jerome curator (13 risultati)

Soft cover. Condizione: VG+. 1st Edition. Stiff white wraps, lettered in black, perfect bound. Covers are mildly soiled; light shelf wear with light thumbing crease to back cover. Firm, uncreased binding, clean interior. 208 pp., illus. in color, b&w. Anthology of works by musicians who are also visual artists: Laurie Anderson, Anthony, Devendra Banhart, David Byrne, Bianca Casady, Chicks on Speed, Pete Doherty, Brian Eno, Bryan Ferry, Kyle Field, Fischerspooner, the Kills, Miss Kittin, Yoko Ono, Kembra Pfahler, the Residents, Riceboy Sleeps, Patti Smith, Bent Van Looy, Alan Vega, Nick Zinner. Size: Folio - over 12" - 15" tall. Book.

Trade paperback. Condizione: Fine in fine dust jacket. 31 p. Softcover in white wrappers with white dust jacket a JLW monogram in red on the front. Set in the Dante types of Giovanni Mardersteig, printed on Mohawk Paper. Designed by Jerry Kelly.

Soft cover. Condizione: Very Good. Slight wear to white covers, pages are blackon edges. Oversixed softcover. Laurie Anderson, Anthony, Devendra Banhart, David Byrne, Bianca Casady, Chicks on Speed, Pete Doherty, Brian Eno, Bryan Ferry, Kyle Field, Fischerspooner, the Kills, Miss Kittin, Yoko Ono, Patti Smith and more!

paperback. Weil, James L. (illustratore). 6 x 9 inches. paperback. 32 pages. First edition. A fine copy. This book contains a catalogue of the work of James L. Weil, master of fine printing and poetry. His collection of poetry contained short and thought provoking poems, while his publishing work represented his harmonious personality, artistic sensibility, and poetic taste. This checklist also provides brief biographical profiles of Jim Weil and other poets of the Elizabeth Press. Four black-and-white illustrations are included.

stiff paper wrappers. Weil, James L. (illustratore). 8vo. stiff paper wrappers. 31+(1) pages. Exhibition catalogue of the printer and poet James L. Wiel of the Elizabeth Press. Wrappers slightly wrinkled.

Soft cover. Condizione: Fine. White wrappers printed in red over card, slender 8vo., 31, (1) pages. Exhibition of 82 books of the Elizabeth Press and other publishers. Designed by Jerry Kelly. A fine copy in a fine DW in archival mylar,

Pamphlet. 23p., coated paperstock throughout with mostly color reproductions of the artworks, staplebound 10.5x8.2 inch cardstock wraps, faintly rubbed, a very good copy.

8vo, pp. 31, [1]; frontispiece portrait, 3 full-page illustrations; original card wrappers and dust jacket. Fine. An exhibition of 82 items from Weil's Elizabeth Press.

Hardcover. Condizione: Very Good. Decorative hardcover. Lightly rubbed on bottom edge of front cover, otherwise in Fine (Like New) condition. U.S. orders are shipped from N.Y. state.

Hardcover. Condizione: Very Good. SIGNED by Witkin at title-page. Quarto, publisher's pictorial papered boards VG. Laid-in: TLS to DK from the gallery director, Domenic Iacono. Signed by Author(s).

SOFTCOVER. Condizione: Very Good. 1st Edition. Large Square Quarto size (4to) in colour printed glossy card self wrappers, 31pp, colour plates, etc. Text in English and French. PLUS loosely inserted large b/w press photo of one of the exhibits ('Mobiler' 1986) . [CONDITION: VERY GOOD - mild wrinkle to covers and page-block from poor storage, else a fine clean and tight unmarked copy ] . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Condizione: Fine. 1st Edition. 1st Printing. 240 pages. Published in 1985. Exhibition Monograph. One of the greatest books on indigenous tribal art of the 20th century. The First Hardcover Edition. Should not be confused with the Softcover Edition, which was published simultaneously with it. Published in a small and limited first print run as a hardcover original by a University Press, with funding from the National Endowment for The Humanities. The Hardcover Edition was issued both with and without a DJ, a typical practice of University Press publications. The First Edition is now rare. Published on the occasion of the landmark retrospective exhibition held at the UCLA Museum of Cultural History from October 8 through November 25, 1985. Presents, in an austerely elegant volume, "The Eloquent Dead: Ancestral Sculpture of Indonesia And Southeast Asia". Some of the greatest tribal art in the world. The exhibition's perspective is insightful, brilliantly realized, and has been immensely influential. It also has universal significance, as the focus of all other ceremonial tribal art (in Africa, the Americas, and other parts of Asia) is The Dead or rather, the passage of the living from this life to the afterlife, the transmutation of "body" into "spirit", a journey that those they leave behind mark with utmost respect, ritual, and solemnity. Here are "elaborate, frighteningly beautiful ritual art objects relating to the dead in the cultures of Indonesia and Southeast Asia. Contains photographs of this funerary art and essays on the ancestral arts of Nias, Batak, Dayak, Toraja, Biak, Paiwan, and Yami" (Publisher's blurb). The book also touches on similar, related art in the Lesser Sundas and Moluccas, the Philippines, and Madagascar. The art itself, beautifully photographed, is to die for: Powerful in their world-view, exquisite in their attention to detail, and unsurpassed in their intuitive apprehension of The Beautiful as The Sacred. They help remind us, and we need to be reminded, that art before our secular Modern Age was about the larger-than-life (as it were) and the sublime. One does not have to be a believer to appreciate and be moved by this great art. If anything, one's particular religious beliefs will tend to get in the way of such appreciation. And with the exception of a few memorial artists (like Christian Boltanski on the one hand and Art Spiegelman on the other), the beautiful-as-sacred has been permanently banished from contemporary art. An absolute "must-have" title for art book collectors. This title is an art book classic. This is one of few copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright. Please note: Copies available online have serious flaws ("Good", "Very Good) or are the Softcover Edition . This is surely an accessible and lovely alternative. A rare copy thus. 300 plates. One of the greatest art books of the 20th century. A fine collectible copy. ISBN 0930741056. no.

Soft cover. Condizione: Near Fine. No Jacket. 1st Edition. Stiff black and white illustrated paper covers, 8 1/2 X 11 inches, (32 pages) light wear, Near Fine. Illustrated with photos of the collectible objects.