jean sweeney (32 risultati)

Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Hardcover. Condizione: Good. MUSEUM OF LIVING ART: A. E. Gellatin Collection. Essays by A. E. Gallatin, George L. K. Morris, James Johnson Sweeney, Jean Helion. Edition of 1200. 132 black and white photographs of the art and the artists. Hardcover. No dustjacket. 9 1/4" x 6 1/2". Spine has small tears at both ends. Bump to lower corner of front cover. Overall good condition.

hardcover. Condizione: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2024. First Edition. hardcover. . . . . .

Condizione: New.

Hardcover. Condizione: new. Hardcover. Ricoeurs theory of productive imagination in previously unpublished lectures. The eminent philosopher Paul Ricoeur was devoted to the imagination. These previously unpublished lectures offer Ricoeurs most significant and sustained reflections on creativity as he builds a new theory of imagination through close examination, moving from Aristotle, Pascal, Spinoza, Hume, and Kant to Ryle, Price, Wittgenstein, Husserl, and Sartre. These thinkers, he contends, underestimate humanitys creative capacity. While the Western tradition generally views imagination as derived from the reproductive example of the image, Ricoeur develops a theory about the minds power to produce new realities. Modeled most clearly in fiction, this productive imagination, Ricoeur argues, is available across conceptual domains. His theory provocatively suggests that we are not constrained by existing political, social, and scientific structures. Rather, our imaginations have the power to break through our conceptual horizons and remake the world. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condizione: New. Ricoeur's theory of productive imagination in previously unpublished lectures. The eminent philosopher Paul Ricoeur was devoted to the imagination. These previously unpublished lectures offer Ricoeur's most significant and sustained reflections on creativity as he builds a new theory of imagination through close examination, moving from Aristotle, Pascal, Spinoza, Hume, and Kant to Ryle, Price, Wittgenstein, Husserl, and Sartre. These thinkers, he contends, underestimate humanity's creative capacity. While the Western tradition generally views imagination as derived from the reproductive example of the image, Ricoeur develops a theory about the mind's power to produce new realities. Modeled most clearly in fiction, this productive imagination, Ricoeur argues, is available across conceptual domains. His theory provocatively suggests that we are not constrained by existing political, social, and scientific structures. Rather, our imaginations have the power to break through our conceptual horizons and remake the world.

American Federation of Arts, New York, 1953. Five softcover issues bound in hardcover with their original wraps. Very good. Ex-arts library with a faded ink-stamps on wraps only. Pages are clean and unmarked.

Condizione: New. 2024. First Edition. hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Condizione: New. Ricoeur's theory of productive imagination in previously unpublished lectures. The eminent philosopher Paul Ricoeur was devoted to the imagination. These previously unpublished lectures offer Ricoeur's most significant and sustained reflections on creativity as he builds a new theory of imagination through close examination, moving from Aristotle, Pascal, Spinoza, Hume, and Kant to Ryle, Price, Wittgenstein, Husserl, and Sartre. These thinkers, he contends, underestimate humanity's creative capacity. While the Western tradition generally views imagination as derived from the reproductive example of the image, Ricoeur develops a theory about the mind's power to produce new realities. Modeled most clearly in fiction, this productive imagination, Ricoeur argues, is available across conceptual domains. His theory provocatively suggests that we are not constrained by existing political, social, and scientific structures. Rather, our imaginations have the power to break through our conceptual horizons and remake the world.

Condizione: New. First Edition NO-PA16APR2015-KAP.

Condizione: New.

Condizione: New.

hardcover. Condizione: New. Special order direct from the distributor.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Brand New. 351 pages. 9.00x6.00x1.25 inches. In Stock.

Staple bound exhibition catalog, 20 pages, very good condition; light creases around edges of spine; no internal marks. Folded text by Sweeney laid in.

Soft cover. Condizione: Very Good. Circulation Service Inc., Leawood KS, 1989, 134 pages plus section of kitchen/cooking helps and charts along with index at back, illustrated in blue with line drawings as well as reproductions of pen and ink scenes of Berkshire County, text of book also printed in blue, 6.25"x 9.25", paperbound in heavy paper in light pink with blue hearts and titles and blue plastic comb binding, very mild bumping to corners and spine ends, faint shelf-wear, covers show a very little bit of minor soil, contents clean and tight, protected in new clear plastic sleeve, book very good- (VG-) 4821 [Rr1117EG].

Hardback. Condizione: New. Ricoeur's theory of productive imagination in previously unpublished lectures. The eminent philosopher Paul Ricoeur was devoted to the imagination. These previously unpublished lectures offer Ricoeur's most significant and sustained reflections on creativity as he builds a new theory of imagination through close examination, moving from Aristotle, Pascal, Spinoza, Hume, and Kant to Ryle, Price, Wittgenstein, Husserl, and Sartre. These thinkers, he contends, underestimate humanity's creative capacity. While the Western tradition generally views imagination as derived from the reproductive example of the image, Ricoeur develops a theory about the mind's power to produce new realities. Modeled most clearly in fiction, this productive imagination, Ricoeur argues, is available across conceptual domains. His theory provocatively suggests that we are not constrained by existing political, social, and scientific structures. Rather, our imaginations have the power to break through our conceptual horizons and remake the world.

Condizione: New. &Uumlber den AutorPaul Ricoeur (1913-2005) was the John Nuveen Professor in the Divinity School, the Department of Philosophy, and the Committee on Social Thought at the University of Chicago. He was the author of many books, inc.

Hardcover. Condizione: new. Hardcover. Ricoeurs theory of productive imagination in previously unpublished lectures. The eminent philosopher Paul Ricoeur was devoted to the imagination. These previously unpublished lectures offer Ricoeurs most significant and sustained reflections on creativity as he builds a new theory of imagination through close examination, moving from Aristotle, Pascal, Spinoza, Hume, and Kant to Ryle, Price, Wittgenstein, Husserl, and Sartre. These thinkers, he contends, underestimate humanitys creative capacity. While the Western tradition generally views imagination as derived from the reproductive example of the image, Ricoeur develops a theory about the minds power to produce new realities. Modeled most clearly in fiction, this productive imagination, Ricoeur argues, is available across conceptual domains. His theory provocatively suggests that we are not constrained by existing political, social, and scientific structures. Rather, our imaginations have the power to break through our conceptual horizons and remake the world. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

[978-1498509367] 2016. (Hardcover) Near fine, no dust jacket. 138pp. Notes, bibliography, index. "The Philosophical Contexts of Sartre's the Wall and Other Stories: Stories of Bad Faith presents a philosophical analysis of all five stories in Sartre's short-story collection. Kevin W. Sweeney argues that each of the five stories has its own philosophical idea or problem that serves as the context for the narrative". Based on the work of Jean Paul Sartre. Book about Short Stories. (Ideas, Ideas, Literary Criticism, Literary Theory, Philosophy).

Hardback. Condizione: New. Ricoeur's theory of productive imagination in previously unpublished lectures. The eminent philosopher Paul Ricoeur was devoted to the imagination. These previously unpublished lectures offer Ricoeur's most significant and sustained reflections on creativity as he builds a new theory of imagination through close examination, moving from Aristotle, Pascal, Spinoza, Hume, and Kant to Ryle, Price, Wittgenstein, Husserl, and Sartre. These thinkers, he contends, underestimate humanity's creative capacity. While the Western tradition generally views imagination as derived from the reproductive example of the image, Ricoeur develops a theory about the mind's power to produce new realities. Modeled most clearly in fiction, this productive imagination, Ricoeur argues, is available across conceptual domains. His theory provocatively suggests that we are not constrained by existing political, social, and scientific structures. Rather, our imaginations have the power to break through our conceptual horizons and remake the world.

Hardcover. Condizione: new. Hardcover. Ricoeurs theory of productive imagination in previously unpublished lectures. The eminent philosopher Paul Ricoeur was devoted to the imagination. These previously unpublished lectures offer Ricoeurs most significant and sustained reflections on creativity as he builds a new theory of imagination through close examination, moving from Aristotle, Pascal, Spinoza, Hume, and Kant to Ryle, Price, Wittgenstein, Husserl, and Sartre. These thinkers, he contends, underestimate humanitys creative capacity. While the Western tradition generally views imagination as derived from the reproductive example of the image, Ricoeur develops a theory about the minds power to produce new realities. Modeled most clearly in fiction, this productive imagination, Ricoeur argues, is available across conceptual domains. His theory provocatively suggests that we are not constrained by existing political, social, and scientific structures. Rather, our imaginations have the power to break through our conceptual horizons and remake the world. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Broché. Condizione: Etat moyen. in-8 Description :Collection "Histoire et société d'aujourd'hui". 306 pp. Rousseurs. Couverture tachée et frottée. Un nom sur la page de garde. Langue : Français Nb de volumes : 1.

Condizione: Used: Like New. Broché, comme neuf.

Calder (illustratore). Catalogue de l'exposition des sculptures de Calder à la galerie Louis Carré, Paris, 1946 Textes de Jean-Paul Sartre et de James Johnson Sweeney Diverses photographies et reproductions des sculptures en lithographie (Mourlot) 48 pages, (légèrement débroché) Bonnes conditions générales.

Encuadernación de tapa blanda. Condizione: Bien. 1ª Edición. Catálogo de la exposición celebrada en la Galerie Louis Carré de Paris entre el 25 de octubre y el 16 de noviembre de 1946. Textos de Jean Paul Sartre y James Johnson Sweeney. 35 páginas. Rústica. 15,5 x 12 cm.

12mo (15.6 x 12 cm). 35, [17] pages. Frontispiece photograph of Calder in his studio in Roxbury, 7 plates, of which four in color (and two of these double-page), and one color heapiece of a mobile. Printed wrappers, the front wrapper with a photographic image of one of his mobiles in motion. First edition. Published in conjunction with an exhibition at Galerie Louis Carre in Paris that ran October 25 through November 16, 1946. Text in French with contributions by Jean-Paul Sartre, and James Johnson Sweeney. 24 pieces were included in the exhibition, created between 1941 and 1946. The cover, frontispiece and three balck-an-white plates reproduce photographs by Herbert Matter. A clean, near-fine copy in wrappers with some very minute wear and pale offsetting. An attractive and finely printed catalog.