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    Editore: Universal Pictures, Universal City, 1957

    • Brossura
    • Foto

    Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA

    Venditore con 5 stelle
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    Membro dell’associazione: ABAAILAB

    Condizione: Usato

    EUR 32,09

    EUR 8,90 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibile

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    Vintage publicity photograph from the 1957 film, showing actor John Agar holding a paper fan. Printed mimeo snipe affixed to the verso. A group of Americans in occupied Tokyo are tasked with producing an issue of "Yank" magazine in three days, and enlist the aid of a black marketeer. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. About Near Fine.…

  • Altre immagini

    Editore: Universal-International, Universal City, 1953

    • Foto

    Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA

    Venditore con 5 stelle
    Contatta il venditore

    Membro dell’associazione: ABAAILAB

    Condizione: Usato

    EUR 41,26

    EUR 8,90 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibile

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    Vintage publicity photograph from the 1953 film, showing actress Lori Nelson. Printed mimeo snipe affixed to the verso. A college quarterback quits his team and leaves the school after his parents' death, deciding to study architecture at a school in Chicago instead. There, he struggles to adjust to the more rigid culture. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. About Near Fine.…

  • Altre immagini

    Editore: Universal-International, Universal City, 1954

    • Foto

    Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA

    Venditore con 5 stelle
    Contatta il venditore

    Membro dell’associazione: ABAAILAB

    Condizione: Usato

    EUR 41,26

    EUR 8,90 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibile

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    Vintage publicity studio still photograph from the 1954 film, showing actress Mari Blanchard perched in a tree. Mimeo snipe and file stamp on the verso. Based on Les Savage Jr.'s 1950 novel "The Wild Horse," about three cowboys who help a rancher attempt to capture a wild stallion. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Shot on location throughout Arizona. 8 x 10 inches. Near Fine. Pitts 367.…

  • Editore: Universal Pictures, Universal City, CA, 1955

    • Brossura
    • Manoscritto/carta da collezione

    Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA

    Venditore con 5 stelle
    Contatta il venditore

    Membro dell’associazione: ABAAILAB

    Condizione: Usato

    EUR 252,12

    EUR 8,90 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibile

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    Final script for the 1955 film. Copy belonging to an unknown crew member, with their name in manuscript ink on the front wrapper. Based on the 1906 novel by Rex Beach. The fifth and final film adaptation of the Rex Beach novel, in which a Gold Rush mine owner played by Jeff Chandler is cheated out of his claim by a gold commissioner, Rory Calhoun, with Anne Baxter's requisite saloon girl stuck between the two, of course. Like all adaptations this film ends in an impressive brawl pitting the two against each other. Set in Alaska in the 1890s. Set in Nome, Alaska during the 1898 Gold Rush. Peach titled wrappers, noted as FINAL SCREENPLAY on the front wrapper, dated January 19, 1955. Title page present, with credits for screenwriter Charles Hoffman. 129 leaves, with last page of text numbered 121. Mimeograph on eye rest green stock, with pink, blue, and eye rest green revision pages throughout, dated variously between 1/24/55 and 1/29/55. Pages Fine, wrapper Near Fine, bound with two gold brads.…