joanna dee das (86 risultati)

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Paperback. Condizione: new. Paperback. Frederick Jackson Turner's 1893 essay on the history of the United States remains one of the most famous and influential works in the American canon. That is a testament to Turner's powers of creative synthesis; in a few short pages, he succeeded in redefining the way in which whole generations of Americans understood the manner in which their country was shaped, and their own character moulded, by the frontier experience. It is largely thanks to Turner's influence that the idea of America as the home of a sturdily independent people one prepared, ultimately, to obtain justice for themselves if they could not find it elsewhere was born. The impact of these ideas can still be felt today: in many Americans' suspicion of "big government," in their attachment to guns even in Star Trek's vision of space as "the final frontier." Turner's thesis may now be criticised as limited (in its exclusion of women) and over-stated (in its focus on the western frontier). That it redefined an issue in a highly impactful way and that it did so exceptionally eloquently cannot be doubted. Turner's much-anthologized 1893 essay argues that the vast western frontier shaped the modern American character-and the course of US history. Interacting with both the wilderness and Native Americans, settlers on the frontier developed institutions and character traits quite distinct from Europe. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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hardcover. Condizione: Good. No dust jacket otherwise in excellent condition.

hardcover. Condizione: Fine.

Condizione: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable. Any access codes or passwords originally included with the book may be expired, used or no longer valid. Image is stock photo and cover art edition may be different than pictured.

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hardcover. Condizione: New. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages.

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Hardback. Condizione: New. Sons of Britches. The Great American Chuckwagon Dinner Show. The Haygoods. The Grand Jubilee. These are just a couple of the many shows performed in Branson, MO, a popular tourist destination that has played a role in the nation's culture wars for over one hundred years.   Branson, Missouri, the Ozark Mountain mecca of wholesome entertainment, has been home to countless stage shows espousing patriotism and Christianity, welcoming over ten million visitors a year. Some consider it "God's Country" and others "as close to Hell as anything on Earth." For Joanna Dee Das, Branson is a political, religious, and cultural harbinger of a certain enduring dream of what America is. She takes Branson more seriously than the light-hearted fun it advertises-and maybe we should too.   For Das, Branson's performers offer visions of the American Dream that embody a set of values known as the three Fs: faith, family, and flag. Branson boosters insist that these are universal values that welcome all people; the city aims to capture as many tourists as possible. But over the past several decades, faith, family, and flag have become markers of contemporary conservatism. The shows and culture of Branson, for all their fun and laughter, have been a galvanizing political force for white, working-and-middle class, Christian Americans. For social and economic conservatives alike, Branson is practically proof-of-concept for America as they want it to be.   Faith, Family, and Flag is a comprehensive history of the Branson entertainment industry, within the context of America's long culture wars. Das reveals how and why a town known for popular entertainment, a domain associated most often with the political left ("Hollywood liberals"), came to be so important to the political right and its vision for America.

Paperback. Condizione: As New. Text clean and tight; Music In American Life; 8vo 8" - 9" tall; 304 pages.

Hardcover. Condizione: new. Hardcover. Sons of Britches. The Great American Chuckwagon Dinner Show. These are just a couple of the many shows performed in Branson, MO, where the seemingly innocent entertainment fuels American conservatism. Branson, Missouri, the Ozark Mountain mecca of wholesome entertainment, has been home to countless stage shows espousing patriotism and Christianity, welcoming over ten million visitors a year. Some consider it "God's Country" and others "as close to Hell as anything on Earth." For Joanna Dee Das, Branson is a political, religious, and cultural harbinger of a certain enduring dream of what America is. She takes Branson more seriously than the light-hearted fun it advertisesand maybe we should too. For Das, Branson's performers offer visions of the American Dream that embody a set of values known as the three Fs: faith, family, and flag. Branson boosters insist that these are universal values that welcome all people; the city aims to capture as many tourists as possible. But over the past several decades, faith, family, and flag have become markers of contemporary conservatism. The shows and culture of Branson, for all their fun and laughter, have been a galvanizing political force for white, working-and-middle class, Christian Americans. For social and economic conservatives alike, Branson is practically proof-of-concept for America as they want it to be. Faith, Family, Flag is a comprehensive history of the Branson entertainment industry, within the context of America's long culture wars. Das reveals how and why a town known for popular entertainment, a domain associated most often with the political left ("Hollywood liberals"), came to be so important to the political right and its vision for America. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: Brand New. 104 pages. 7.52x5.00x0.28 inches. In Stock.

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hardcover. Condizione: Fine.

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Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. Sons of Britches. The Great American Chuckwagon Dinner Show. The Haygoods. The Grand Jubilee. These are just a couple of the many shows performed in Branson, MO, a popular tourist destination that has played a role in the nation's culture wars for over one hundred years.   Branson, Missouri, the Ozark Mountain mecca of wholesome entertainment, has been home to countless stage shows espousing patriotism and Christianity, welcoming over ten million visitors a year. Some consider it "God's Country" and others "as close to Hell as anything on Earth." For Joanna Dee Das, Branson is a political, religious, and cultural harbinger of a certain enduring dream of what America is. She takes Branson more seriously than the light-hearted fun it advertises-and maybe we should too.   For Das, Branson's performers offer visions of the American Dream that embody a set of values known as the three Fs: faith, family, and flag. Branson boosters insist that these are universal values that welcome all people; the city aims to capture as many tourists as possible. But over the past several decades, faith, family, and flag have become markers of contemporary conservatism. The shows and culture of Branson, for all their fun and laughter, have been a galvanizing political force for white, working-and-middle class, Christian Americans. For social and economic conservatives alike, Branson is practically proof-of-concept for America as they want it to be.   Faith, Family, and Flag is a comprehensive history of the Branson entertainment industry, within the context of America's long culture wars. Das reveals how and why a town known for popular entertainment, a domain associated most often with the political left ("Hollywood liberals"), came to be so important to the political right and its vision for America.

hardcover. Condizione: Very Good in Dustjacket. Condizione sovraccoperta: Very Good. First Edition. New York. 2017. June 2017. Oxford University Press. Later Printing. Very Good in Dustjacket. 9780190264871. 26 illustrations. 280 pages. hardcover. keywords: Dance African American History. DESCRIPTION - One of the most important dance artists of the twentieth century, dancer and choreographer Katherine Dunham (1909-2006) created works that thrilled audiences the world over. As an African American woman, she broke barriers of race and gender, most notably as the founder of an important dance company that toured the United States, Latin America, Europe, Asia, and Australia for several decades. Through both her company and her schools, she influenced generations of performers for years to come, from Alvin Ailey to Marlon Brando to Eartha Kitt. Dunham was also one of the first choreographers to conduct anthropological research about dance and translate her findings for the theatrical stage. Katherine Dunham: Dance and the African Diaspora makes the argument that Dunham was more than a dancer-she was an intellectual and activist committed to using dance to fight for racial justice. Dunham saw dance as a tool of liberation, as a way for people of African descent to reclaim their history and forge a new future. She put her theories into motion not only through performance, but also through education, scholarship, travel, and choices about her own life. Author Joanna Dee Das examines how Dunham struggled to balance artistic dreams, personal desires, economic needs, and political commitments in the face of racism and sexism. The book analyzes Dunham's multiple spheres of engagement, assessing her dance performances as a form of black feminist protest while also presenting new material about her schools in New York and East St. Louis, her work in Haiti, and her network of interlocutors that included figures as diverse as ballet choreographer George Balanchine and Senegalese president LEopold SEdar Senghor. It traces Dunham's influence over the course of several decades from the New Negro Movement of the 1920s to the Black Power Movement of the late 1960s and beyond. By drawing on a vast, never-utilized trove of archival materials along with oral histories, choreographic analysis, and embodied research, Katherine Dunham: Dance and the African Diaspora offers new insight about how this remarkable woman built political solidarity through the arts. inventory #41950.