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  • Altre immagini

    Lingua: Spagnolo

    Editore: Museo Nacional Del Prado, Prague, 2013

    848480237X / 9788484802372

    • Brossura

    Da: Second Story Books, ABAA, Rockville, MD, U.S.A.Second Story Books, ABAA

    Venditore con 4 stelle
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    Membro dell’associazione: ABAAILAB

    Condizione: Usato

    EUR 45,98

    EUR 6,25 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibile

    Softcover. Second Edition. Quarto, 382 pages. In Very Good Minus condition. Spine green with white lettering. Minor scratching to front board. Shelved in Renaissance Art. 1408060. Shelved Dupont Bookstore.

  • Lingua: Inglese

    Editore: Taylor & Francis, 2017

    1138277363 / 9781138277366

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    Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books

    Venditore con 5 stelle
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    Condizione: Nuovo

    EUR 102,58

    EUR 14,75 spedizione 
    Spedito da Regno Unito a U.S.A.

    Quantità: 1 disponibile

    Paperback. Condizione: Brand New. 286 pages. 9.21x6.14x0.98 inches. In Stock.

  • Lingua: Inglese

    Editore: Ashgate Pub Ltd, 2003

    0754608077 / 9780754608073

    • Rilegato

    Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books

    Venditore con 5 stelle
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    Condizione: Nuovo

    EUR 246,72

    EUR 14,75 spedizione 
    Spedito da Regno Unito a U.S.A.

    Quantità: 1 disponibile

    Hardcover. Condizione: Brand New. 271 pages. 9.25x6.25x0.75 inches. In Stock.

  • Condizione: Usato

    EUR 97,21

    EUR 29,91 spedizione 
    Spedito da Regno Unito a U.S.A.

    Quantità: 1 disponibile

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    First edition, 2003. xi+271 pages. Illustrated. Cloth. Fine in dustjacket. The immense effect that Michelangelo had on many artists working in the sixteenth century is widely acknowledged by historians of Italian Renaissance art. Yet until recently greater stress has been placed on the individuality of these artists' styles and interpretation rather than on the elucidation of their debts to others. There has been little direct focus on the ways in which later sixteenth-century artists actually confronted Michelangelo, or how those areas or aspects of their artistic production that are most closely related to his reveal their attitudes and responses to Michelangelo's work. Reactions to the Master presents the first coherent study of the influence exerted by Michelangelo's work in painting and sculpture on artists of the late-Renaissance period including Alessandro Allori, Agnolo Bronzino, Battista Franco, Francesco Parmigianino, Jacopo Pontormo, Francesco Salviati, Raphael, Giorgio Vasari, Marcello Venusti, and Alessandro Vittoria. The essays focus on the direct relations, such as copies and borrowings, previously underrated by art historians, but which here form significant keys to understanding the aesthetic attitudes and broader issues of theory advanced at the time.…