Jhingan shikha (28 risultati)

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Paperback or Softback. Condizione: New. The Female Playback in Bombay Cinema: Voice, Body, Technology. Book.

Paperback. Condizione: New. Drawing on sound studies and performance theory, scholar Shikha Jhingan explores the discursive nature of the female playback voice in Bombay film songs. Mapping the production, circulation, and reception of the voices of singing stars-notably Lata Mangeshkar and Asha Bhosle-Jhingan situates the singing voice as a cinematic object with limitless possibilities of distribution and dispersal. She employs the perspectives of a diverse range of listeners across a vast media landscape to illustrate how the affective charge of the female playback voice, combined with developments in audio technology, has led to a gradual expansion of opportunities for women in film, popular music, and media and audio production. With nuanced exploration of the way the human voice becomes intertwined with devices such as the microphone, radio, cassettes, and digital technologies, Jhingan argues for the sonic excess of the female voice beyond the narrative and visual. The Female Playback in Bombay Cinema is an authoritative addition to the field of sound studies with implications for gender studies, performance studies, and cinema studies.…

Paperback. Condizione: Brand New. 296 pages. 7.00x0.50x10.00 inches. In Stock.

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Condizione: New. 2025. paperback. . . . . .

Paperback. Condizione: new. Paperback. Drawing on sound studies and performance theory, scholar Shikha Jhingan explores the discursive nature of the female playback voice in Bombay film songs. Mapping the production, circulation, and reception of the voices of singing starsnotably Lata Mangeshkar and Asha BhosleJhingan situates the singing voice as a cinematic object with limitless possibilities of distribution and dispersal. She employs the perspectives of a diverse range of listeners across a vast media landscape to illustrate how the affective charge of the female playback voice, combined with developments in audio technology, has led to a gradual expansion of opportunities for women in film, popular music, and media and audio production. With nuanced exploration of the way the human voice becomes intertwined with devices such as the microphone, radio, cassettes, and digital technologies, Jhingan argues for the sonic excess of the female voice beyond the narrative and visual. The Female Playback in Bombay Cinema is an authoritative addition to the field of sound studies with implications for gender studies, performance studies, and cinema studies. The Female Playback in Bombay Cinema is an authoritative addition to the field of sound studies with implications for gender studies, performance studies, and cinema studies. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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paperback. Condizione: New.

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Condizione: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

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paperback. Condizione: New. Special order direct from the distributor.

Paperback. Condizione: Brand New. 296 pages. 7.00x0.50x10.00 inches. In Stock.

Condizione: NEW.

Paperback. Condizione: new. Paperback. Drawing on sound studies and performance theory, scholar Shikha Jhingan explores the discursive nature of the female playback voice in Bombay film songs. Mapping the production, circulation, and reception of the voices of singing starsnotably Lata Mangeshkar and Asha BhosleJhingan situates the singing voice as a cinematic object with limitless possibilities of distribution and dispersal. She employs the perspectives of a diverse range of listeners across a vast media landscape to illustrate how the affective charge of the female playback voice, combined with developments in audio technology, has led to a gradual expansion of opportunities for women in film, popular music, and media and audio production. With nuanced exploration of the way the human voice becomes intertwined with devices such as the microphone, radio, cassettes, and digital technologies, Jhingan argues for the sonic excess of the female voice beyond the narrative and visual. The Female Playback in Bombay Cinema is an authoritative addition to the field of sound studies with implications for gender studies, performance studies, and cinema studies. The Female Playback in Bombay Cinema is an authoritative addition to the field of sound studies with implications for gender studies, performance studies, and cinema studies. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Taschenbuch. Condizione: Neu. Neuware - Drawing on sound studies and performance theory, scholar Shikha Jhingan explores the discursive nature of the female playback voice in Bombay film songs. Mapping the production, circulation, and reception of the voices of singing stars-notably Lata Mangeshkar and Asha Bhosle-Jhingan situates the singing voice as a cinematic object with limitless possibilities of distribution and dispersal. She employs the perspectives of a diverse range of listeners across a vast media landscape to illustrate how the affective charge of the female playback voice, combined with developments in audio technology, has led to a gradual expansion of opportunities for women in film, popular music, and media and audio production. With nuanced exploration of the way the human voice becomes intertwined with devices such as the microphone, radio, cassettes, and digital technologies, Jhingan argues for the sonic excess of the female voice beyond the narrative and visual. The Female Playback in Bombay Cinema is an authoritative addition to the field of sound studies with implications for gender studies, performance studies, and cinema studies.…

Condizione: New.

Soft cover. Condizione: New. The arrival of playback technology in the 1940s had far-reaching consequences for Bombay cinema, leading to a wider dispersal of films, film songs, and film stars. Jhingan moves across a shifting media landscape to focus on the role of the female voice in making the corporeal female body available in the public domain. The book follows the rise of playback stars like Lata Mangeshkar and Asha Bhosle in the aural domain as they intersect with a diverse range of listening bodieson-screen stars, music critics, fans, version artists, and amateur singers. Combining a formal analysis of film songs with ethnographic research and a close reading of print archives, the book invites readers and listeners to engage with their own media-driven memories. This is a nuanced investigation of how the female singer's sonic production is intertwined with devices such as the microphone, cassettes, television, and digital technologies, and is located in the interstices of material, cultural, musical, and cinematic environments. The Female Playback in Bombay Cinema is an authoritative addition to the field of sound studies with implications for gender studies, music and performance studies, and cinema studies.…

Paperback. Condizione: new. Paperback. Drawing on sound studies and performance theory, scholar Shikha Jhingan explores the discursive nature of the female playback voice in Bombay film songs. Mapping the production, circulation, and reception of the voices of singing starsnotably Lata Mangeshkar and Asha BhosleJhingan situates the singing voice as a cinematic object with limitless possibilities of distribution and dispersal. She employs the perspectives of a diverse range of listeners across a vast media landscape to illustrate how the affective charge of the female playback voice, combined with developments in audio technology, has led to a gradual expansion of opportunities for women in film, popular music, and media and audio production. With nuanced exploration of the way the human voice becomes intertwined with devices such as the microphone, radio, cassettes, and digital technologies, Jhingan argues for the sonic excess of the female voice beyond the narrative and visual. The Female Playback in Bombay Cinema is an authoritative addition to the field of sound studies with implications for gender studies, performance studies, and cinema studies. The Female Playback in Bombay Cinema is an authoritative addition to the field of sound studies with implications for gender studies, performance studies, and cinema studies. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Condizione: Neu. The Female Playback in Bombay Cinema | Voice, Body, Technology | Shikha Jhingan | Taschenbuch | Contemporary Approaches to Film and Media | Einband - flex.(Paperback) | Englisch | 2025 | Wayne State University Press | EAN 9780814350942 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.…

Paperback. Condizione: New. Drawing on sound studies and performance theory, scholar Shikha Jhingan explores the discursive nature of the female playback voice in Bombay film songs. Mapping the production, circulation, and reception of the voices of singing stars-notably Lata Mangeshkar and Asha Bhosle-Jhingan situates the singing voice as a cinematic object with limitless possibilities of distribution and dispersal. She employs the perspectives of a diverse range of listeners across a vast media landscape to illustrate how the affective charge of the female playback voice, combined with developments in audio technology, has led to a gradual expansion of opportunities for women in film, popular music, and media and audio production. With nuanced exploration of the way the human voice becomes intertwined with devices such as the microphone, radio, cassettes, and digital technologies, Jhingan argues for the sonic excess of the female voice beyond the narrative and visual. The Female Playback in Bombay Cinema is an authoritative addition to the field of sound studies with implications for gender studies, performance studies, and cinema studies.…

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Drawing on sound studies and performance theory, scholar Shikha Jhingan explores the discursive nature of the female playback voice in Bombay film songs. Mapping the production, circulation, and reception of the voices of singing stars-notably Lata Mangeshkar and Asha Bhosle-Jhingan situates the singing voice as a cinematic object with limitless possibilities of distribution and dispersal. She employs the perspectives of a diverse range of listeners across a vast media landscape to illustrate how the affective charge of the female playback voice, combined with developments in audio technology, has led to a gradual expansion of opportunities for women in film, popular music, and media and audio production. With nuanced exploration of the way the human voice becomes intertwined with devices such as the microphone, radio, cassettes, and digital technologies, Jhingan argues for the sonic excess of the female voice beyond the narrative and visual. The Female Playback in Bombay Cinema is an authoritative addition to the field of sound studies with implications for gender studies, performance studies, and cinema studies. 296 pp. Englisch.…