Lingua: Inglese
Editore: International Thomson Publishing, 1996
ISBN 10: 0412087715 ISBN 13: 9780412087714
Da: Squirrel Away Books, Loveland, CO, U.S.A.
Prima edizione
Hardcover. Condizione: Very Good. No Jacket. 1st Edition. Very Good condition Hardcover Quarto, 1996, 1st edition, 470 pages including index. There is a chip in the spine, otherwise the book is pretty much like new. Size: 4to - 9.5" to 12" Tall. Book.
Hardcover without dustjacket as issued; 104 pages; new condition, still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.
Da: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
hardcover. Condizione: fine. Joan Mitchell (illustratore). Illustrated in color. 103 pages. Slim 4to, blue cloth with inset pictorial label. New York: David Zwirner, (2024). A fine copy.
Editore: NY ARTS BOOK, NY, 2002
ISBN 10: 0972745106 ISBN 13: 9780972745109
Da: Gian Luigi Fine Books, Albany, NY, U.S.A.
Prima edizione
PAPERBACK. Condizione: Fine. First Edition.
Da: Anybook.com, Lincoln, Regno Unito
EUR 78,20
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9781845426118.
Editore: Sotheby's, New York, 2016
Da: Evolving Lens Bookseller, Kingston, NY, U.S.A.
Membro dell'associazione: IOBA
Prima edizione
Softcover. First Edition, First Printing. Very Good, bound in pictorial wraps. Minor edge wear to wraps. Interior is clean and unmarked, illustrated in color throughout. 4to, 11 1/2"h x 9"w. Beatifully detailed and illustrated throughout. Includes works by Francis Bacon (Two Studies for a Self Portrait), Jean-Michel Basquiat, Alexander Calder, Joan Mitchell, Cy Twombly, many others.
Condizione: Good. . Edition 21. Four volume set. (reference, classification, library science) NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
Editore: Newport Beach, CA: Newport Harbor Art Museum, 1984
Da: Harper's Books, ABAA, New York, NY, U.S.A.
Prima edizione Copia autografata
Condizione: Near Fine. Condizione sovraccoperta: dj. First Edition. First Edition. Oblong quarto. SIGNED in pencil to the title page by five of the six exhibited artists in the year of publication: Alfred Leslie, Grace Hartigan, Norman Bluhm, Al Held, and Michael Goldberg. A seminalcatalogue, published on the occasion of the exhibition curated by Paul Schimmel at the New Port Harbor Museum in Newport Beach (Jun. 28 - Sep. 9, 1984); the exhibition then traveled to five additional museums through 1985. Schimmel here helped to re-contextualize the second generation of Abstract Expressionists; a group previously derided as derivative. Near fine copy in cloth boards, in illustrated jacket with minor creasing at corners, close to near fine. Signed.
Editore: Museum, 1972
Da: BWS BKS, Ferndale, NY, U.S.A.
Paperback. Condizione: As New.
Editore: New York: Stable Gallery [1955], 1955
Da: Harper's Books, ABAA, New York, NY, U.S.A.
Broadside (26 x 19.5 in.), twice-folded into four panels (13 x 9.75 inches). A Bradbury Thompson-designed catalogue for the remarkable group show at Stable Gallery (Nov. 29 - Dec. 23, 1955); organized to correspond with Thomas Hess' exposé on a new generation of American painters for Art News Annual ("U.S. Painting: Some Recent Directions"). The exhibition featured a total of 59 works from twenty-one artists, including: Elaine de Kooning, Robert de Niro, Helen Frankenthaler, Joan Mitchell, Larry Rivers, and Robert Rauschenberg, who here exhibited one of his earliest combines and is credited as being of "inestimable help" in the show's preparation. Each of the artists represented in a grid of b&w portraits, imposed opposite a lengthy text by Hess: "In one sense the younger artist can be compared to a pair of mirrors, set back to back, reflecting simultaneously an image of the past and of the future?the point where the light of history is more concentrated. In another sense, the younger artist is a breaker of historical mirrors?the contemporary instant of creation for which past and future are equally absurd. The mirror of his art is fixed in front of his own eyes." Some tenderness to glossy sheet at fold-lines, with faint stains to text section, but nonetheless a well-preserved copy of a scarce document; better than very good. With only a single OCLC record located in North America (Frick).