedited shipping will be more than quoted.…

Exhibition/Collection catalogue 2005. 260x220mm 127 pages. Illustrated in colour and black and white. Paperback. Very good. From the library of the late art critic John House, with his name on front endpage. This handsomely illustrated book presents more than seventy paintings, drawings, prints, photographs and sculptures by Edgar Degas (1834 - 1917) in Harvard University's collections - one of the most important holdings of the artist's work in the United States. In 1911, the Fogg Art Museum was the first museum to mount a one-man exhibition on Degas and was the only museum to do so during the artist's lifetime. This book examines the history of Degas's reception in the U.S., and in particular the pivotal role that Harvard played. Marjorie Benedict Cohn offers an historical account of the formation of the prized collection of Degas's works at the Fogg. Jean Sutherland Boggs provides an engaging personal recollection of her initial encounter in 1944 with Degas and his champion at the Fogg, associate director Paul J. Sachs, who inspired not only Boggs's later work on Degas but also that of many other art historians, museum directors and curators. Ask to see our other Degas titles. …

Hardcover. Condizione: Used; Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Cloth. Condizione: New. Condizione sovraccoperta: New. First Edition. First edition. Folio. 191 pp. Linen binding. Color illustrations. Art history and illustrations of Edgar Degas' pastel painting from the late nineteenth century. An album of 70 reproductions of pastels from collections worldwide. A complete history of Degas's work. Many pieces have never been previously published. New in new dustjacket, protected with a mylar cover. Degas, Edgar (illustratore). …

Cloth. Condizione: New. Condizione sovraccoperta: New. First Edition. First edition. Folio. 191 pp. Linen binding. Color illustrations. Art history and illustrations of Edgar Degas' pastel painting from the late nineteenth century. An album of 70 reproductions of pastels from collections worldwide. A complete history of Degas's work. Many pieces have never been previously published. New in new dustjacket, protected with a mylar cover. Degas, Edgar (illustratore). …

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Very good lightly used condition in dust wrapper, oversize, additional shipping costs may apply.

4to, 237pp. Original olive-coloured semi-rigid matte wrapper with flaps, very slightly worn both at corners and spine. Slight spotting on the top edge of the text block. Colour frontispiece, 156 plates exhibiting b/w reproductions of Degas' drawings. A very good to near-fine copy. . First edition.

Hardcover. Condizione: Fine. Folio in tan cloth in green dust jacket with color illustration on cover; blank on DJ rear; 191 pp.; illus. (some color); 33 cm. In English. **A large, heavy book. Extra shipping charges may apply.**. Fine copy in fine dust jacket still sealed in shrinkwrap. in fine dust-jacket.…

Condizione: Very Good.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First Edition. 1992. 191pp. 85 illustrations, 70 in colour. "Edgar Degas manipulated past of handling and expressive power than any other artist. Pastel, used sporadically in the 1860s and with increasing frequency in the 1870s, had by the 1880s become his preferred medium. Today, Degas' pastels are distinguished not only for their sheer quantity (he created over 700), but for the evidence they provide of his critical role as a catalyst of modernism. Pastel, the ambivalent medium par excellence, half pencil, half brush, suited Degas' métier as reporter of human behaviour and as recreator of nature. Whether at the ballet, the café concert, the racetrack, or in a woman's dressing room, Degas transformed scenes of public and private life in Paris into meditations on the character of his subjects. As he abandoned allusions to specific places, concentrating almost exclusively on scenes based on the bath, he grew increasingly fascinated by the pure properties of line, shape and colour, and the magical reinvention of space through their metamorphoses. Degas' formal revolutions coincided with unparalleled technical developments. Used in combination with distemper, over monotype, intaglio prints, or transfer lithographs, and with intermittent layers of fixative, pastel evolved into the ideal vehicle for Degas' complex artistic temperament. Never before had works in the medium achieved this degree of visual complexity, chromatic intensity and brilliance. In her introductory essay, Jean Sutherland Boggs explores the art-historical context of Degas' work, particularly the achievements in pastel of other nineteenth-century artists. Anne Maheux describes the working methods and materials that Degas employed, focusing on his innovative techniques. An album of seventy reproductions of pastels from collections worldwide - many never previously published -presents a complete pictorial history of Degas' work in the medium; each plate accompanied by complete catalogue data and extensive commentaries. This seminal study not only transforms our view of one of the great artists of Impressionism, but also presents fresh evidence of how that tradition grew into the art we know today." Book and unclipped dust jacket are both in excellent condition. No inscriptions. PLEASE NOTE: This is a heavy book and extra postage will be required for non-UK customers. Edgar Degas (illustratore). …

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. 191 pages : illustrations (some colour), colour portraits ; 33 cm. Edgar Degas manipulated pastel with greater range of handling and expressive power than any other artist. Pastel, used sporadically in the 1860s and with increasing frequency in the 1870s, had by the 1880s become his preferred medium. Today, Degas' pastels are distinguished not only for their sheer quantity (he created over 700), but for the evidence they provide of his critical role as a catalyst of modernism. Pastel, the ambivalent medium par excellence, half pencil, half brush, suited Degas' métier as reporter of human behaviour and as recreator of nature. Whether at the ballet, the café concert, the racetrack, or in a woman's dressing room, Degas transformed scenes of public and private life in Paris into meditations on the character of his subjects. As he abandoned allusions to specific places, concentrating almost exclusively on scenes based on the bath, he grew increasingly fascinated by the pure properties of line, shape and colour, and the magical reinvention of space through their metamorphoses. Degas' formal revolutions coincided with unparalleled technical developments. Used in combination with distemper, over monotype, intaglio prints, or transfer lithographs, and with intermittent layers of fixative, pastel evolved into the ideal vehicle for Degas' complex artistic temperament. Never before had works in the medium achieved this degree of visual complexity, chromatic intensity and brilliance. In her introductory essay, Jean Sutherland Boggs explores the art-historical context of Degas' work, particularly the achievements in pastel of other nineteenth-century artists. Anne Maheux describes the working methods and materials that Degas employed, focusing on his innovative techniques. An album of seventy reproductions of pastels from collections worldwide - many never previously published - presents a complete pictorial history of Degas' work in the medium; each plate accompanied by complete catalogue data and extensive commentaries. This seminal study not only transforms our view of one of the great artists of Impressionism, but also presents fresh evidence of how that tradition grew into the art we know today. With 85 illustrations, 70 in colour On the jacket: Jockeys in the Rain (detail), c.1886. The Burrell Collection, Glasgow Museums.…

Hardcover. First Edition; First Printing. Book condition is Very Good; in a Very Good dust jacket. Rubbing to jacket. Text is clean and unmarked, illustrated throughout. ; 12 X 9 X 2.10 inches; 633 pages. Profusely Illustrated (illustratore).

First Edition. Good cloth copy in a good if somewhat edge-torn (with some loss) and dust-toned dust-wrapper, now mylar-sleeved. Remains quite well-preserved overall; tight, bright, clean and strong. Physical description; 635 p. : ill. (some col.) ; 32 cm. Notes; Bibliography: p. 614-620. Includes index. Subjects; Degas, Edgar (1834-1917) Exhibitions. Genre; Catalogue. 3 Kg.…

hardcover. Condizione: new.