jeffrey spalding (60 risultati)

Paperback. Condizione: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Standard-sized.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft Cover. First printing. 71 pp., 46 photos, appendices, biblio, squarish 8vo, quality softcover. Nearly Fine with no owner's marks, slight musty odour.

Trade Paperback. Condizione: USED Good.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Soft cover. Condizione: Very Good. First Edition. Minor edgewear to wrapper. 28 pages, mostly color reproductions.

Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. *Price HAS BEEN REDUCED by 10% until Monday, May 11 (SALE item)* 11 pp., paperback, library markings, else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Paperback. Condizione: Fine. 1st. 64 pages, illustrations (some colour); 22 cm. Exhibition held at the Florida State University Museum of Fine Arts, February 18 to April 2, 2000, and the Appleton Museum of Art, Ocala, Florida, July 15 to October 29, 2000. Firm binding, clean inside copy. *** What makes this Pop Art exhibition particularly unusual is the inclusion of many Canadian artists. Includes a short essay by Spalding and quite extensive biographical entries in the back. Co-organized by the Museum of Fine Arts of the School of Visual Arts & Dance at Florida State University and the University of Lethbridge Art Gallery of Alberta, Canada. *** CONTENTS: BIOGRAPHIES: AMERICAN POP: Arman - Chuck Close - Jim Dine - Richard Estes - David Gilhooly - Jenny Holzer - Robert Indiana - Alex Katz - Roy Lichtenstein - Claes Oldenburg - Robert Rauschenberg - David Salle - George Segal - Wayne Thiebaud - Andy Warhol - Tom Wesselmann; BRITISH POP: Peter Blake - Patrick Caulfield - Tony Cragg - Michael Craig-Martin - Richard Hamilton - David Hockney - Allen Jones - R. B. Kitaj - John Latham - Bruce McLean - Eduardo Paolozzi - Peter Phillips - Joe Tilson; CANADIAN POP: Iain Baxter - David Buchan - Dennis Burton - Chris Cran - Greg Curnoe - Gathie Falk - Attila Richard Lukacs - Michael Snow - Tony Urquhart - Joyce Wieland - John Will - Russell Yuristy. Size: 8vo. Collectible.

dvd. Condizione: Used - Good.

hardcover. Condizione: As New. U.S. orders are shipped from N.Y. state.

Condizione: Used - Very Good. VG paperback. First Edition. Creases in spine; otherwise a clean, tidy copy. Used - Very Good. VG paperback.

hardcover. Condizione: As New. No dusts jacket as issued. U.S. orders are shipped from N.Y. state. Catalogue of an exhibition at the McMichael Canadian Art Collection. U.S. orders are shipped from N.Y. state.

Soft cover. Condizione: Near Fine. 1st Edition. First printing. Pp. 71, profusely illustrated throughout, over-sized square format.

Hardcover. Condizione: Fine. Kim Dorland explores the mind and work of one of Canada's most intriguing contemporary artists. Named Globe and Mail Artist of the Year" in 2013, Dorland has captured the public's imagination with his tour-de-force, visceral creations. His paintings are at once referential, material, psychological, beautiful, and uncomfortable, resulting in a body of work that is seemingly disparate but undeniably connected through its idiosyncratic and maximal use of paint in all its forms. "About this title" may belong to another edition of this title.

Condizione: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Staplebound. Condizione: Very good +. 41 p. 22 x 28 cm. Colour illustrations. Staplebound softcover. A little light wear and soiling to exterior. Exhibition held at Grenfell College Art Gallery and Southern Alberta Art Gallery. Text in French and English.

Hardcover. Condizione: Fine. First Edition. Vancouver: Douglas & McIntyre, 2005. 172 pages. Light green lettering on the spine and front cover. Dust jacket is protected in Brodart. A fine copy of this publication of Takao Tanabe's work. Tanabe is particularly known for his paintings of the Canadian prairies and the British Columbia coast. First Edition. White Cloth Fine/Fine. 9 x 11. Art, Canadian, Biography.

Condizione: Good. 8vo. 64 pp. Soft cover. Very Good. Color Plates, Illustrations. Features works by Jenny Holzer, David Hockney, Andy Warhol, et al.

Soft cover. Condizione: Good.

Hardcover. Condizione: Very good. Condizione sovraccoperta: Very good. Jeffrey L. Ward (Maps) and Nigel Spalding (author (illustratore). [10], 340, [2] pages. Footnotes. Illustrations. Maps. Notes and Sources. Bibliography. Index. DJ has minor wear and soiling. Diana Preston is an Oxford educated historian and author. Her book, Eight Days at Yalta: How Churchill, Roosevelt and Stalin Shaped the Post-War World, is about the 1945 Yalta Conference. Drawn from original sources it relates and analyses what happened at Yalta from the perspective of all involved - from the three leaders, Roosevelt, Stalin and Churchill, to more junior participants including the often overlooked role of the women present among whom were Roosevelt's and Churchill's daughters. Diana's earlier books include the acclaimed âBefore the Fallout - From Marie Curie to Hiroshima' which won the Los Angeles Times Prize for Science and Technology; âWilful Murder - The Sinking of the Lusitania" which was made into a full-length TV movie by the BBC, and American, French and German networks; âA Higher Form of Killing - Six Weeks in Spring 1915 that Changed the Nature of Warfare', âBesieged in Peking - The 1900 Boxer Rebellion' and â A first- Rate Tragedy - Robert Falcon Scott and the Race to the South Pole.' Her non-fiction work has been translated into several languages including German, Italian, Spanish, Dutch and Korean. Diana often acts as a consultant to and appears in historical documentaries. Most recently she appeared in National Geographic's âOrigins' series on which she was a consultant and script writer. Between April 22 and May 30, 1915, Western civilization was shocked. World War I was already appalling in its brutality, but it had until then been fought on the battlefield and by rules long agreed by convention. Suddenly those rules were abandoned when Germany forever altered the way war would be fought. On April 22, at Ypres, German canisters spewed poison gas at French and Canadian soldiers in their trenches; on May 7, the German submarine, U-20, without warning, torpedoed the passenger liner Lusitania, killing 1,198 civilians; and on May 31, a German zeppelin began the first aerial bombardment of London and its inhabitants. Each of these actions violated rules of war carefully agreed to at the Hague Conventions of 1898 and 1907 and were deliberately breached by Germany in an attempt to spread terror and force the Allies to surrender. While that failed, the psychological damage caused by these attacks far outweighed the casualties. The era of weapons of mass destruction had dawned. While each of these momentous events has been chronicled in histories of the war, celebrated historian Diana Preston links them for the first time, revealing the dramatic stories and the personalities behind them through the eyes of those who were there--whether making the decisions to use the weapons or experiencing their horrifying effect in the trenches, on board the Lusitania or on the streets of London. Placing the attacks in the context of the centuries-old debate over what constitutes "just war," Preston shows how, in their aftermath, the other combatants felt the necessity to develop extreme weapons of their own. In our current time of terror, when weapons of mass destruction are once again implemented and threatened and wartime atrocities abound in a very different kind of conflict, the vivid story of their birth is of great relevance. First U. S. Edition [Stated], First Printing [Stated].

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First Edition. Tight bright crisp unmarked book in barely rubbed glossy dust jacket. Bilingual text. Publisher's promotional letter laid-in. ; 11.60 X 10.30 X 1 inches; 208 pages.

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condizione: As New. Unread book in perfect condition.

Stiff Wrappers. Condizione: Near Fine. 70 pages 50 illustrations most in color. Illustrated wraps. Minor rubbing and wear to the paper cover and edges. Foreword by Jeffrey Spalding. Published on the occasion of the exhibition from the Michael Rosenfeld Gallery, New York NY January 13-March 4, 2000 and The Appleton Museum of Art, Florida State University and Central Florida Community College, Ocala FL March 18-April 30, 2000. Select Biography. Exhibition Checklist. Book.

Condizione: Good. Some stains and marks to the cover. The book is clean inside, feels unused.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!